Extraordinarily beautiful!
This is poetic, emotional, breathtaking film-making blessed with a truly inspiring Mark Isham score. The theme song, "10,000 Miles", is achingly beautiful and is first used with intuitive irony over the film's opening credit sequence.
Anna Paquin is the little girl who, with her father, Jeff Daniels, "imprints" with a flock of young geese and leads them, via homemade aircraft, to a new home thousands of miles away.
The flight sequences, which combine real flying with computer-assisted imagery over rivers, pastures and cityscapes, are flawless. They capture the awe and staggering thrill of flight without ever resorting to unnecessary, contrived stuntwork.
Daniels, not a regular face on the silver screen these days, is natural and likable as Paquin's eccentric father while Paquin once again demonstrates what a brilliant talent she is.
The narrative builds to an exciting conclusion as the film's environmental theme is amplified.
Director Ballard, who also made the striking BLACK STALLION and the stark NEVER CRY WOLF, brings acute visual economy to every scene and never allows the film's underlying theme to become preachy.
Caleb Deschanel, the film's cinematographer, gives us flawless images that frequently drop the jaw.
A major achievement in a minor key.
Anna Paquin is the little girl who, with her father, Jeff Daniels, "imprints" with a flock of young geese and leads them, via homemade aircraft, to a new home thousands of miles away.
The flight sequences, which combine real flying with computer-assisted imagery over rivers, pastures and cityscapes, are flawless. They capture the awe and staggering thrill of flight without ever resorting to unnecessary, contrived stuntwork.
Daniels, not a regular face on the silver screen these days, is natural and likable as Paquin's eccentric father while Paquin once again demonstrates what a brilliant talent she is.
The narrative builds to an exciting conclusion as the film's environmental theme is amplified.
Director Ballard, who also made the striking BLACK STALLION and the stark NEVER CRY WOLF, brings acute visual economy to every scene and never allows the film's underlying theme to become preachy.
Caleb Deschanel, the film's cinematographer, gives us flawless images that frequently drop the jaw.
A major achievement in a minor key.
- fertilecelluloid
- Jan 5, 2005