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Harry Carey in Le ranch Diavolo (1917)

Review by Cineanalyst

Le ranch Diavolo

3/10

Derivative Beginnings

This is notable for being an early directorial effort by John Ford, the great Western filmmaker. It's short and simple--about a feud between ranchers and farmers over water supply. The print I saw was missing some brief footage, and the film isn't in the best shape. Still, it is clearly unimpressive. There are plenty of shots with open doorways, and one might find similarities with Ford's later work, but the static camera positioning is prosaic even for 1917.

Harry Carey's Cheyenne Harry is a bandit turned good after seeing an attractive female--a role too similar to the one William S. Hart had already introduced to the screen in nearly every one of his vehicles. And, the climax of "Straight Shooting" seems to be taken straight from D.W. Griffith; it especially resembles "The Birth of a Nation" in a clumsy, derivative way. Eventually, Ford would improve upon past films and film-making, but here he was just copying others.
  • Cineanalyst
  • Sep 13, 2005

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