Sem Rastros

Perhaps no other film in 2018 has exemplified true human emotion like Leave no Trace. It's immensely impressive how well director Debra Granik manages to make these characters feel like real people, even if you don't know anyone who lives out in the woods full time. I mean really, the location isn't necessarily important, what's important is that they have a home and that home was taken from them while another home is forced upon them. That's essentially the central part of the film, what's home to you may not be home to everyone. Ben Foster is unsurprisingly brilliant as is his daughter in the film, Thomasin McKenzie, who most certainly draws comparisons to Jennifer Lawrence (another Granik alum). Incredibly powerful and impeccably visceral, Leave no Trace is undoubtedly a film that will leave a trace come Oscar season.

8.0/10

Don't walk in to see this movie expecting any action and excitement. That's not what this is.

'Leave No Trace' is about the relationship between a girl and her father. It's a patient movie and a thorough one. It takes its time unveiling the details of their relationship and their lives.

Dad (Ben Foster, gripping) suffers from PTSD from his time in the military. He cannot function in society, so he chooses to live in the forest. His 13-year-old daughter, Tom (Thomasin McKenzie, a revelation), lives with him.

Though life in the forest provides its challenges-Tom is growing and is often hungry-the two live happily. As Tom says, they "didn't need to be rescued," but living on public land is illegal. They're brought in and assigned to indoor housing so they can re-acclimate themselves with society.

While Tom thrives, her dad struggles. He cannot handle this lifestyle anymore. The strength of their bond is tested, and it keeps them together as they navigate unfamiliar and uncomfortable terrain.

Both actors are terrific-serious and subtle. The whole movie is subtle. There isn't much dialogue, but the subtext says a lot. Director Debra Granik operates with a light touch that lets events unfold without forcing anything upon her audience.

Her film style simply presents moments and allows viewers to actively participate in them. Nothing is shoved in your face. It's up to you to engage, so you can take away from this movie as much or as little as you choose.

This is unequivocally a theater movie. It's not meant to be half-watched on an airplane. To experience it in full-and you should do this-go to a theater and really pay attention and think along with the movie. It's a rewarding experience that gives a lot back, as long as you give a little first.

One of my all-time favorite films, but it might not be yours. This is the first film I've actually reviewed after 10+ years on IMDb. Clearly some people are unimpressed by this film and others think it's amazing; I am in the latter category.

I'm also someone who, when I was a kid, fantasized about what it would be like to live off the land and away from people. This is a truly unique film in that it does not spell it out for you; does not have a position; it does not have villains; It is willing to let you make your own conclusions. Clearly this bothers some people, as does the pace. Speaking for myself, I was never bored. I was riveted from beginning to end. I had never seen the trailer, and I would recommend not seeing the trailer.

A main complaint from those who don't like it seems to be there are enough bad people; I actually found this refreshing. I don't meet many bad, evil people in my every day life; most people are pretty cool, I find. I actually felt the fundamental premise of the movie was realistic and I appreciated that it was willing to skip ahead and not spell out every beat. Or fill in the backstory. A good film can choose the story it wants to tell and does not need to fill in every interstitial space or to mimic the way things would necessarily unfold in the real world. I suppose it could be a realistic criticism that things could never quite happen this way, but it certainly did not bother me. I thought this film portrays people - and I mean all the characters in the film, not just the primary two - that are too rarely portrayed in film, but do exist in our world.

As everyone seems to agree, the cinematography and acting are extraordinary. I also thought the story was unique and refreshing, and for me at least, the pacing was perfect. I believe I benefited from having no idea where it was going to go, so I would recommend skipping the trailer and seeing it for whatever reason compels you. Perhaps just the beautiful, green forests of the Pacific Northwest.

Although it feels generally slow-moving and takes a while to really get going, 'Leave No Trace' is a thoroughly compelling, realistic drama that expertly explores the father-daughter dynamic. The exposition-less script is refreshing, allowing the audience to actually think for themselves about the lives of the characters and how they got to where they are at the beginning of the film. All of the dialogue feels entirely natural (a testament to both the screenwriters and the actors) and this, combined with the subtle, yet nuanced direction, gives the film an almost documentary type feel, which fully compels the viewers to engage with the lives and central relationship of the protagonists. 7/10.

This is a story with no antagonist, only the harm caused to one loving father's mind by his military service. It is focussed and deep, showing how some things can't be fixed, and some things have to change. The performances are strong, with the tension always threatening to shatter the veneer of control and love.