Review by bob the moo

Since Number 5 vanished into hiding with Newton and Stephanie in Montana, Ben Jahrvi has gone to New York to continue his career in robotic engineering. His options however, are limited and his new job sees him building toy Number 5's in the back of his van (which is also his home and office) and selling them on the street. A chance encounter with toy buyer Sandy Banatoni nets him an order for 1000 in only a month or two. Street hustler Fred helps him get premises for a factory (albeit a condemned one) in Midtown Manhattan. However unbeknownst to any of them the factory is already populated by bank thieves looking to tunnel into the bank across the road and steal a stock of diamonds. Their plans are greatly helped by the real Number 5 arriving on the scene but how will he react when he learns that outside the factory doors is a city full of input.

Following on from the guilty pleasure of the original film, Short Circuit 2 brings Johnny 5 to a city that looks like New York in the same way as a goldfish looks like a shark. The narrative itself is a mixed bag as it runs together plots about toy manufacture, jewel heists, a romance and 5's ongoing struggle to fit in and be accepted as a living being rather than a machine. The majority of it is very basic stuff and just produces noisy stuff that kids will enjoy but will do little for many others. The romance aspect is forced and unconvincing and is the one part of the film that should have been totally dropped. The strength of the film is 5's attempts to fit in and his internal struggle with the desire to be accepted by others. The few scenes that have this theme at its heart are the stronger parts of the film and it is a shame that they are few and far between.

Johnny 5 is perhaps a bit too wacky and comic to endear himself to adults but children (and people my age who were children back in the 80's) will love him. Blaney's voice work is a bit grating at times and is not helped by some of his dialogue but he is assured in the more touching moments while the robot itself has a surprising good use of body language to convey emotion considering it is just a big special effect. The irony of having white Stevens playing an Indian cliché in a film that has themes of acceptance and being yourself may have been lost on the writers but it did amuse me – which is more than I can say for Stevens himself. He tries hard to make the material work for him but his performance seems more and more in bad taste as time goes on. McKean is amusing in a fairly obvious character while Gibb can do little with the side of the script she is handed.

Overall then a solid children's film that could have done more but too often settles for simple comic antics. Children of the 80's will probably enjoy it since it is part of cultural knowledge and experience but just don't expect it to be as good as your rose tinted reminiscing would have you remember it.