Im Keller

Saw this movie in an International movie festival, while it sounded very unexpected - it really was. Seeing many people leaving before the end kept me thinking about how long am I going to survive in this madness which is actually happening in Austrian basements. While some of it I could take with humor and actually smile about the old generations habits and being just a little naive for their age and location. Few characters left me wondering - why the hell its not illegal in Austria to be a completely brainless person ? From the other side - a complete mind opener about the society we live in where everything is allowed and no morals exist beyond and past your basement or private property.

'IN THE BASEMENT': Two and a Half Stars (Out of Five)

An Austrian documentary flick; about people, hanging out in their basements, and giving into very perverse obsessions (and demented fetishes). The movie was directed by Ulrich Seidl, and it was written by Seidl and Veronika Franz. I had a chance to see it at at the OSU International Film Festival (at the Darkside Cinema, in Corvallis, OR), but I missed it. I instead recently caught it on Netflix; and I almost wish I hadn't.

The film starts out somewhat normal; as it just follows odd people around, doing strange things in their basements. As it goes on, though, the documentary gets weirder and weirder. I wanted to stop watching it, several times, but persisted (so I could do this review). It's only 82 minutes long, but it seems a lot longer (and it's a very painful 82 minutes)!

The movie is one of those films, I really wish I could unwatch. It's one of the most disturbing experiences, I've ever had (watching a film of any kind); and I love movies! I also thought I liked domineering women (and femdom fantasy), but I realize (after watching this documentary), that the real thing is definitely not for me (maybe just in role-play). Which is another reason I wish I could 'unwatch' this movie; it ruined my fantasy for me (at least for the time being)! It's well made, and serves it's purpose 'very effectively' though; at being a completely 'F'd up' film!

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As a photographer, I admit that certain aspects of certain fetishistic sex can be, uh, "photogenic". However, the real deal in suburbia is far from photogenic and, quite frankly, kinda boring. Wait, not merely "kinda", but EXTREMELY boring.

That said, this is a documentary about people that are not only sex fetishists, but exhibitionists as well. Everyone, even the non-sex fetishists, puts forth their weirdest crap to be filmed for the sake of "being in a film". Of course, they're all kinda clueless and operate on a very base-level; which never adds up to anything remotely interesting.

If you're here for the sex, just rent porn. If you think this is some kind of anthropological big reveal about the human condition... forget it!

When it comes to "In The Basement" - If Austrian director, Ulrich Seidl was actually trying to prove to the viewer that his fellow citizens were, indeed, all a bunch of imbeciles, then, yes, he certainly achieved his desired goal, commendably.

I mean, had even one of these certified kooks been shown doing something inspiring, or interesting, or worth remembering down in their basements, then I wouldn't have formed such a negative perspective of Austrian people, as a whole, while watching this documentary.

But Seidl sure put these people in an unfavourable and dislikable light.

And, on top of that - I can't believe that these apparently "regular citizens" actually agreed to expose their stupid side to the general public, as they did..... Like, if their neighbours didn't already know about the nonsense that went on in these peoples' basements - Well - They certainly do now.

To be honest here - Since this wasn't a "hidden camera" production, and since these people knew that all this "odd" activity of theirs was being filmed - I think that, for the most part, all of this quirkiness was, in fact, pretty much staged for effect and overall shock-value.

If you aren't familiar with Ulrich Seidl's work than this may not be the film you should start with. I am a big fan of course, so I may be biased.

What I love about his work is probably what many people don't like. You're never too sure if what he is showing is reality or something he created. Some of his films are real documentary and some of them are fiction. But which is which? They all feel similar and all have a similar tone. They are psychological and deep, they leave you wondering about different life situations (Bukowski fans take note).

"Wonder", this was the original intent of cinema, to leave an audience wondering. But a simple Buster Keaton film won't do the trick anymore and if CGI and explosions are your thing, Seidl won't be your thing either.

This brings us to the "actors" and this is where Seidl is making art. No big name actors, not even expensive actors, but the reality is there, it sucks you in piece by piece. Where does he find these people? That alone is an incredible talent, if they aren't actors in the traditional sense of the word. Each one is a deep character unto themselves. Are they actors or are they real people? You'll get dizzy thinking about it.

I recommend starting with "Import / Export" or "Models", then you'll know if Seidl is your thing. If you have a hard time with some of the off-beat realities of real life, or a hard life, you should look elsewhere. It's not horror, but is a bit of shock.

I'm grateful for Seidl because very little cinema moves me anymore in the way that he does. I hope he never stops.

This is art house cinema for the modern age folks.

8 out of 10 stars plus another because it's Seidl.