[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro
Wendy Hiller and Roger Livesey in Je sais où je vais (1945)

Review by marcslope

Je sais où je vais

10/10

One of a kind

It's really "It Happened One Night" -- spoiled girl, on the way to wed her rich fiance, is escorted by a younger man and falls in love with him -- but it's so much more. Powell's and Pressburger's imaginations are boundless. They create characters who are lovable eccentrics, but believable. They shift tone effortlessly from comedy to thriller to travelogue to romance and back again. They employ every resource of cinema, without being showy about it: watch the camera tricks in the first ten minutes alone. They fill the movie with diversions that have little to do with the plot but create a beautifully picaresque atmosphere.

I don't know of any other movie that is so inconsequential on the face of it, yet packs such an enormous emotional wallop. Ostensibly an assembly-line romantic comedy, it's really about spiritual growth, opening yourself to all sorts of new experiences and learning to see things from others' points of view. It's whimsical, but not thin. With its moody photography, wonderful musical score, and numerous coups de cinema, it lingers in your memory months after you've seen it. And the ending is one of the most satisfying in all the movies.

One minor complaint: Hiller is a tad too steely in the beginning, too crisp, too calculating-actress-playing-calculating-character. As she succumbs to the charms of her surroundings and her leading man, though, she's bewitching. And Livesey has one of the most beautiful speaking voices you'll ever hear. Their chemistry is terrific. And when he recites a Celtic poem ending in, "you're the one for me," and looks right at her, it's quite sexy.

There's no other movie quite like it. And I defy anyone to see it on a date and not fall in love with his/her vis-a-vis.
  • marcslope
  • Dec 25, 2000

More from this title

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.