Doris, Redescobrindo o Amor

This film tells the story of a older woman, who falls for a handsome and charming young man in the office. She tries to develop a relationship with him, but things are not as easy as it seems.

The story of "Hello, My Name is Doris" is really sweet. I think it is great that a romantic comedy portrays a woman that is older, tapping into a market and into hearts that have largely been neglected. Doris is lovable, happy and full of energy. John, the handsome colleague, is very charming both within and without. It is easy to see how ladies fall for him. The story is funny in a good and positive way, without being offensive or gross. It is refreshing to see a romantic comedy to rely on the charming personalities of the two leads, without having resort to low level humour. The ending makes me gasp, as it seems rather open ended! I enjoyed watching it, and I will recommend others to watch it too.

"She's definitely weird, but like a good weird." Doris Miller (Field) has just lost her mother and reason for living. She isn't sure what to do now, stuck in a job and spending her nights with her friend Roz and Vivian. One day while heading to work she sees John (Greenfield) and everything changes. She falls in love with him and wants to find the courage to talk to him. Little by little Doris opens up and finds her confidence, and begins to find herself again. This is a movie that flips the norm on its head. This movie deals with an older woman trying to pursue a younger man. Sally Field gives one of her best performances to date and really plays this character perfectly. You feel sorry for her but not to the point of pity, and really root for her but also cringe a few times at her actions. This is at its core a funny and moving romantic comedy, but it deals more with self discovery than the pursuit of love itself. That is refreshing to see and because of that it actually felt fresh. Overall, just a really nice movie with a great performance by Sally Field. I give this a B.

Norma Rae, Edna Spalding, Mrs. Gump, Mary Todd Lincoln, and Doris Miller. Sally Field's most recent role, Doris Miller, is a worthy addition to her amazing gallery of film performances, given since she emerged as Gidget a half century ago. An eccentric, lonely woman of advancing years, Doris has sacrificed her life to care for her now-deceased mother. Mother and daughter have evidently been hoarders, and Doris's brother and sister-in-law eagerly want her to clean up and clear out, because they want to sell the Staten Island house. Meanwhile, Doris fixates on John Fremont, a much younger man, who is the new art director in her Manhattan office, and, inspired by a motivational speaker named Willy Williams and by countless bodice-busting romance novels, she decides to pursue romantic involvement with the good looking young guy. While "Hello, My Name is Doris" plays out somewhat predictably, the film provides a showcase for Sally Field in yet another Oscar-worthy performance.

In the hands of a less gifted actress, Doris could have been little more than a caricature; a bespectacled woman who wears wigs, has a large bow in her hair, decorates her cubicle with cat calendars, and lives alone in a cluttered house with a cat. However, Fields brings restraint and depth to the character, and she convincingly conveys the shy woman's re-emergence from a decades-long cocoon. Although her pursuit of the young man borders at times on cringe worthy, Fields manages to retain her dignity and audience sympathy. Fremont, played by Max Greenfield, who is about three decades younger than Fields, kindly returns Fields's overtures of friendship, but fails to grasp that she wants more than he is prepared to offer. Doris's "Walter Mitty" like day dreams about Fremont are often amusing, but her foray into Facebook stalking takes a dark, unsavory turn.

The supporting cast is good, although none overshadow Field's star turn. Greenfield is fine as Doris's fantasy-love interest, and Tyne Daly is her usual tough-shell warm-inside self as Doris's best friend and confidante. Peter Gallagher nails the Willy Williams part and actually imparts some helpful, if clichéd advice to Doris. Directed and co-written by Michael Showalter, "Hello, My Name is Doris" may have been intended as a fantasy- exploitation film for older women, who seem to dominate the movie's audiences. Generally, May-December romances involve older men with younger women, and Field herself starred in one such film, "Murphy's Romance" with James Garner, although the age difference in that film disappeared through the stars' chemistry. However, the chemistry fails to develop herein, and Doris and John reverse the gender/age roles, which places them close to Harold and Maude, a possible turn off for some viewers. Nevertheless, the exceptional performance by Sally Field is well worth seeing and the proceedings are often amusing, even if a few scenes between her and Greenfield may make some uncomfortable.

I like it, I really really liked it!

Academy Award winner, Sally Field proves that she still has the charm and charisma at this stage in life, to headline a young hip movie.

Fields plays, Doris, a seasoned Staten Islander working in accounts at a young trendy business, who develops a crush on the new Art Director who sparks the young at heart feeling Doris needed after spending her youth taking care of a ill mother.

It's a very realistic look at what it's like for someone who has an age difference form the rest of their co workers.

Sally Field was great to look at. She brings that old school class of acting to a new style of film making. Field brings a lot of respect to Doris, that makes you feel for the character and connect with what she's going through as she pursues her much younger love interest.

It's familiar and refreshing all at the same time. A funny and enjoyable must see film.

Doris Miller (Sally Field) has cared for her mother until her recent death. Her brother Todd (Stephen Root) and his wife Cynthia (Wendi McLendon-Covey) want her to clean out and sell her Staten Island house. Dr. Edwards (Elizabeth Reaser) is treating her hording. She falls for the much younger new co-worker John Fremont (Max Greenfield). Her best friend Roz (Tyne Daly) takes care of granddaughter Vivian (Isabella Acres) who helps Doris set up a fake Facebook profile to friend John. This leads Doris to John's favorite band as they get close. Then she discovers he has girlfriend Brooklyn Henderson (Beth Behrs).

This is a quirky indie with an unusual point of view. The light fun tone is odd at first with the premise. I kept thinking of an odd geezer hound dogging a young girl. It wouldn't work as a light comedy. However, Sally Field makes this infinitely better. She oozes charm and is full of fun. It takes a powerful sadder side trip with her hording. There are quirky turns that don't completely work for me but Sally Field is undeniable here. She is the shining star that energizes this movie.