Sleeping Giant

I had very little trouble getting caught up in what I was watching, which can be a problem for me sometimes. The dialogue was not riveting but it also wasn't phony. This is a problem with many films about youth. They are written with adult dialogue. I was also very impressed with the way the characters were conceptualized and portrayed. They was nothing cliché about who these 3 boys were.

The acting was just okay...it was easy to see that the cast was inexperienced but it didn't really bother me.

I didn't like was the lighting or the shaky camera work...a clear sign of a low budget.

I thought the ending was weird and weak. Both the scenes that involved the fish market woman were terrible and should have just been cut from the film. Especially the unexpected scene at the end. It was hard to believe that this would ever happen or play out the way it did.

Over all it was a good flick and worth my time.

You could be forgiven for thinking that this is a monster film, but the "Sleeping Giant" to which the title refers is not actually some great, dozing behemoth. Rather, the giant in question is the pent- up, sleeping aggression that boils in a boy's mind, his violent nature that, for the good of himself and others, must be kept hidden and forgotten. Andrew Cividino's debut film, a haunting piece about three teenage boys who battle through their boredom on the shores of Lake Superior, explores this unsettling reality of the teenage experience with startling precision and a steady hand. With the majority of modern teenage cinema focussing on serving up ridiculous morbidity and sex objects on a badly-made platter (Hunger Games, I'm looking at you) and the celebrated classics of the genre focussing on created a homogenized teenage reality with which we supposedly all identify (Boyhood, I'm looking at you) this film, a film that dares to show a little truth, is an especially timely slap in the face. Not only that, but I can say with confidence that Sleeping Giant is the best film I've seen all year.

Jackson Martin plays the protagonist of the film, Adam, a reticent fifteen-year old who exists, along with his friends Nate and Riley, in a state of perpetual boredom. Although the other two readily participate in all sorts of strange little schemes, it's Nate who drives them from one distraction to the next. Riley shares Nate's restlessness, but lacks the recklessness and bravado that solidifies Nate as the leader of the bunch. And Adam serves as the quiet voice of moderation, who goes mostly ignored, teetering on the fine line between retaining his principles and belonging with the people around him.

It isn't just his friends who make him feel this way. Adam's father treats Riley better than he treats Adam, and the girl he likes, Taylor, is making eyes at Riley. But what is Adam to do? Living a secluded life and brimful of boredom, his friends offer the only available respite. So he goes along, robbing convenience stores (their getaway vehicle is a golf cart), smoking weed in a bum's trailer, and in a particularly anarchic scene, tying a firecracker to a skateboard. As the boys test the limits of their power, they grow more confident, more fearless, almost even suicidal. But don't you dare think that you're in for a coming-of-age film.

This isn't a film about maturation. It's a film that addresses its subjects: teenage boys. It explores their hearts and minds, and the toxicity lurking in them. Nate is a stone-cold psycho, but it's frightening how recognizable he is. His dialogue is vulgar and bloated, but not unrealistic. And Nick Serino's performance is worthy of commendation ten times over.

The direction is fantastic. The film is shot in an unabashedly Canadian fashion, reveling in the landscape and in bodies rather than faces. For a debut, the subtlety is incredible. Brief suggestions and striking lines capture our attention and urge us to think about their implications. Part of it is sheer guesswork, but some of it pays off. If anything, it makes the film a more engaging experience.

Cividino's film is autobiographical in more ways than one. First of all, the setting is gathered straight from Cividino's childhood. But more importantly, the film reflects how he experienced those lonely shores, how he coped with boredom, and how poisonous his options were. As Adam descends further into juvenile savagery, he begins to develop strange -- but admittedly relatable -- little habits. He becomes fascinated with a fishmonger that his father is having an affair with, going so far as to place a telescope outside her house and watch her undress. He lies to his parents, Taylor, and finally to his friends.

The final confrontation refers back to ancient Greek tragedies. The threads of fate are tied by this point, we know what's going to happen, and when it does, we realize that it didn't even need to, which makes it all the more heartbreaking.

The only thing the film lacks is a real ending. Sure, it ends, but it seems to come out of nowhere. Something momentous has happened, at least in my mind, but the ending doesn't seem to do the harsh beauty of the film justice, freeze-framing the story in a way that's very, very unsatisfying. This is a problem, but still only a minor blunder that I'll admit is subject to taste.

As they say, boys will be boys. And guess what? They're right.

Imagine a movie that seems a montage of home video shots of three young teens having a summer vacation, which feels both whimsical and real. It slowly, very slowly builds up towards the tragic ending where characters get to live (or die) with their choices.

It was an interesting movie, an original story, with great acting all around. However, be warned that you just have to be in the mood to appreciate this. It is not a fun teen comedy nor is it a dark dramatic thriller, but a realistic foray into the adolescent psyche.

It is also pretty low budget, although (I think) masterfully done. This is not a blockbuster that you can enjoy with your friends over beer and pizza, but a thought provoking movie that only a few people heard about and even fewer saw. But I believe it is worth viewing.

I didn't expect much from this film. It didn't look bad, but I just thought maybe it'd end up being a forgettable independent coming-of-age film. Luckily, I found it to be a lot better than that. I thought the acting was a bit inconsistent overall (the lead male being the best actor of the boys), but the sensitive, nuanced direction and screenplay helped the film become something actually special. It's a film that is willing to contemplate ideas that do weigh a lot, but I bet a lot of people the same age as these characters might actually relate. I don't think it's a great, original film, but definitely well-executed for the most part.

During the summer in a resort area on the northern Ontario shore of Lake Superior, three boys in their early teens hang out together. They include Adam, a quiet boy from a well-off family; Riley a tough boy who lives in a modest home with his grandmother; and Nate, Riley's equally tough cousin who is staying with Riley and their grandmother during the summer.

Knowing that this was yet another boys-coming-of-age movies, my first reaction was "Good God, not ANOTHER one"! But there are some films in this category that stand out among the (seemingly) thousands of others. "Sleeping Giant" is one of them. For one thing, Adam does not go along with the hyper-macho talk of the other boys or the milder macho talk coming from his father. There are more than a few hints that Adam might be gay.

The first half is rather difficult. Nate is so viciously mean-spirited and bullying that the viewer can feel dragged through an endurance test. This is partly because of the accuracy of the portrayal of teenaged bullies. While it is more than tempting to wish Nate harm due to his meanness, these feelings change in the second half when major dramatic turns take place.

Feelings come to the surface during a board-game. This sequence is powerful for many reasons. One is that it is so true-to-life with one character acting as an inconsistent rule enforcer.

The drama that follows is compelling and moving thus making the tough slogging of the first half well worth the experience. There are other fine characterizations as well including Adam's father who is trying to be a father while also trying to appear "cool" to the teenagers. - dbamateurcritic.