kornfildd-12114
Entrou em dez. de 2023
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Classificação de kornfildd-12114
Seklusyon could have been a breakthrough movie for the six main actors (the four deacons, the nun, and the child). Unfortunately, their acting weren't enough to make this supernatural horror story from Erik Matti convincing and memorable. He has a good eye for the perfect location and story, but not for the right actors to play the part.
The movie tells the story of four aspiring priests to a secluded area to shield them from evil before being ordained- just like how Jesus was tempted by the devil at his most vulnerable state before beginning his ministry.
The acting was terrible, dialogues were contrived, and editing seemed to have been done by amateurs. It's as if every scene was directed by different people and put together to create one film. Given the situation they were all in- trapped inside a house with the devil and their sins, you'd expect anguish, confusion, and spiritual struggle. But they were too busy throwing lines written by someone who hated God and religion all his life.
The only redeeming factor is its cinematography.
I've previously watched Matti's another horror film, Kuwaresma and it is obvious how he's fond of using vintage props. It was meant to recreate the past, but sadly, it ended up merely like a product placement. As a viewer, you'd feel like Matti was just flexing his classic collections.
And what's with all the characters being quick tempered and talking rudely to one another? The way Veloso's character said diyakono as if it's a very bad, filthy word; the nun telling the priest angrily that she has no time "para makipagbiruan" when the priest was seriously asking her questions; and the bishop suddenly reprimanding the Padre Ricardo when he was trying to reason out with him. Everything else is just so unnatural that the only thing real is each character's guilty conscience.
Just like what happened in Kuwaresma, they just decided to come up with an absurd twist to bring it to its abrupt finale. Seklusyon could have been as solid as Matti's other movie about religion, Honor Thy Father, but unfortunately it ended up rather forgettable with a lackluster performance.
The movie tells the story of four aspiring priests to a secluded area to shield them from evil before being ordained- just like how Jesus was tempted by the devil at his most vulnerable state before beginning his ministry.
The acting was terrible, dialogues were contrived, and editing seemed to have been done by amateurs. It's as if every scene was directed by different people and put together to create one film. Given the situation they were all in- trapped inside a house with the devil and their sins, you'd expect anguish, confusion, and spiritual struggle. But they were too busy throwing lines written by someone who hated God and religion all his life.
The only redeeming factor is its cinematography.
I've previously watched Matti's another horror film, Kuwaresma and it is obvious how he's fond of using vintage props. It was meant to recreate the past, but sadly, it ended up merely like a product placement. As a viewer, you'd feel like Matti was just flexing his classic collections.
And what's with all the characters being quick tempered and talking rudely to one another? The way Veloso's character said diyakono as if it's a very bad, filthy word; the nun telling the priest angrily that she has no time "para makipagbiruan" when the priest was seriously asking her questions; and the bishop suddenly reprimanding the Padre Ricardo when he was trying to reason out with him. Everything else is just so unnatural that the only thing real is each character's guilty conscience.
Just like what happened in Kuwaresma, they just decided to come up with an absurd twist to bring it to its abrupt finale. Seklusyon could have been as solid as Matti's other movie about religion, Honor Thy Father, but unfortunately it ended up rather forgettable with a lackluster performance.