Um pianista é uma frustrada actora se apaixonam enquanto tentam trabalhar por seus futuros.Um pianista é uma frustrada actora se apaixonam enquanto tentam trabalhar por seus futuros.Um pianista é uma frustrada actora se apaixonam enquanto tentam trabalhar por seus futuros.
- Ganhou 6 Oscars
- 242 vitórias e 307 indicações no total
Amiee Conn
- Famous Actress
- (as Amiée Conn)
Mike Fallin
- Free way Krump Dancer 'Hat Kid'
- (apenas creditado)
Avaliações em destaque
This movie is infinitely close to when we were young: arrogant, romantic, dreamy, longing for love, but lack of money. Then when we have tasted the hardships and pains of society and finally achieved something, is the person around you still the one you love the most? Only when you have thoroughly pained and loved, can you understand how difficult it is to be innocent love. Only when you let go can you support your dream and fulfill your pursuit. In the end, Mia's fantasy surprised all the audience. This is the fantasy of all sweet love, and it is the most exciting meaning of this movie. I dare say that if there is no final fantasy, or the hero and heroine are together again, this movie will eventually become a second-rate love song and dance drama. Only if you can't get it, can you fully understand the bitterness and sweetness of youth. After all, the most beautiful love is just a flash in the pan. I love you, but I can only wish you happiness. This is the supreme love. This love becomes a part of life and a belief. LA LA LAND, loving you is like loving part of my life.
I thought it was a great movie. The plot did start out a bit laborious but it got better throughout. I had the feeling that there wasn't really a storyline in the beginning. But i'm glad I sat it out to see the rest of the movie because it was worth it. Obviously Ryan Gosling and Emma Stone are so well played together, because they did two other movies together before this one. The music is obviously amazing, I just got new earbuds so it was even better haha. I really love how the characters kinda 'flow' with the music while their bodies move with the music, right on 'beat' every time. So even though the 'musical movie' genre is not my thing i still loved it.
Any chance I could give this 11/10, or a few more oscars, just for being so oscary... such a splendidly heart warming experience
The main characters in this Los Angeles romantic musical are Mia (Emma Stone), a coffee-shop employee with dreams of being an actress; and Sebastian (Ryan Gosling), a jazz pianist who aspires to open his own club that plays jazz like it was played in the good old days.
At long last: a movie released during the 2016 awards season that actually lives up to the hype!
Early in the film, there are two superb group musical numbers. The numbers that follow are more low-key relating only to the main characters but they are still well performed and executed.
The stories of career struggle within the broader narrative are very believable. They include the hell of auditioning to people who are too busy plus the desire to maintain the purity of a great music genre (jazz) while too often being told it is "a dying art".
Gosling takes a while to break into the role particularly where the singing is concerned but it's not long before he fits into the part quite nicely. Stone is superb throughout the film. She is even spot-on as an actress giving mediocre auditions. She's given a full range - and not just as a triple threat - and she fully lives up to the expectations especially during the song "Audition" near the end.
There is something uniquely enjoyable about Hollywood portraying itself. The movie also gives nods to great classic musicals like "Singin' in the Rain", "Les Demoiselles de Rochefort", and "Les Parapluies de Cherbourg" all the while being unique and standing out on its own. In addition, the set designs and photography add further to the film's greatness.
The reference to "Les Parapluies de Cherbourg" comes through strongly in the movie's final number. This scene is probably the best scene of any movie in 2016. It leaves one with so many mixed emotions and extreme on either side. The production number is magnificent while its mood is melancholy.
The teaming of director/writer Damien Chazelle with musical composer Justin Hurwitz is one of the best matches since Jacques Demy and Michel Legrand in the 1960s. - dbamateurcritic
OUTSTANDING ACHIEVEMENTS:
1) Directing by Damien Chazelle
2) Acting by Emma Stone
3) Music by Justin Hurwitz
At long last: a movie released during the 2016 awards season that actually lives up to the hype!
Early in the film, there are two superb group musical numbers. The numbers that follow are more low-key relating only to the main characters but they are still well performed and executed.
The stories of career struggle within the broader narrative are very believable. They include the hell of auditioning to people who are too busy plus the desire to maintain the purity of a great music genre (jazz) while too often being told it is "a dying art".
Gosling takes a while to break into the role particularly where the singing is concerned but it's not long before he fits into the part quite nicely. Stone is superb throughout the film. She is even spot-on as an actress giving mediocre auditions. She's given a full range - and not just as a triple threat - and she fully lives up to the expectations especially during the song "Audition" near the end.
There is something uniquely enjoyable about Hollywood portraying itself. The movie also gives nods to great classic musicals like "Singin' in the Rain", "Les Demoiselles de Rochefort", and "Les Parapluies de Cherbourg" all the while being unique and standing out on its own. In addition, the set designs and photography add further to the film's greatness.
The reference to "Les Parapluies de Cherbourg" comes through strongly in the movie's final number. This scene is probably the best scene of any movie in 2016. It leaves one with so many mixed emotions and extreme on either side. The production number is magnificent while its mood is melancholy.
The teaming of director/writer Damien Chazelle with musical composer Justin Hurwitz is one of the best matches since Jacques Demy and Michel Legrand in the 1960s. - dbamateurcritic
OUTSTANDING ACHIEVEMENTS:
1) Directing by Damien Chazelle
2) Acting by Emma Stone
3) Music by Justin Hurwitz
The vibrant colors and use of musical scores to set the mood for scenes transported myself back in time. This movie feels not only like a beautifully nostalgic nod to Hollywood of yesteryear, but also that of a timeless love story. Gosling and Stone have a charm to their chemistry on screen during the musical and dance numbers. All these aspects lead to a raw portrayal of love that many experience in life, with still providing a sense of hope and wonder to the viewers. I was entranced from the opening scene until the final note played by Goslings piano. I absolutely recommend this film to any and everyone!
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Você sabia?
- CuriosidadesAccording to composer Justin Hurwitz, all the piano performances featured in the film were first recorded by pianist Randy Kerber during pre-production. Ryan Gosling then spent two hours a day, six days a week in piano lessons learning the music by heart. By the time filming had begun, Gosling was able to play all the piano sequences seen in the film without the use of a hand double or CGI.
- Erros de gravaçãoThe day Sebastian visits Mia at her coffee shop, Mia entered work wearing black pants with a yellow bag. When Mia leaves work, she is wearing a blue skirt with a red bag. When they show a long shot of Sebastian and Mia walking on the lot, she is seen to be wearing black pants. Then in the next shot, she is wearing the skirt again.
- Cenas durante ou pós-créditosJust before the closing credits roll, a title card comes on screen saying "The End" Made In Hollywood U.S.A, very much like the movies produced during Hollywood's Golden Age.
- ConexõesFeatured in Roeper's Reviews: Richard Roeper's Top 16 Films for 2016 (2016)
- Trilhas sonoras1812 Overture
Written by Pyotr Ilyich Tchaikovsky
Performed by Kálmán Berkes and Tokyo Musashino Academia Musicae Symphony Orchestra (as the Tokyo Musashino Academia Musicae Chorus and Symphony Orchestra)
Courtesy of Hungaroton Classic
By arrangement with Source/Q and Naxos
Principais escolhas
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- How long is La La Land?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- La La Land: Una historia de amor
- Locações de filme
- Griffith Observatory - 2800 E. Observatory Rd, Los Angeles, Califórnia, EUA(love dance in the planetarium)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 151.101.803
- Fim de semana de estreia nos EUA e Canadá
- US$ 881.104
- 11 de dez. de 2016
- Faturamento bruto mundial
- US$ 522.314.583
- Tempo de duração
- 2 h 8 min(128 min)
- Cor
- Mixagem de som
- Proporção
- 2.55 : 1
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