A tour-de-force
Anna Magnani is magnificent as a pushy show-biz mother determined to get her daughter into the movies. She's like an early prototype of Bette Midler but she's more down-to-earth and with a greater propensity for feeling. (Midler could do the comedy but not the pathos). The film is charming but for a Visconti movie, it's slight. It's a great director's trifle about the movies; he enjoys poking fun at the stereotypes he's worked with in more serious films. It's laugh out loud funny.
The film doesn't offer any insights into the movie-making process and even the wheeling and dealing seems perfunctory. At times you wish maybe Visconti had gone a little deeper. (At the end he makes a point that the movies can be shallow but we know that already). Take Magnani out of the equation and there really isn't much left. She's the life-force that holds it together. It really is a great piece of acting.
The film doesn't offer any insights into the movie-making process and even the wheeling and dealing seems perfunctory. At times you wish maybe Visconti had gone a little deeper. (At the end he makes a point that the movies can be shallow but we know that already). Take Magnani out of the equation and there really isn't much left. She's the life-force that holds it together. It really is a great piece of acting.
- MOscarbradley
- Aug 5, 2006