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'Leave No Trace (2018)' is, remarkably, never predictable or on-the-nose. Instead, it soon settles into its own slow rhythm to provide an experience that's refreshing in its ability to show instead of tell. Often, it refrains from saying anything at all, especially during the moments in which it actually speaks volumes. This is a technique - or, rather, way of thinking - it uses to cut to the heart of its scenes and provide some incredibly raw emotional beats. Even in its 'loudest' of moments, it feels marvellously gentle and is brought to life with a steady, self-assured hand. The film is extremely engaging and has an astute ability to render its core relationship with a wonderfully tender realism, examining its father and daughter duo - as well as the former's traumatic background and scarred mental-state - brilliantly and not always blatantly. This, again, plays into its pretty much perfect 'show, don't tell' mentality and allows you to piece together what's going on behind our core players' eyes. It allows for an empathetic and emotive picture that impacts you in essentially every sequence, especially those towards its devastating yet somewhat inevitable end. Overall, the movie is actually highly enjoyable, and affecting, because of this emotional impact. 8/10

The Sydney Film Festival today 16 June 18.

The reason I picked this movie - the memorable 'Winters Bone' by Debra Granik.

'Leave No Trace' continues Graniks theme of disconnected, broken people and communities worn down by war, drugs, poverty, poor health, failing services, disempowerment etc

A strange, intimate world brings together mental health, the beauty of nature, youth, struggles to present normality in abnormal circumstances, strange religion, engaging animals, concrete, christmas trees & doomed .love

Juxtaposition of nature & urban blight is too simplistic. Dig a bit deeper.

Not an easy movie but highly recommended.

Indie dramas just keep getting better as the years go by. The freedom to be experimental whilst conveying a captivating story makes for a vastly enthralling cinematic experience than the average Hollywood drama. It's no different here, with director Granik perfectly balancing emotional heft with relentless drama. A father and his young daughter live in isolation within a shrouded urban forest, where one mistake leads them into being found by the local authorities. The eloquence and minimalism in Granik's screenplay allows the story to be told visually. The peaceful environment and rural American culture juxtapose the bustling highways of urban society. Yet they complement each other to create an ecosystem for humanity. The same is applied to this relationship. The father, fearful of being discovered and conforming to the aristocracy of modern civilisation, contrasts with his daughter who yearns for environmental stability. After experiencing a glimpse of normality, she envies them. However, it's the bond between them that truly captivated me. They never argue. They never bicker. They understand one another. Mistakes are forgiven, opportunities are seized. It was honestly beautiful to watch. Foster (who is becoming rather commendable with his work) and McKenzie were sensational together, feeding emotions through just their eyes. Granik utilises plenty of horizonal techniques to illustrate these two characters amongst the overwhelmingly luscious foliage. McDonough's cinematography was gorgeous, bountiful of green filters and natural lighting. My only gripe is the lack of backstory, particularly with the mother, which would've elevated the emotional response for the story's conclusion. But what I really appreciate is the unobtrusive approach to what could've been a sensationalistic plot, and the lack of pretentiousness further cements Granik as a mature director who really should be directing more films. A near perfect drama with outstanding performances that deserves your undivided attention.

Don't walk in to see this movie expecting any action and excitement. That's not what this is.

'Leave No Trace' is about the relationship between a girl and her father. It's a patient movie and a thorough one. It takes its time unveiling the details of their relationship and their lives.

Dad (Ben Foster, gripping) suffers from PTSD from his time in the military. He cannot function in society, so he chooses to live in the forest. His 13-year-old daughter, Tom (Thomasin McKenzie, a revelation), lives with him.

Though life in the forest provides its challenges-Tom is growing and is often hungry-the two live happily. As Tom says, they "didn't need to be rescued," but living on public land is illegal. They're brought in and assigned to indoor housing so they can re-acclimate themselves with society.

While Tom thrives, her dad struggles. He cannot handle this lifestyle anymore. The strength of their bond is tested, and it keeps them together as they navigate unfamiliar and uncomfortable terrain.

Both actors are terrific-serious and subtle. The whole movie is subtle. There isn't much dialogue, but the subtext says a lot. Director Debra Granik operates with a light touch that lets events unfold without forcing anything upon her audience.

Her film style simply presents moments and allows viewers to actively participate in them. Nothing is shoved in your face. It's up to you to engage, so you can take away from this movie as much or as little as you choose.

This is unequivocally a theater movie. It's not meant to be half-watched on an airplane. To experience it in full-and you should do this-go to a theater and really pay attention and think along with the movie. It's a rewarding experience that gives a lot back, as long as you give a little first.

An exquisitely poignant movie about a father and daughter trying to live off the grid in the woods out of town.

Ben Foster gives a truly amazing, understated performance as Will, the "psychologically damaged" father back from the un-named horrors of war, who has lost his wife and mother to his daughter, Tom. Thomasin McKenzie as Tom, brings a gentle, caring teenager, supporting her father, who is trying to retreat from the world into the woods.

The film is beautifully shot, and the pair are very believable as they hide out from the authorities who want her "in school" and him in some gainful employment, separating and further traumatising both of them while doing the "right thing". But Will, with his unseen, unacknowledged PTSD, is unable to settle into "normal" suburban life, and needs to run constantly from his demons from the past.

Ultimately there is a poignant decision to be made, as daughter and father can no longer walk the same pathways. But this movie has such depth, and such compassion for its characters, and their struggles, that even though you know that a climax must come, it still takes you by surprise. Wonderful acting from the supporting cast, including a cameo by Isaiah Stone, adding complexity to Tom's choices... But modern life cannot accommodate outliers, those who won't conform.

This movie broke my heart, little by little, but has become my favourite indie movie for 2018. If you open your heart and mind, you will find it memorable. Oh, and no sex, drugs or rock and roll, nor animals were harmed - if you like your drama real and personal, and with no car chases or shoot 'em ups, this one is a winner!