speaktomenow
Entrou em dez. de 2014
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Classificação de speaktomenow
It's rare to see a television drama squander potential quite as thoroughly as "Wolf." Marketed as a taut British thriller, it is instead a masterclass in how not to grip an audience. The dialogue is staggeringly clunky-each line delivered with all the finesse of a sixth-form drama production. Even the most basic conversations are laden with exposition, lacking any natural rhythm or wit.
The lead actor, whose diction veers between mumbling and unintelligible, only compounds the problem. At times, it's genuinely difficult to work out what he's saying, which drains the show of any tension it might have scraped together. The entire cast appears to be performing in different genres, as if no one was quite sure whether this was meant to be camp or chilling.
But the worst crime "Wolf" commits is its utter lack of suspense. For a show that touts itself as a thriller, not a single moment manages to quicken the pulse. Every twist is telegraphed miles in advance, and the plot relies so heavily on coincidence and contrivance that it beggars belief.
"Wolf" is a thriller with no thrills-an utterly forgettable misfire.
The lead actor, whose diction veers between mumbling and unintelligible, only compounds the problem. At times, it's genuinely difficult to work out what he's saying, which drains the show of any tension it might have scraped together. The entire cast appears to be performing in different genres, as if no one was quite sure whether this was meant to be camp or chilling.
But the worst crime "Wolf" commits is its utter lack of suspense. For a show that touts itself as a thriller, not a single moment manages to quicken the pulse. Every twist is telegraphed miles in advance, and the plot relies so heavily on coincidence and contrivance that it beggars belief.
"Wolf" is a thriller with no thrills-an utterly forgettable misfire.
Review: "Hotel Reverie" - A Black Mirror Episode Lost in Its Own Reflection
Black Mirror's "Hotel Reverie" is a maddening misfire-a tangled mess of convoluted sci-fi and hollow emotional beats, weighed down further by a painfully flat lead performance from Issa Rae. What should have been a sleek psychological thriller about identity and memory instead collapses under the weight of its own pseudo-intellectual pretensions.
The core concept-some kind of memory-implanting hotel experience that lets guests "live a perfect life"-starts off promising, but quickly spirals into baffling exposition, nonsensical tech jargon, and plot twists that feel more like desperate stabs at profundity than meaningful narrative turns. The technology at the heart of the episode is never clearly explained, and not in a mysterious, intriguing way-just a lazy, inconsistent one that leaves you wondering how any of it is supposed to work or why you should care.
Issa Rae, typically a charismatic presence, seems miscast here. Her performance is oddly wooden, especially during the more emotionally charged moments, which feel forced and unconvincing. As the supposed emotional anchor of the episode, she does little to ground the chaos.
In the end, "Hotel Reverie" feels like Black Mirror doing an impression of itself: confusing tech, bloated plot, and none of the bite or insight that made earlier seasons compelling. A reverie best forgotten.
Black Mirror's "Hotel Reverie" is a maddening misfire-a tangled mess of convoluted sci-fi and hollow emotional beats, weighed down further by a painfully flat lead performance from Issa Rae. What should have been a sleek psychological thriller about identity and memory instead collapses under the weight of its own pseudo-intellectual pretensions.
The core concept-some kind of memory-implanting hotel experience that lets guests "live a perfect life"-starts off promising, but quickly spirals into baffling exposition, nonsensical tech jargon, and plot twists that feel more like desperate stabs at profundity than meaningful narrative turns. The technology at the heart of the episode is never clearly explained, and not in a mysterious, intriguing way-just a lazy, inconsistent one that leaves you wondering how any of it is supposed to work or why you should care.
Issa Rae, typically a charismatic presence, seems miscast here. Her performance is oddly wooden, especially during the more emotionally charged moments, which feel forced and unconvincing. As the supposed emotional anchor of the episode, she does little to ground the chaos.
In the end, "Hotel Reverie" feels like Black Mirror doing an impression of itself: confusing tech, bloated plot, and none of the bite or insight that made earlier seasons compelling. A reverie best forgotten.