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Carmen Miranda, Betty Grable, Cesar Romero, Harry James, and John Payne in Springtime in the Rockies (1942)

Review by gregcouture

Springtime in the Rockies

Technicolor and Carmen Miranda - Oh! What a combo!!

If I didn't read it somewhere, I'm sure I'd appropriate the assertion myself: "Technicolor was invented for Carmen Miranda." That fabulously talented lady from Brazil possessed a sense of humor which brightened many an hour for me. (Yes, she was assisted by scriptwriters and directors who knew how to showcase her gifts, but her personality simply leaps from the screen and into all those receptive hearts who so regret her untimely passing.)

This is one of the better films in which Carmen appeared (Luvved her character's moniker: "Rosita Murphy" - What fun!) and other comments on this site aptly point out its delights. Everyone in the cast gets to add to the pleasure and let no one cast aspersions on Miss Betty Grable - her verve and naturalness were one of Twentieth-Century Fox's most valuable assets, especially during those difficult WWII years. A friend of mine, whose youthful cinema-going was considerably less supervised than mine, was absolutely besotted with Betty's blonde beauty and bounce. I believe he saw everyone of her films first-run, when he was barely old enough to enter a theater unaccompanied, as he did, and he insisted I catch TV showings of those Grable gems (and her fabled gams) whenever he saw a broadcast listing. Each time I was able to follow his recommendation, I was not in the least sorry. And with Senorita Miranda to whip this confection into frothy perfection...well, as the saying goes: "They don't make 'em like that anymore."
  • gregcouture
  • May 14, 2003

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