AVALIAÇÃO DA IMDb
5,3/10
10 mil
SUA AVALIAÇÃO
O ReZort, um parque de safári, oferece aos hóspedes pagantes a oportunidade de matar quantos zumbis quiserem após um surto.O ReZort, um parque de safári, oferece aos hóspedes pagantes a oportunidade de matar quantos zumbis quiserem após um surto.O ReZort, um parque de safári, oferece aos hóspedes pagantes a oportunidade de matar quantos zumbis quiserem após um surto.
Patrick Leo Holland
- Barman
- (as Patrick Holland)
Danny Flack
- Stringy 2
- (as Dan Flack)
Avaliações em destaque
Purely based on the entertainment, the acting and the filming The Rezort doesn't deserve more then a five star rating. Maybe a bit more if you base it just on his genre. And by that I mean for a zombie movie it's okay. I saw way worse zombie movies but also much better. In this one the variant is that people go on a safari on an island to shoot zombies and of course it all goes wrong. A lot of shooting, running and biting, the usual zombie stuff. It is what it is, but if you like that kind of stuff then with this movie it is what you will get. I have kind of an overdose of the zombie genre so maybe I'm a bit biased writing about The Rezort. Anyways, it could have been much worse so I won't complain any further.
Survivors of a zombie holocaust travel to an expensive island resort, where the last remaining creatures are kept in captivity, but things don't go to plan.
Jurassic Park of the undead. This was a pleasant surprise, since most zombie productions are basement crud while this production is well paced and put together. We're introduced by an after the fact news report, then we get to know the characters before the action kicks in. The zombies are called pacers, but they sure can move, and there are several effective jump scares as they lunge out of nowhere.
The plot makes political points, but more of the earnest type than Romero-style satire, and while the refugee angle turns out interesting you have to wonder why we would have that problem after a big chunk of the population has been wiped out. Turns out movie makers aren't Marxists after all. Duh.
Some of the dialogue is on the nose, and there's a poorly judged sequence as the characters saunter along expositioning to each other just after their deadline for escape has been set. Also, typical of British horror to subject the audience to irritating joke characters. And some "why don't they just close the door?" moments.
Performances are good. Photography good, although the zombies are a bit tame with not enough bizarro images. Editing on the news reports is irritating to begin with, but otherwise fine. Music was lively.
Overall: not perfectly conceived or executed, but good entertainment.
Jurassic Park of the undead. This was a pleasant surprise, since most zombie productions are basement crud while this production is well paced and put together. We're introduced by an after the fact news report, then we get to know the characters before the action kicks in. The zombies are called pacers, but they sure can move, and there are several effective jump scares as they lunge out of nowhere.
The plot makes political points, but more of the earnest type than Romero-style satire, and while the refugee angle turns out interesting you have to wonder why we would have that problem after a big chunk of the population has been wiped out. Turns out movie makers aren't Marxists after all. Duh.
Some of the dialogue is on the nose, and there's a poorly judged sequence as the characters saunter along expositioning to each other just after their deadline for escape has been set. Also, typical of British horror to subject the audience to irritating joke characters. And some "why don't they just close the door?" moments.
Performances are good. Photography good, although the zombies are a bit tame with not enough bizarro images. Editing on the news reports is irritating to begin with, but otherwise fine. Music was lively.
Overall: not perfectly conceived or executed, but good entertainment.
Zombie films are pretty common place these days with the sub-genre being saturated with entries. So expectations are generally pretty low when a new one comes around the block. This rule of thumb applies to The Rezort. But I have to say that this one keeps things a little more interesting than usual. The set-up about a high-tech resort where adrenaline mad tourists can visit to shoot zombies is a pretty good new angle for the genre; even if it essentially borrows heavily from Michael Crichton penned sci-fi classics Westword (1973) and Jurassic Park (1993), especially when we have the zombies breaking free and causing all manner of horrors on the humans in a very similar way to what the androids and dinosaurs did in those two earlier films. Still, I didn't really mind this derivative aspect very much as at least it seemed – to me at least – to be a new angle for the zombie film.
For those who are interested in the distinction, this is one of the ones which has fast zombies. They bomb about in hot pursuit of the protagonists and you can probably imagine that it ends in tears for almost everyone. There is a little bit of political subtext added to the mix as well with a revelation later in the film involving refugees, which of course taps into a current issue in a zombie tradition that goes all the way back to George A. Romero. But mainly, this is a nicely distinctive new entry into an over-populated sub-genre. All things considered, I thought it was pretty good.
For those who are interested in the distinction, this is one of the ones which has fast zombies. They bomb about in hot pursuit of the protagonists and you can probably imagine that it ends in tears for almost everyone. There is a little bit of political subtext added to the mix as well with a revelation later in the film involving refugees, which of course taps into a current issue in a zombie tradition that goes all the way back to George A. Romero. But mainly, this is a nicely distinctive new entry into an over-populated sub-genre. All things considered, I thought it was pretty good.
in a market overflowing with zombie movies, it can't be easy for movie studios to come up with new and interesting takes on the genre, but with The Rezort they came up trumps
the movie zips along at a decent pace with enough zombie action to satisfy most fans of the genre, and the characters are the kind you actually care about for once, with Dougray Scott being the most recognisable out of all the actors present.
just in case you were wondering how an island could continue to function with only a finite number of zombies to shoot, this issue is actually dealt with as part of the plot, and is a shocking revelation when it comes.
all in all, it's a decent way to spend an hour and a half, and is certainly a lot better than some of the dross out there
the movie zips along at a decent pace with enough zombie action to satisfy most fans of the genre, and the characters are the kind you actually care about for once, with Dougray Scott being the most recognisable out of all the actors present.
just in case you were wondering how an island could continue to function with only a finite number of zombies to shoot, this issue is actually dealt with as part of the plot, and is a shocking revelation when it comes.
all in all, it's a decent way to spend an hour and a half, and is certainly a lot better than some of the dross out there
A zombie pandemic that has claimed 2 billion lives is finally over, the remaining undead kept on an island where guests can pay to shoot the carefully restrained reanimated corpses with high-powered firearms. Unfortunately for the resort's latest visitors, the technology designed to keep them safe from harm goes on the blink, allowing the living dead to satisfy their hunger for human flesh once more.
Put simply, The Rezort is Jurassic Park with zombies. But director Steve Barker is no Spielberg, and his modest budget can only stretch so far, which means that the promising premise really isn't given the treatment it deserves. Barker doesn't do a terrible job given the circumstances, I suppose, keeping the pace going at a decent lick, but with limited gore, not enough scares, and a cast whose only 'star' is Dougray Scott (i.e., he's the only one I've heard of), this is ultimately just another in a long line of unexceptional zombie flicks.
Put simply, The Rezort is Jurassic Park with zombies. But director Steve Barker is no Spielberg, and his modest budget can only stretch so far, which means that the promising premise really isn't given the treatment it deserves. Barker doesn't do a terrible job given the circumstances, I suppose, keeping the pace going at a decent lick, but with limited gore, not enough scares, and a cast whose only 'star' is Dougray Scott (i.e., he's the only one I've heard of), this is ultimately just another in a long line of unexceptional zombie flicks.
Você sabia?
- CuriosidadesThe island shown at the start as the map for the location of the Rezort is Fuerteventura in the Canary Islands.
- Erros de gravaçãoIn the initial exposition, it's explained that the last major concentrations of undead (except for the Rezort island) were wiped out ten years in the past. However, nobody ever questions how it's possible that the Rezort has had undead shooting expeditions for years without ever running out of them.
- Citações
Lewis Evans: seriously fuck this island
- ConexõesReferenced in Frightfest 2016: In Conversation With (2016)
- Trilhas sonorasPiano Concerto No. 5 In E Flat 'Emperor' Op. 73
Composed by Ludwig van Beethoven
Performed by Stephen Kovacevitch (as Stephen Kovacevich) and the Australian Chamber Orchestra
Licensed courtesy of Warner Music UK Ltd
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- How long is The Rezort?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Generación Z
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 5.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 30.194
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 2.35 : 1
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