stella-4
Entrou em jan. de 2001
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Selos7
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Avaliações7
Classificação de stella-4
Lasse Halstrom has a way of bringing images to the minds of viewers without even necessarily putting them on screen. His combination of casting, controlled acting techniques, cinematography and music paint pictures you may not see if you aren't prepared. He has done this beautifully with "The Shipping News."
He begins by understanding that Newfoundland must not only be the setting for the film, but also the main character. Then he helps the actors understand that they are just a part of telling a story that conveys the spirit of Newfoundland. It is Newfoundland itself that the actors are supporting, and Newfoundland itself that builds the characters. The use of music and cinematography make palpable the cold and warmth of Newfoundland simultaneously, and make a possibly gloomy, downtrodden plot seem positive and optimistic.
To make sure the job is done correctly, he employs excellent casting, for the most part. Kevin Spacey's work here has been compared extensively to that of his "American Beauty" character, in that the shift of his personality from meek to bold is similar. But I didn't find that to be true. I thought Spacey conveyed Quoyle as tired and put-upon, but optimistic to the end. It was as if he was living his unfortunate life without realizing it was all that unfortunate, until good things started happening for him. He made me feel as if his character was child-like and accepting, which is very much not the case in "American Beauty."
I thought Cate Blanchett was remarkable and real. Judi Dench was totally believable, and delivered a terrific performance, despite some struggle with the accent. Julianne Moore was fine, although it seemed her trouble with the accent provided her with some trouble with her character, slipping out from time to time.
The supporting cast was excellently chosen. Scott Glenn, Pete Postlethwaite and Rhys Ifans were all quite effective as the newspaper crew. The greatest accolades, though, should go to Gordon Pinsent as Billy Pretty. His role was not the biggest, and his critiques have not been the brightest. But after seeing him in this performance, I feel very protective of him and of his part in this film, and must say that he is being greatly underestimated, as I imagine he has been throughout his career (based on how little we hear of him here in the States). He has such a grasp and thorough understanding of the character that he practically blends in with the setting. There is nothing contrived about his delivery; dialogue rolls off of his tongue (I'm sure being a native Newfoundlander helped). He wears his beard and costume as if he's never worn anything else. He is as at east with this role as I have ever seen any actor on film. And perhaps that is why he is not getting the attention he deserves--he is TOO natural! The quality of his work will have one of two effects: either he will steal every scen he's in because of his appearance and technique; or he will go unnoticed because of his complete believability. I'm sure he won't get it, for whatever reason, but this man deserves a Best Supporting Actor Oscar.
The story may not be one worth telling. And the writing, closely resembling that of the novel, may not always be authentically Newfoundland. But if you have already seen this picture, I encourage you to see it again bearing in mind that it is Newfoundland and its people that have a story to tell, and that these actors have done a good job in playing a role in that story. Look again, especially, at Gordon Pinsent, and see if you agree with my assessment. He understands acting as it is meant to be done.
He begins by understanding that Newfoundland must not only be the setting for the film, but also the main character. Then he helps the actors understand that they are just a part of telling a story that conveys the spirit of Newfoundland. It is Newfoundland itself that the actors are supporting, and Newfoundland itself that builds the characters. The use of music and cinematography make palpable the cold and warmth of Newfoundland simultaneously, and make a possibly gloomy, downtrodden plot seem positive and optimistic.
To make sure the job is done correctly, he employs excellent casting, for the most part. Kevin Spacey's work here has been compared extensively to that of his "American Beauty" character, in that the shift of his personality from meek to bold is similar. But I didn't find that to be true. I thought Spacey conveyed Quoyle as tired and put-upon, but optimistic to the end. It was as if he was living his unfortunate life without realizing it was all that unfortunate, until good things started happening for him. He made me feel as if his character was child-like and accepting, which is very much not the case in "American Beauty."
I thought Cate Blanchett was remarkable and real. Judi Dench was totally believable, and delivered a terrific performance, despite some struggle with the accent. Julianne Moore was fine, although it seemed her trouble with the accent provided her with some trouble with her character, slipping out from time to time.
The supporting cast was excellently chosen. Scott Glenn, Pete Postlethwaite and Rhys Ifans were all quite effective as the newspaper crew. The greatest accolades, though, should go to Gordon Pinsent as Billy Pretty. His role was not the biggest, and his critiques have not been the brightest. But after seeing him in this performance, I feel very protective of him and of his part in this film, and must say that he is being greatly underestimated, as I imagine he has been throughout his career (based on how little we hear of him here in the States). He has such a grasp and thorough understanding of the character that he practically blends in with the setting. There is nothing contrived about his delivery; dialogue rolls off of his tongue (I'm sure being a native Newfoundlander helped). He wears his beard and costume as if he's never worn anything else. He is as at east with this role as I have ever seen any actor on film. And perhaps that is why he is not getting the attention he deserves--he is TOO natural! The quality of his work will have one of two effects: either he will steal every scen he's in because of his appearance and technique; or he will go unnoticed because of his complete believability. I'm sure he won't get it, for whatever reason, but this man deserves a Best Supporting Actor Oscar.
The story may not be one worth telling. And the writing, closely resembling that of the novel, may not always be authentically Newfoundland. But if you have already seen this picture, I encourage you to see it again bearing in mind that it is Newfoundland and its people that have a story to tell, and that these actors have done a good job in playing a role in that story. Look again, especially, at Gordon Pinsent, and see if you agree with my assessment. He understands acting as it is meant to be done.
I am a fan of both hockey and of Gordon Pinsent. What a treat to have seen them come together so successfully! Pinsent is blessed with hilarious dialogue, which he delivers with ease and brilliance. I hope they use him more. Dean McDermott is wonderful, too. Good writing, good cast, good show. I was fortunate enough to see a couple of episodes on a recent trip to Ontario, and was greatly disappointed to discover I wouldn't be able to see it upon my return to the U.S. This country is missing out on some top quality programming by not covering Canadian broadcasting.