As férias de uma família se tornam um pesadelo quando o filho de cinco anos se perde na multidão.As férias de uma família se tornam um pesadelo quando o filho de cinco anos se perde na multidão.As férias de uma família se tornam um pesadelo quando o filho de cinco anos se perde na multidão.
- Indicado para 2 Primetime Emmys
- 6 vitórias e 25 indicações no total
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Avaliações em destaque
I never feel compelled to write a review on a drama or film, but over over the course of four days I have just sat through some of the best acting, script writing, plot, direction and production that I have ever seen on tv.
The Missing - Season One was a solid 9/10. The Missing - Season Two is 'Pure Perfection' 10/10.
Tchéky Karyo's performance as Detective Baptiste is an outstanding display of acting.
Just wish I had seen this drama the first time around and not waited until now - incredible!
The Missing - Season One was a solid 9/10. The Missing - Season Two is 'Pure Perfection' 10/10.
Tchéky Karyo's performance as Detective Baptiste is an outstanding display of acting.
Just wish I had seen this drama the first time around and not waited until now - incredible!
I enjoyed Season 1 a good deal, but this new season is off the hook. The suspense, the tension, the unknowns (the answers to which are doled out at an agonizingly wonderful pace), the twists, the dialog, the acting. All of it has me on the edge of my seat each episode. Tremendous.
10Hels2
Some of the best acting I have seen in a long time. Very suspenseful, very disturbing, very brilliant. The filming style helps create this dark and well put together, well acted storyline. A must watch. The twist and turns of the story will keep you on edge through all the episodes. The feeling of a parents devastation for a child who is missing is woven through the whole series and will draw you in deep. The direction and production of this series is incredibly good. The frustration at the attitude of some authorities and police responses is felt deeply. The writing is superb. I can't praise this series enough. Gripping and suspenseful and Highly recommended viewing.
THE MISSING is a timely intervention, as its plot has strong echoes of the disappearance of Madeleine McCann, the four-year-old who disappeared from a holiday apartment in Praia de Luz, a resort in the Algarve in 2007. Madeleine has still not been found, even after an extensive police search; but hitherto the search has led to speculation about the role of Madeleine"s parents in the affair, and whether or not they were involved in abducting her.
In Harry and Jack Williams' drama, set in France in 2006 and 2014, Tony and Emily Hughes (James Nesbitt, Frances O"Connor) are on holiday when their five-year-old son Oliver (Oliver Hunt) is mysteriously abducted on the night of the World Cup Final in 2006 between France and Brazil. No one appears to know where he is; and the incident goes cold until 2014, when Tony discovers new evidence in a Facebook photograph as to where Oliver might be. He enlists the help of retired detective Julien Baptiste (Tchéky Karyo), and embarks on a quest that is mostly frustrating, but sometimes enlightening.
Tom Shankland's production vividly communicates the experience of trying to deal with institutions such as the police and/or the justice system in a foreign country; in Tony's eyes at least, they seem inefficient and dedicated to obstructing rather than facilitating the task of finding Oliver. On the other hand, there are equally corrupt forces at work among the British community, most notably centering round the mysterious philanthropist Ian Garrett (Ken Stott). What seems like a routine disappearance of an infant turns into something much more sinister.
Filmed mostly in Belgium, the production makes great play of the contrast between the chocolate-box settings of the village (where Oliver disappears) and the nefarious goings-on taking place inside the buildings. The atmosphere is well summed up through an astute of symbols - a fly crawling up a net curtain suggesting corruption, a hand-held camera behind Emily's head indicating uncertainty.
Nesbitt offers a convincing portrayal of an outwardly ordinary British citizen with a questionable past, that leads the Inspector to suspect that Tony might not quite be the whiter-than-white victim he pretends to be.
The production unfolds slowly, with considerable emphasis placed on atmospherics, but each episode ends on a convincing cliff-hanger encouraging viewers to watch even more.
In Harry and Jack Williams' drama, set in France in 2006 and 2014, Tony and Emily Hughes (James Nesbitt, Frances O"Connor) are on holiday when their five-year-old son Oliver (Oliver Hunt) is mysteriously abducted on the night of the World Cup Final in 2006 between France and Brazil. No one appears to know where he is; and the incident goes cold until 2014, when Tony discovers new evidence in a Facebook photograph as to where Oliver might be. He enlists the help of retired detective Julien Baptiste (Tchéky Karyo), and embarks on a quest that is mostly frustrating, but sometimes enlightening.
Tom Shankland's production vividly communicates the experience of trying to deal with institutions such as the police and/or the justice system in a foreign country; in Tony's eyes at least, they seem inefficient and dedicated to obstructing rather than facilitating the task of finding Oliver. On the other hand, there are equally corrupt forces at work among the British community, most notably centering round the mysterious philanthropist Ian Garrett (Ken Stott). What seems like a routine disappearance of an infant turns into something much more sinister.
Filmed mostly in Belgium, the production makes great play of the contrast between the chocolate-box settings of the village (where Oliver disappears) and the nefarious goings-on taking place inside the buildings. The atmosphere is well summed up through an astute of symbols - a fly crawling up a net curtain suggesting corruption, a hand-held camera behind Emily's head indicating uncertainty.
Nesbitt offers a convincing portrayal of an outwardly ordinary British citizen with a questionable past, that leads the Inspector to suspect that Tony might not quite be the whiter-than-white victim he pretends to be.
The production unfolds slowly, with considerable emphasis placed on atmospherics, but each episode ends on a convincing cliff-hanger encouraging viewers to watch even more.
This is a very slow, drawn out drama. I emphasise that because so many people give the thought provoking long drama negative reviews. Just not enough fast paced explosions for people. If that is what you like go to channel five or Hollywood. The BBC make gritty, real life dramas for the intelligent person who do not need fuel filled, jaw dropping moments to keep them interested. This programme is about people, relationships, how a moment can change your life forever. How people react so differently to situations and how it affects them. The actors take you on a journey, tony, so blinded by guilt and rage that at times you have no empathy for him whatsoever until you reflect on his loss and wonder how you yourself would react. I find the acting brilliant and i like the time skips, if at times, if you have blinked it gets a little confusing as to what era you are looking at particularly when the young french man goes to the UK. I was confused as to what era I was watching at one point. Besides that i am avidly waiting for the next episode, particularly after the 'jaw dropping' twist of the last episode with the boat incident (you see what i did there)?! Watch and enjoy and if you cannot sit still for a drawn out programme, go watch x factor!
Você sabia?
- CuriosidadesMostly shot in Belgium, with only a few scenes shot in London and Paris.
- Citações
Malik Suri: [to Mark Walsh, the English liaison on the Oliver Hughes case] We should do an interview sometime. Yeah, be good to know what the spare part of the investigation has to say about it all.
- ConexõesFeatured in Gogglebox: Episode #4.12 (2014)
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- How many seasons does The Missing have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Зниклий безвісти
- Locações de filme
- Bruxelas, Bélgica(Lille, France, Brussels, Belgium, Paris, France)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h(60 min)
- Cor
- Proporção
- 1.78 : 1
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