AVALIAÇÃO DA IMDb
6,0/10
3,1 mil
SUA AVALIAÇÃO
Uma interação multidimensional entre um artista de quadrinhos, uma romancista e uma diretora de cinema. Cada um vive em uma realidade separada, mas escreve uma história sobre um dos outros.Uma interação multidimensional entre um artista de quadrinhos, uma romancista e uma diretora de cinema. Cada um vive em uma realidade separada, mas escreve uma história sobre um dos outros.Uma interação multidimensional entre um artista de quadrinhos, uma romancista e uma diretora de cinema. Cada um vive em uma realidade separada, mas escreve uma história sobre um dos outros.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 5 indicações no total
Gael García Bernal
- Edward Deacon
- (narração)
Charles Paraventi
- Assistant Director
- (narração)
Don McKellar
- Horowitz
- (narração)
Jennifer Irwin
- Marissa
- (narração)
Moonlyn
- Candi the Receptionist
- (as Moonlyn Coumont)
Giselle Batista
- Twin Girl 1
- (narração)
- (as Giselle Baptista)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
If you're wondering how is it possible that this movie is so good and yet you have missed it, the reason is two-fold. One, it's a Canadian movie. Second, it is smarter than it is commercial, something that, ironically, is being touched on in the film.
The idea is quite fresh: this Brazilian model is writing a book about a girl that works in a sex doll factory and who is writing a comic about the man of her dreams who is a famous director directing the movie in which the lead character is the Brazilian model. The whole plot is a metaphor on the toxic loop in which we live our lives.
The individual stories were interesting enough, each touching on human vanity. Motifs like the role of the woman in society, our obsession with looking different from what we are, whether it is about the size of tits or penis or whether we are perfectly attractive and resent being seen as sex objects, and how the things we do in life come back to haunt us are everywhere.
I did like the film a lot because it was self referential while zooming in on the viewer and their own effect on themselves and everybody else. I recommend it highly.
The idea is quite fresh: this Brazilian model is writing a book about a girl that works in a sex doll factory and who is writing a comic about the man of her dreams who is a famous director directing the movie in which the lead character is the Brazilian model. The whole plot is a metaphor on the toxic loop in which we live our lives.
The individual stories were interesting enough, each touching on human vanity. Motifs like the role of the woman in society, our obsession with looking different from what we are, whether it is about the size of tits or penis or whether we are perfectly attractive and resent being seen as sex objects, and how the things we do in life come back to haunt us are everywhere.
I did like the film a lot because it was self referential while zooming in on the viewer and their own effect on themselves and everybody else. I recommend it highly.
Even though only a section of the film is animated using rotoscope, the whole movie has an indi comic feel, like Love and Rockets of Ghost World (which was made into a film)
The animation looks like it's the same as A Scanner Darkly, possible done by the same animation team, but in A Scanner Darkly it seems like the animation was a bigger arch.
It's an interesting circle about three people. Emma who works at a Factory that makes sex dolls, draws pictures of herself being a beautiful busty femme fatale, an image that the guy she's sleeping with finds absurd. In retaliation, she draws her dream guy, Eddie, a hot Spanish action film director who's doing a film he plans to use to take himself serious, but comes across a little problem when Emma, unhappy with her new boobs decides to get rid of the "package" that made him a hot commodity in Hollywood, and effects the making of his film about Michelle, a Brazilian model tired of being judge on her looks, who goes home to write a novel that just so happens to be about Emma.
It's a nicely layered story and becomes very surrealistic, as all three story tellers take us through their creative process, and if anyone knows anything about the creative process, the story goes through constant changes which switches the tone in order to make the story work.
It's a very unformulated movie that goes from the tame to the outrageous, and keeps me captivated with some very interesting personas moving on the screen.
cinemagardens.com
The animation looks like it's the same as A Scanner Darkly, possible done by the same animation team, but in A Scanner Darkly it seems like the animation was a bigger arch.
It's an interesting circle about three people. Emma who works at a Factory that makes sex dolls, draws pictures of herself being a beautiful busty femme fatale, an image that the guy she's sleeping with finds absurd. In retaliation, she draws her dream guy, Eddie, a hot Spanish action film director who's doing a film he plans to use to take himself serious, but comes across a little problem when Emma, unhappy with her new boobs decides to get rid of the "package" that made him a hot commodity in Hollywood, and effects the making of his film about Michelle, a Brazilian model tired of being judge on her looks, who goes home to write a novel that just so happens to be about Emma.
It's a nicely layered story and becomes very surrealistic, as all three story tellers take us through their creative process, and if anyone knows anything about the creative process, the story goes through constant changes which switches the tone in order to make the story work.
It's a very unformulated movie that goes from the tame to the outrageous, and keeps me captivated with some very interesting personas moving on the screen.
cinemagardens.com
Emma works at a sex doll factory and in her spare time is writing/drawing a comic book. Edward is a famous movie director, working on his latest movie. Michelle is a model and is writing a novel. The three are connected: Edward and his world are found in the pages of Emma's comic book, Michelle's story is Edward's movie and Emma's story is Michelle's book.
Had heaps of potential. Very novel idea - the story-within-a-story- within-the-first-story - very Christopher Nolan-esque.
However, even from the beginning the movie doesn't really live up to its potential. Only the Emma story was engaging. Edward's story is mildly interesting but not exactly compelling viewing. Michelle's story was pretty dull.
Moreover, when the three stories are tied together it is in chaotic, random fashion. The last few scenes feel clumsy and contrived, and the connection between the three stories is ultimately not used effectively. This largely leaves you with three separate, independent stories. So the novelty is wasted.
Overall, not a total waste of time, but quite disappointing considering the movie's potential.
Had heaps of potential. Very novel idea - the story-within-a-story- within-the-first-story - very Christopher Nolan-esque.
However, even from the beginning the movie doesn't really live up to its potential. Only the Emma story was engaging. Edward's story is mildly interesting but not exactly compelling viewing. Michelle's story was pretty dull.
Moreover, when the three stories are tied together it is in chaotic, random fashion. The last few scenes feel clumsy and contrived, and the connection between the three stories is ultimately not used effectively. This largely leaves you with three separate, independent stories. So the novelty is wasted.
Overall, not a total waste of time, but quite disappointing considering the movie's potential.
Really hard movie to describe, it's definitely a art-house project but a entertaining one that never feels to pretentious for it's own good despite it's multilayered and multidimensional bizarreness and existentialistic nature.
Despite having a somewhat serious message it has a high dosage of comedy and moves on at a refreshingly fast pace as well (these sort of experimental movies usually doesn't).
With some entertaining performances from the likes of Alison Pill, Tyler Labine, Michael Eklund, Jason Priestley and and albeit I didn't recognize him: Gael Garcia Bernal (as the animated Eddie).
Pill and Labine's characters work at a sex-doll facory specialising on the most realistic looking dolls in the business and there are a lot of sex references which might be a little too much for some people but I found it all fairly fun.
Overall if you are looking for something different than this will definitely do the trick.
Despite having a somewhat serious message it has a high dosage of comedy and moves on at a refreshingly fast pace as well (these sort of experimental movies usually doesn't).
With some entertaining performances from the likes of Alison Pill, Tyler Labine, Michael Eklund, Jason Priestley and and albeit I didn't recognize him: Gael Garcia Bernal (as the animated Eddie).
Pill and Labine's characters work at a sex-doll facory specialising on the most realistic looking dolls in the business and there are a lot of sex references which might be a little too much for some people but I found it all fairly fun.
Overall if you are looking for something different than this will definitely do the trick.
A fun concept, reasonably well executed although the black comedy was weak. Solid performances by the cast although Gael Garcia Bernal was a little two dimensional 😅.
Você sabia?
- CuriosidadesThe animated segment used the rotoscoping technique. This was done frame by frame, using 12 frames per second, so the team had to draw more than 20.000 frames.
- Erros de gravaçãoIn one scene, a camera is dropped, causing the film to fall out, exposing it to sunlight. Gael García Bernal then inspects the film, which appears to be fully developed with images intact. This is impossible, because all images would be lost immediately once exposed to any light.
- Citações
Moustache Guy: [while ordering a RealDoll] Perfect. And you can make her look exactly like my wife?
Emma: We can make it - her - look identical. But better!
- ConexõesFeatured in 2016 Canadian Screen Awards (2016)
- Trilhas sonorasDrawn And Quartered
Written and performed by The Slew
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Zoom?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- В фокусе
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 2.784
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente