Madison fica paralisada por visões chocantes de assassinatos terríveis, e seu tormento piora quando ela descobre que esses sonhos acordados são, na verdade, realidades aterrorizantes.Madison fica paralisada por visões chocantes de assassinatos terríveis, e seu tormento piora quando ela descobre que esses sonhos acordados são, na verdade, realidades aterrorizantes.Madison fica paralisada por visões chocantes de assassinatos terríveis, e seu tormento piora quando ela descobre que esses sonhos acordados são, na verdade, realidades aterrorizantes.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 18 indicações no total
Jean Louisa Kelly
- Jane Doe
- (as Jean Louise Kelly)
- …
Shaunte Lynette Johnson
- Beta
- (as Shaunte Johnson)
Avaliações em destaque
It's a gory horror movie with some hilarious moments that are probably not intentional. It's not built for someone who watches a movie to go "this isn't realistic, one star" to enjoy. James Wan included plenty of well shot and acted scenes of horror that are more entertaining than they are actually scary. I'll take a big silly swing like this over something in the Conjuring universe any day of the week.
I really really loved it. I think its an insane fun ride, it's dark and it is exactly what the director wanted to do, something different. It worked.
The body horror in it is great, the actions scenes are super juicy and to be fair quite new in horror films, considering how stylised they were. The plot twist was damn good and the trip of the third act alone made me want to go back and watch it again.
Can't forget to mention the soundtrack.... THE SOUNDTRACK!! It was great, Joseph Bishara composing and mixing to the level he always does.
So yeah, thanks for the 80's love letter, James Wan and crew!
The body horror in it is great, the actions scenes are super juicy and to be fair quite new in horror films, considering how stylised they were. The plot twist was damn good and the trip of the third act alone made me want to go back and watch it again.
Can't forget to mention the soundtrack.... THE SOUNDTRACK!! It was great, Joseph Bishara composing and mixing to the level he always does.
So yeah, thanks for the 80's love letter, James Wan and crew!
This film is bonkers. I felt like I was watching a Giallo or 80s low budget B-movie if it were competently made and given a massive budget.
This is a horror movie the way they used to be. Unpredictable, insane, gross-out, freak out stuff. It's not a movie made by a committee, it's not the usual haunted doll or spooky house movie where the narrative grinds to a halt as you wait for the inevitable loud noise jump scare when someone looks into a mirror or closes a door.
And it's not the joyless, ugly torture porn that has plagued the genre in recent decades either. Nor is it a wink-wink self-referential Scream type parody either.
Malignant plays it relatively straight for much of its runtime, presenting a genuinely intriguing mystery and a scary, seemingly supernatural killer.
But when the third act happens (you'll know when it does), the film goes completely off the rails. In one of the most over the top sequences ever, Malignant embraces its silly concept and goes all out action gore-fest. I couldn't believe what I was seeing, and ended up laughing my butt off. The last time a movie completely flipped the script like this was From Dusk Till Dawn. Here the twist actually makes sense in terms of the narrative. The story - while stupid - is surprisingly coherent.
That's the secret sauce to many horror classics. Take a dumb, disgusting or bonkers concept, and fully commit to it. It may not please focus groups, but it's how you make a cult movie that remains memorable.
What a breath of fresh air. Thank you, James Wan. This was beautiful.
This is a horror movie the way they used to be. Unpredictable, insane, gross-out, freak out stuff. It's not a movie made by a committee, it's not the usual haunted doll or spooky house movie where the narrative grinds to a halt as you wait for the inevitable loud noise jump scare when someone looks into a mirror or closes a door.
And it's not the joyless, ugly torture porn that has plagued the genre in recent decades either. Nor is it a wink-wink self-referential Scream type parody either.
Malignant plays it relatively straight for much of its runtime, presenting a genuinely intriguing mystery and a scary, seemingly supernatural killer.
But when the third act happens (you'll know when it does), the film goes completely off the rails. In one of the most over the top sequences ever, Malignant embraces its silly concept and goes all out action gore-fest. I couldn't believe what I was seeing, and ended up laughing my butt off. The last time a movie completely flipped the script like this was From Dusk Till Dawn. Here the twist actually makes sense in terms of the narrative. The story - while stupid - is surprisingly coherent.
That's the secret sauce to many horror classics. Take a dumb, disgusting or bonkers concept, and fully commit to it. It may not please focus groups, but it's how you make a cult movie that remains memorable.
What a breath of fresh air. Thank you, James Wan. This was beautiful.
I don't think anything can prepare you for what this is. I suspected there would be something wild afoot, but even that didn't prepare me. What happens is actually pretty insane and creative, but the execution of it is so ridiculous that you just can't take it seriously.
Given how cheesy this movie was at the start and knowing James Wan was the director, I figured they had to be in on it and doing it intentionally. But as the film progresses, you realize they're actually playing it completely straight and it's honestly just that bad. This movie really isn't scary either which was surprising.
The camerawork is big highlight and the over-the-top 80s music was pretty fun. You can tell Wan was trying to make a throwback here, but he forgot the self-awareness that's necessary for movies like this. I know some people are saying the camp is intentional, but even if it is, it could have been executed far better than this.
I will give Wan credit for creating a truly original horror film that actually surprised me. Whether you like it or not, we should applaud more filmmaking that takes chances and doesn't completely give away what a movie is about beforehand.
Given how cheesy this movie was at the start and knowing James Wan was the director, I figured they had to be in on it and doing it intentionally. But as the film progresses, you realize they're actually playing it completely straight and it's honestly just that bad. This movie really isn't scary either which was surprising.
The camerawork is big highlight and the over-the-top 80s music was pretty fun. You can tell Wan was trying to make a throwback here, but he forgot the self-awareness that's necessary for movies like this. I know some people are saying the camp is intentional, but even if it is, it could have been executed far better than this.
I will give Wan credit for creating a truly original horror film that actually surprised me. Whether you like it or not, we should applaud more filmmaking that takes chances and doesn't completely give away what a movie is about beforehand.
James Wan is one of the best horror film makers working today. It breaks my heart when he makes a film like 'Furious 7' or 'Aquaman' because it is such a waste of his talents. I have been excited for 'Malignant' for a very long time now due to the pandemic. I finally got to see it tonight, and I'm very disappointed to say it was a big let down.
This was a really bizarre viewing experience for me. It felt like Wan was intentionally trying to make a bad film at times. There are moments that are so shockingly campy and unnatural it ruins entire scenes of the movie. Also the theme music was utterly bizarre. It was so over-the-top and unsubtle and often played in moments that were completely not calling for it.
The movie tries to pull things together later on in the piece with some interesting reveals, but by then too much damage is already done. There is also a shocking scene near the end which feels like it was pulled straight out of 'The Matrix'. A character suddenly becomes superhuman in their ability to move and it makes no sense at all.
I just don't know what happened here. Was Wan so desperate to create something unique and original that he decided this was worth a try? Possibly. Even the best don't get it right every time. 5/10.
This was a really bizarre viewing experience for me. It felt like Wan was intentionally trying to make a bad film at times. There are moments that are so shockingly campy and unnatural it ruins entire scenes of the movie. Also the theme music was utterly bizarre. It was so over-the-top and unsubtle and often played in moments that were completely not calling for it.
The movie tries to pull things together later on in the piece with some interesting reveals, but by then too much damage is already done. There is also a shocking scene near the end which feels like it was pulled straight out of 'The Matrix'. A character suddenly becomes superhuman in their ability to move and it makes no sense at all.
I just don't know what happened here. Was Wan so desperate to create something unique and original that he decided this was worth a try? Possibly. Even the best don't get it right every time. 5/10.
Você sabia?
- CuriosidadesThe Seattle Underground is a real tour open to the public.
- Erros de gravação(at around 8 mins) When Madison's husband hit her in the head, the wall has blood on it. After she stands up, there is no blood on the wall.
- ConexõesFeatured in Half in the Bag: Malignant (2021)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Malignant?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Malignant
- Locações de filme
- Seattle, Washington, EUA(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.391.791
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.434.620
- 12 de set. de 2021
- Faturamento bruto mundial
- US$ 34.891.791
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente