Review by Parr

The film visualizes the erotic nightmares of a girl, who, after a negative experience, suspects sex and violence behind every door. Without showing any emotions, Jessica F. Manera walks through her grotesque inner life, which seems to be turned inside out. This is pure horror and pornography. Sometimes, when things are exaggerated, the horror becomes comic, even in the darkness of the black-and-white film. It is not a relaxed, but overexcited and depressive cheerfulness, a shrill and anarchic orgy of rock music and fantasies about sex and violence.