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June Allyson and Van Johnson in La mariée est folle (1948)

Review by moonspinner55

La mariée est folle

4/10

The title is a misnomer...

June Allyson doing her thing. This time, she's a down-home gal and ace illustrator who wins a contest for her artwork to be used in a new children's book penned by the beloved Uncle Bumps, a modern-day Hans Christian Andersen. Turns out Uncle Bumps is really a hard-drinking, free-wheeling bachelor who dislikes children--yet he is so taken with this uptight artist once he meets her, he attempts to woo her under an alias. Why? It doesn't matter, for this is a vehicle for Allyson and Van Johnson (movie favorites at the time), and the script treats their characters like human bumper-cars just to keep star-watchers on their toes. Johnson's ruse is soon exposed, forcing him to emulate an honorable guy--which includes 'borrowing' an orphan to pose as his son. June threatens to dislodge him from the ranks of celebrity by reporting him to her cousin, a banner of controversial books and plays (she actually seems to proud to know such a person). Throw in an obnoxious hometown beau waiting in the wings, a wedding overcome with ants, and Hume Cronyn as a publisher on the brink of a nervous breakdown, and you have all the ingredients for a laughless family fracas done with neither style nor merit. *1/2 from ****
  • moonspinner55
  • Jan 26, 2010

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