More good stuff from mr. Kurosawa
Kiyoshi Kurosawa's latest thriller is an interesting, playful exercise in suspense slightly marred by some questionable directing choices.
The film's more distinct first half introduces us to Ryosuke, a shady reseller who buys goods on the cheap only to multiply their prices on his online selling platform. He lives modestly, sharing his flat with his girlfriend and working in a factory, but dreams of turning the reselling side business into his main thing. Soon he starts receiving mysterious threats, so he's forced to relocate to a different location, but that won't be the end to his woes...
The film's carefully maintained sense of danger in its first hour is the best thing about it. It achieves a sense of dread that will be familiar to Kurosawa's fans, turning the mundane into threatening, and punctuating everyday lives with creepy incidents. The camerawork and sound design are sublime, just like they were in Kurosawa's classics. Later, the film segues into an altogether different thriller mode, but one that, while entertaining, isn't exactly too compelling or surprising. It basically devolves into a lesser film that throws plausibility out the window, although not enough that you would check out entirely.
I personally felt similarly about Creepy, the director's other film that initially showed more promise than it ultimately delivered. However, both films also offer their share of genre pleasures and aren't easily dismissed. There are ideas here that work well and are integrated into the plot with ease. Even so, neither this one nor Creepy are among Kurosawa's best works.
I would recommend this one to the director's many fans, although I'd suggest that they lower their expectations a bit.
The film's more distinct first half introduces us to Ryosuke, a shady reseller who buys goods on the cheap only to multiply their prices on his online selling platform. He lives modestly, sharing his flat with his girlfriend and working in a factory, but dreams of turning the reselling side business into his main thing. Soon he starts receiving mysterious threats, so he's forced to relocate to a different location, but that won't be the end to his woes...
The film's carefully maintained sense of danger in its first hour is the best thing about it. It achieves a sense of dread that will be familiar to Kurosawa's fans, turning the mundane into threatening, and punctuating everyday lives with creepy incidents. The camerawork and sound design are sublime, just like they were in Kurosawa's classics. Later, the film segues into an altogether different thriller mode, but one that, while entertaining, isn't exactly too compelling or surprising. It basically devolves into a lesser film that throws plausibility out the window, although not enough that you would check out entirely.
I personally felt similarly about Creepy, the director's other film that initially showed more promise than it ultimately delivered. However, both films also offer their share of genre pleasures and aren't easily dismissed. There are ideas here that work well and are integrated into the plot with ease. Even so, neither this one nor Creepy are among Kurosawa's best works.
I would recommend this one to the director's many fans, although I'd suggest that they lower their expectations a bit.
- alain-kapel5
- Jan 1, 2025