AVALIAÇÃO DA IMDb
5,4/10
20 mil
SUA AVALIAÇÃO
Uma mãe e uma filha devem enfrentar um monstro aterrorizante quando se avariam em uma estrada deserta.Uma mãe e uma filha devem enfrentar um monstro aterrorizante quando se avariam em uma estrada deserta.Uma mãe e uma filha devem enfrentar um monstro aterrorizante quando se avariam em uma estrada deserta.
- Prêmios
- 6 indicações no total
Avaliações em destaque
I respect where Bryan Bertino was trying to go with this film, but he falls short. While he does gets a decent start on character development that mostly works despite some overwrought writing and acting, the static set piece and drawn out end battle bleed away any real tension. Flashbacks are overused and ultimately come too late and the well shot and creepy final locations overstay their welcome. Few films are able to pull off this Babadook-esque having your cake and eating it too morality monster mash, and despite a good college try, the Monster fails along with all the others.
The relationship between the mother and her child is the number one priority here. So while this is a horror movie (mostly in the psychological area), it is also a Drama. And some of the best Horror movies (that are not Slashers or particularly explicitly violent) have been Dramas at heart too.
And while I get that the child may seem annoying to some and some decisions made feel rushed, the casting was good and the script was decent enough giving them all something to play with (no pun intended). The movie is very dark (both in tone and in visual flair) and while it does drift into expected (read cliché territory) and has somewhat of a downfall towards the end (and maybe for some a slow beginning), overall the positive things do win over ...
And while I get that the child may seem annoying to some and some decisions made feel rushed, the casting was good and the script was decent enough giving them all something to play with (no pun intended). The movie is very dark (both in tone and in visual flair) and while it does drift into expected (read cliché territory) and has somewhat of a downfall towards the end (and maybe for some a slow beginning), overall the positive things do win over ...
Battling our own fears and weaknesses could be an alternative title to this film. At first the mother seems to be an irresponsible, immature young parent. The child has learned to take care of herself. The acting is extraordinary. The actors excelled in making the audience believe that they were living the story rather than pretending. No matter what the problems in their relationship, as they are depicted through the flashbacks, the bond between mother and her child is and remains till the end very strong. As strong are the mother's addictions, which affect their relationship and their lives. I won't disclose in what way. For me it was an allegory and, in that purpose the director - writer delivered. I recommend it.
Kathy (Zoe Kazan) is the alcoholic and smoking addicted mother of the young, but mature teenager Lizzy (Ella Ballentine). They live together since Kathy's husband Roy (Scott Speedman) left her, and she neglects her daughter. Kathy is supposed to drive Lizzy to her father's home in the morning, but she sleeps until late afternoon and they have to travel during a rainy night. While driving through a lonely road through the woods, Kathy hits a wolf that breaks her car, leaving them stranded on the empty road. They call 911 and while waiting for the tow truck and an ambulance, the wolf disappears from the road. When the tow truck arrives, the mechanic Jesse (Aaron Douglas) tells that he needs to fix the axle and an oil leakage to tow her car. While repairing the vehicle, a monster attacks him but neither Kathy nor Lizzy note. When they seek Jesse out, they realize that they are not alone in the spot. Further, Kathy learns that monsters do exist. Will they be rescued on time?
"The Monster" is an atmospheric, tense and melancholic low-budget horror movie. The dramatic story is supported by top-notch performances of Ella Ballentine and Zoe Kazan and a beautiful and sad cinematography. Scott Speedman participation is limited to a short cameo only to give his name to the credits. The slow-paced plot helps to create the creepy atmosphere and to show the relationship of Kathy and Lizzy. My vote is six.
Title (Brazil): Not Available
"The Monster" is an atmospheric, tense and melancholic low-budget horror movie. The dramatic story is supported by top-notch performances of Ella Ballentine and Zoe Kazan and a beautiful and sad cinematography. Scott Speedman participation is limited to a short cameo only to give his name to the credits. The slow-paced plot helps to create the creepy atmosphere and to show the relationship of Kathy and Lizzy. My vote is six.
Title (Brazil): Not Available
This film wasn't terrible. It manages to take a very basic "stuck in a car with a monster outside" plot and inject some character into it. But it was by no means great.
The acting was solid. There are some emotional scenes that elevated the film.
The director manages to create some tension and suspense with the atmospheric lighting, camera movements, and shot composition.
The effects on the monster ranged from pretty okay to sometimes looking slightly silly. It's a practical monster instead of CGI, which is appreciated, but it still looks rubber and fake in certain scenes.
The final act of the movie was pretty strong.
The story is very basic. Two people get stranded on a deserted road and a monster from the woods terrorizes them. The film tries to engage the viewer more by making the primary focus of the story about the strained relationship between the mother and daughter and how this terrifying experience brings them together. In some respects this works, but it's not enough to make the story anything more than average at best.
The dialogue was also very shoddy at points and felt unnatural and forced.
Overall, this is a pretty average horror movie. Nothing special or memorable but not bad. Don't expect anything great. Expect a flawed film with an unoriginal plot with some good aspects scattered throughout.
5/10.
The acting was solid. There are some emotional scenes that elevated the film.
The director manages to create some tension and suspense with the atmospheric lighting, camera movements, and shot composition.
The effects on the monster ranged from pretty okay to sometimes looking slightly silly. It's a practical monster instead of CGI, which is appreciated, but it still looks rubber and fake in certain scenes.
The final act of the movie was pretty strong.
The story is very basic. Two people get stranded on a deserted road and a monster from the woods terrorizes them. The film tries to engage the viewer more by making the primary focus of the story about the strained relationship between the mother and daughter and how this terrifying experience brings them together. In some respects this works, but it's not enough to make the story anything more than average at best.
The dialogue was also very shoddy at points and felt unnatural and forced.
Overall, this is a pretty average horror movie. Nothing special or memorable but not bad. Don't expect anything great. Expect a flawed film with an unoriginal plot with some good aspects scattered throughout.
5/10.
Você sabia?
- CuriosidadesA paved stretch of road with working streetlamps was built in the woods by the production crew for use in the film.
- Erros de gravaçãoThe ambulance is being driven in the rain and wind without a front window, yet there is no rain or wind coming in at all. Neither is the long hair of the driver moving due to the wind.
- Cenas durante ou pós-créditosDuring the soft piano parts of the end credits, you can hear Lizzy and her mother screaming at each other (muffled, as if heard through a wall).
- ConexõesFeatures Pânico na Cozinha (1941)
Principais escolhas
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- How long is The Monster?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Un monstruo en el camino
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.700.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.544
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.624
- 13 de nov. de 2016
- Faturamento bruto mundial
- US$ 74.700
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 2.35 : 1
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