A thin joke becomes a splashy (if low budget) black-and-white musical extravaganza
A cheerful parking attendant considers it his job to do more than validate parking. He wants to validate the customers themselves, delivering compliments about their appearances and the inner qualities behind them. Everyone who comes up to him with a ticket walks away validated as a worthwhile human being. Soon, the parking attendant becomes so popular that people line up for validation. He appears on news broadcasts and even ends up validating George W. Bush and Saddam Hussein. His life hits a roadblock when he goes to the DMV to get his driver's license photo taken and is met with a beautiful photographer whom he can't get to smile.
As with "Rent-a-Person" (2004), writer-director Kurt Kuenne takes a thin joke and blows it up into a splashy (if low budget) black-and-white musical extravaganza. In fact, the man with the camera who makes a brief appearance in the earlier film, returns as the main character in this one, which we don't realize until we see the scene in which the two movies intersect.
This one is less extravagant, but I liked it a bit better - possibly because the toilet humor is gone.
As with "Rent-a-Person" (2004), writer-director Kurt Kuenne takes a thin joke and blows it up into a splashy (if low budget) black-and-white musical extravaganza. In fact, the man with the camera who makes a brief appearance in the earlier film, returns as the main character in this one, which we don't realize until we see the scene in which the two movies intersect.
This one is less extravagant, but I liked it a bit better - possibly because the toilet humor is gone.
- J. Spurlin
- Sep 7, 2009