Madison fica paralisada por visões chocantes de assassinatos terríveis, e seu tormento piora quando ela descobre que esses sonhos acordados são, na verdade, realidades aterrorizantes.Madison fica paralisada por visões chocantes de assassinatos terríveis, e seu tormento piora quando ela descobre que esses sonhos acordados são, na verdade, realidades aterrorizantes.Madison fica paralisada por visões chocantes de assassinatos terríveis, e seu tormento piora quando ela descobre que esses sonhos acordados são, na verdade, realidades aterrorizantes.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 18 indicações no total
Jean Louisa Kelly
- Jane Doe
- (as Jean Louise Kelly)
- …
Shaunte Lynette Johnson
- Beta
- (as Shaunte Johnson)
Avaliações em destaque
This film is bonkers. I felt like I was watching a Giallo or 80s low budget B-movie if it were competently made and given a massive budget.
This is a horror movie the way they used to be. Unpredictable, insane, gross-out, freak out stuff. It's not a movie made by a committee, it's not the usual haunted doll or spooky house movie where the narrative grinds to a halt as you wait for the inevitable loud noise jump scare when someone looks into a mirror or closes a door.
And it's not the joyless, ugly torture porn that has plagued the genre in recent decades either. Nor is it a wink-wink self-referential Scream type parody either.
Malignant plays it relatively straight for much of its runtime, presenting a genuinely intriguing mystery and a scary, seemingly supernatural killer.
But when the third act happens (you'll know when it does), the film goes completely off the rails. In one of the most over the top sequences ever, Malignant embraces its silly concept and goes all out action gore-fest. I couldn't believe what I was seeing, and ended up laughing my butt off. The last time a movie completely flipped the script like this was From Dusk Till Dawn. Here the twist actually makes sense in terms of the narrative. The story - while stupid - is surprisingly coherent.
That's the secret sauce to many horror classics. Take a dumb, disgusting or bonkers concept, and fully commit to it. It may not please focus groups, but it's how you make a cult movie that remains memorable.
What a breath of fresh air. Thank you, James Wan. This was beautiful.
This is a horror movie the way they used to be. Unpredictable, insane, gross-out, freak out stuff. It's not a movie made by a committee, it's not the usual haunted doll or spooky house movie where the narrative grinds to a halt as you wait for the inevitable loud noise jump scare when someone looks into a mirror or closes a door.
And it's not the joyless, ugly torture porn that has plagued the genre in recent decades either. Nor is it a wink-wink self-referential Scream type parody either.
Malignant plays it relatively straight for much of its runtime, presenting a genuinely intriguing mystery and a scary, seemingly supernatural killer.
But when the third act happens (you'll know when it does), the film goes completely off the rails. In one of the most over the top sequences ever, Malignant embraces its silly concept and goes all out action gore-fest. I couldn't believe what I was seeing, and ended up laughing my butt off. The last time a movie completely flipped the script like this was From Dusk Till Dawn. Here the twist actually makes sense in terms of the narrative. The story - while stupid - is surprisingly coherent.
That's the secret sauce to many horror classics. Take a dumb, disgusting or bonkers concept, and fully commit to it. It may not please focus groups, but it's how you make a cult movie that remains memorable.
What a breath of fresh air. Thank you, James Wan. This was beautiful.
Oh no, a positive review. I must be either a bot or a paid studio shill. Good lord, people are such drama queens these days.
James Wan's latest film is a fun and gory love letter to the Italian horror movies of the 1980's. With that, much like the Italian horror movies of the 80's, it is style over substance. It embraces it's outlandish premise, and totally revels in it's campiness, and delivers a stylish, over-the-top, gory romp with a totally bonkers 3rd act. If you don't enjoy movies with a high camp factor, look elsewhere. As for me, I had a damn good time at this thing.
James Wan's latest film is a fun and gory love letter to the Italian horror movies of the 1980's. With that, much like the Italian horror movies of the 80's, it is style over substance. It embraces it's outlandish premise, and totally revels in it's campiness, and delivers a stylish, over-the-top, gory romp with a totally bonkers 3rd act. If you don't enjoy movies with a high camp factor, look elsewhere. As for me, I had a damn good time at this thing.
People are always whining that no one tries anything new in Hollywood, well here it is. Sure it borrows elements from other movies but it's a fresh take. Turn your brain off and just enjoy the ride. If you're a true horror fan, I mean one who devours all things horror, you'll love it.
I really really loved it. I think its an insane fun ride, it's dark and it is exactly what the director wanted to do, something different. It worked.
The body horror in it is great, the actions scenes are super juicy and to be fair quite new in horror films, considering how stylised they were. The plot twist was damn good and the trip of the third act alone made me want to go back and watch it again.
Can't forget to mention the soundtrack.... THE SOUNDTRACK!! It was great, Joseph Bishara composing and mixing to the level he always does.
So yeah, thanks for the 80's love letter, James Wan and crew!
The body horror in it is great, the actions scenes are super juicy and to be fair quite new in horror films, considering how stylised they were. The plot twist was damn good and the trip of the third act alone made me want to go back and watch it again.
Can't forget to mention the soundtrack.... THE SOUNDTRACK!! It was great, Joseph Bishara composing and mixing to the level he always does.
So yeah, thanks for the 80's love letter, James Wan and crew!
It's a gory horror movie with some hilarious moments that are probably not intentional. It's not built for someone who watches a movie to go "this isn't realistic, one star" to enjoy. James Wan included plenty of well shot and acted scenes of horror that are more entertaining than they are actually scary. I'll take a big silly swing like this over something in the Conjuring universe any day of the week.
Você sabia?
- CuriosidadesThe Seattle Underground is a real tour open to the public.
- Erros de gravação(at around 8 mins) When Madison's husband hit her in the head, the wall has blood on it. After she stands up, there is no blood on the wall.
- ConexõesFeatured in Half in the Bag: Malignant (2021)
Principais escolhas
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- How long is Malignant?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Malignant
- Locações de filme
- Seattle, Washington, EUA(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.391.791
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.434.620
- 12 de set. de 2021
- Faturamento bruto mundial
- US$ 34.891.791
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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