Anthony Hopkins does not merely portray Richard Nixon as a cheap caricature, as Frank Langella did in Ron Howard's pointless Frost/Nixon. He creates a living, breathing human being that we can all relate to, while still adopting the notorious president's signature speech patterns and mannerisms.
Oliver Stone's direction is nothing short of a miracle. As in his 1991 masterpiece, JFK, he has a lot of different characters to bring to life on the screen. He helps his actors fashion their performances with miraculous accuracy. Paul Sorvino is dead-on as Henry Kissinger, as is Joan Allen as Pat Nixon, and Bob Hoskins as the mysterious, mean-spirited J. Edgar Hoover.
The writing is also represents a triumph. Stone and co. are able to synthesize entire pages of historical prose into digestible chunks of dialogue. Aspiring screenwriters should seriously take note.
Although 1995 also saw the likes of Casino, Seven, Heat, and The Usual Suspects, Nixon is the ultimate champion. History on screen has rarely been this exhilarating.
Oliver Stone's direction is nothing short of a miracle. As in his 1991 masterpiece, JFK, he has a lot of different characters to bring to life on the screen. He helps his actors fashion their performances with miraculous accuracy. Paul Sorvino is dead-on as Henry Kissinger, as is Joan Allen as Pat Nixon, and Bob Hoskins as the mysterious, mean-spirited J. Edgar Hoover.
The writing is also represents a triumph. Stone and co. are able to synthesize entire pages of historical prose into digestible chunks of dialogue. Aspiring screenwriters should seriously take note.
Although 1995 also saw the likes of Casino, Seven, Heat, and The Usual Suspects, Nixon is the ultimate champion. History on screen has rarely been this exhilarating.