[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro
Annabeth Gish, Katey Sagal, and Tom Irwin in Pour l'amour d'Emily (1999)

Review by Nozz

Pour l'amour d'Emily

8/10

Tough material, well handled

This is a movie that doesn't fool around. It treats one major concern; and other matters that, in real life, would normally occupy the characters from time to time are shunted aside. Annabeth Gish is a single mother of two working twelve-hour days as a nurse, but it seems that luckily her children are angelic, it's seldom evident that she has more than one patient to worry about, and somehow she can regularly find time to spare on her day off. Tom Irwin is rather a cipher as the ideal husband, whose parents are the ideal in-laws. I'm not even sure what he does for a living. (Does he run a bookstore? Well, it doesn't matter.) The dialogue goes straight to the point-- so much so, I'd say, that the actors and director deserve considerable credit for making it seem realistically conversational as they put it across. But they do put it across, and the movie grips you despite the sketchiness of almost all the characters. Annabeth Gish is always magnetic, and Katy Sagal courageously submits to an outward deglamorization to make her character all the more noble.
  • Nozz
  • Jun 4, 2009

More from this title

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.