Review by ptb-8

In the 1970s Phillipe Mora looked to be a director who was going to deliver the goods. His strange doco BROTHER CAN YOU SPARE A DIME was a 30s jigsaw puzzle of fascinating imagery that needed a commentary. In the 80s he delivered this quite fascinating film. But in the 90s it all went wrong with terrible horror films and now, nothing. In the last week I have seen two James Coburn films. I have never ever been interested in any performance or film of his. Timing has now led me to THE AMERICANIZATION OF EMILY (1964)...a superb military satire, and DEATH OF A SOLDIER, two films made 20 years apart both with him, both set during WW2... and I have to admit I now have a new found appreciation of Coburn's acting and characterizations. DEATH OF A SOLDIER is a very well made Wartime murder drama with a protagonist played by under rated and over looked he-man Reb Brown. My only vision of him was during BIG Wednesday of all things, when, during a hilarious house party, he cleaned up the gatecrashers in a demolition derby worthy of Hercules visiting Animal House. He is great looking and appears as a cross between Steve McQueen and Ryan O'Neal with a great physique. Here that look is used to great affect as a loudmouth Yankee party bumpkin on leave during WW2 whose alcoholic haze leads to crimes that actually did happen In Melbourne in the mid 40s.. His character is a lot like that of Don Murray, the yahooo-ing cowboy in the Marilyn Monroe film BUS STOP. It is the study of his mentality and it's effect that mires Coburn into a court trial or considerable predicament. The film is excellent and interesting in so many ways, and really flawed in two major things: the clumsy appearance of "General MacArthur" posing and strutting about.... never speaking ..even wearing sunglasses indoors to maintain the image (Jeez!) ....and the overuse of obvious 40s music. If I hear In The Mood again in a 40s film well..... Sadly the film did no biz in its day which I remember had a lot to do with Mora's difficulties with the distributor and with the media, and remains a strange and interesting example of a period piece pic almost 'got right'. Coburn is the best actor there, among Aussie stalwarts... with Maurie Fields being very real. There is far too much swearing.