Nothing depressing about this non-depression era "Blondie" entry.
A little bit of Arthur Lake (as Dagwood or anybody else) is more than enough, and usually too much, but this entry, set in mid-WW II,ranks as one of the best in the series, especially in the segments involving the stage play, and more so when Jonathan Withers and Thurston Hall stroll across the stage totally unaware a live play is being presented.
- horn-5
- Apr 19, 2002