poor handwork
Helo everyone!
I rented the movie yesterday to watch the mesmerizing Chirstopher Lambert in this adaptation of Blood Baroness Bathory story, who actually existed, and must say I was bitterly disappointed.
First, the moving pictures that I've seen on the screen were in poor quality - not the TV seen, but the photography and cinematography were not what you can expect even in low budget movies as this one. Alone the camera movement tried to capture the mystery/horror atmosphere of the movie, but lightning was just bad - as made from students that just ended their program.
Second, the Characters of the movie were mostly two dimensional, with no ability or possibility in script to give them emotional(human,when we are talking vampires) depth.
Don't get me wrong; the work of actors was acceptable, but the Characters were boring. The only ones that stood out were Lambert as the Bad Guy of the story with his performance, that actually had similarity to his Mortal Combat character, and Hofmann as the Elisabeth (the "good Vampire") because she succeeded to grow over the cliché of seductive vampire woman and let me believe that Elisabeth is truly caring about Keith (played by Sevier, who still has to prove himself as an actor).
The FX were OK, but the some scenes were just not working as suspense visual vehicles for the audience(for example, when brother Alexander sticks his javelin trough sister's Chaterine's heart and Hihgham character, and they disintegrate, the J.J, played by Hollway, stands in the Picture and is not afraid but amazed that the scene is actually taking place...?)Really, not funny.You see this in experimental footage of movie students. The white light of the purgatory works OK, but you can see almost the whole time, that it is not...well, that is fx.
OK,enough of bad mood. The Idea of "time is slower in purgatory" and the visualization of it was really good.It worked in building the suspense and it worked as the idea of "follow the white light" was finally clear.
I rented the movie yesterday to watch the mesmerizing Chirstopher Lambert in this adaptation of Blood Baroness Bathory story, who actually existed, and must say I was bitterly disappointed.
First, the moving pictures that I've seen on the screen were in poor quality - not the TV seen, but the photography and cinematography were not what you can expect even in low budget movies as this one. Alone the camera movement tried to capture the mystery/horror atmosphere of the movie, but lightning was just bad - as made from students that just ended their program.
Second, the Characters of the movie were mostly two dimensional, with no ability or possibility in script to give them emotional(human,when we are talking vampires) depth.
Don't get me wrong; the work of actors was acceptable, but the Characters were boring. The only ones that stood out were Lambert as the Bad Guy of the story with his performance, that actually had similarity to his Mortal Combat character, and Hofmann as the Elisabeth (the "good Vampire") because she succeeded to grow over the cliché of seductive vampire woman and let me believe that Elisabeth is truly caring about Keith (played by Sevier, who still has to prove himself as an actor).
The FX were OK, but the some scenes were just not working as suspense visual vehicles for the audience(for example, when brother Alexander sticks his javelin trough sister's Chaterine's heart and Hihgham character, and they disintegrate, the J.J, played by Hollway, stands in the Picture and is not afraid but amazed that the scene is actually taking place...?)Really, not funny.You see this in experimental footage of movie students. The white light of the purgatory works OK, but you can see almost the whole time, that it is not...well, that is fx.
OK,enough of bad mood. The Idea of "time is slower in purgatory" and the visualization of it was really good.It worked in building the suspense and it worked as the idea of "follow the white light" was finally clear.
- tomaz-kovacic
- Jun 11, 2007