Ferrari

In the surface, Ferrari appears to be a well-directed, well-acted and adrenaline fuelled with excellent racing sequences. And yet, throughout the film, I couldn't help but feel disinterested and dissatisfied. This film has all the elements to be a slam dunk and yet I never felt attached to Enzo Ferrari and his struggles.

The performances are decent overall. Unfortunately, I was most disappointed by Adam Driver as the titular character. He never showcases the great range that I know he is capable with. His Enzo Ferrari is very reserved and somewhat bland. It's not helped that he is speaking English while attempting an Italian accent. If Chernobyl (2019) can get away with all English dialogue, then I feel you can do that here. It would certainly allow Driver to reach greater levels of acting. The saviour of this film is certainly Penélope Cruz. She delivers an excellent performance as Laura and I wish she got more screen time.

But if you're here for the racing, the film does delivers. It's few and far between, but the third act is a long, intense race with great sound design and editing. It's a shame that you're not invested in any of the racers since the film doesn't characterise any of them. It means the climax of the film doesn't hit as hard as it probably should. It's certainly shocking and brutal but it's hard to stay immersed when the violence is so over the top and the CGI is not quite great.

Overall, Ferrari feels like a film that could've been better. The characters could've been better, the story could've covered a more interesting part of Enzo Ferrari's life and the acting could've been more. I left this film not feeling like I did not know Enzo Ferrari. It's a film that perhaps is not for me, but I can see how others enjoy it.

Definitely NOT a car movie and definitely NOT a gripping dramatic portrayal either. It's not a flop alright, but it is an awkward misfire for sure.

The bad: Director Michael Mann is famous for several terrific action thrillers in the past (HEAT), but he has never excelled at making a true drama (on the contrary) and this is the exact problem with this movie, because it is severely LACKING in true drama.

It's lackluster, uneventful and simply going through the motions. Almost the entire storyline is about money problems for producing racecars and lots of wife / lover quarrels / issues. What's suppose to be exciting about that?!

Not even the car races (the few that were featured) were thrilling to watch. Those races didnt look bad for sure, but they werent exhilirating either. Quite average to be honest. Was this a car movie? NOPE it was NOT.

What is it then? This story is entirely focussed on the CHARACTER of Mister Ferrari, played by Adam Driver. I really value this actor's performance in many other great movies, he's definitely a great actor, but he didnt nail it this time. And I am being really polite now...

BEWARE: use subtitles because director Michael Mann decided to let all the ITALIAN characters speak in almost unrecognizable English with a terrible accent. THAT was THE most annoying thing, that really PUT ME OFF entirely. What jibberish accents.

Not a total flop, but an awkward misfire of a drama for sure...

"Ferrari" is a Biography - Drama movie in which we watch the story of Enzo Ferrari and more specifically the crisis of 1957 while he decides his team to join the famous Mille Miglia, a 1,000 miles race across Italy.

I have to admit that I was not disappointed by this movie but I expected something different than what I watched. I was expecting more information about Enzo Ferrari's story before becoming famous and not so much personal information. The interpretation of Adam Driver who played as Enzo Ferrari was remarkable and I am sure that if the plot was different then he would be even better. Another interpretation that has to be mentioned was Penélope Cruz's who played as Laura Ferrari and she was equally good. In conclusion, I have to say that "Ferrari" is a nice movie, a bit misleading but worth watching.

This felt sadly dreadful to me, for the most part. Ferrari is a film where it feels like very few people involved cared about what they were making. On paper, the idea to focus on one brief period of time was a good one, rather than trying to capture a single figure's life story. Adam Driver is probably my favorite actor who's risen to prominence since 2010, and Michael Mann's a filmmaker whose work I generally enjoy. The idea of them teaming up to make a movie sounded promising, but the execution here was just lifeless and strangely amateur.

Much of the film's shot with a floaty, aimless camera that frames things strangely in an attempt to look unique, or because of simple incompetence; the way it sometimes shakes and drifts or zooms in and out seemingly by accident. The fact some scenes abruptly end and other scenes just linger for what feels like forever. I hated the way this looked and felt. I have no idea what Mann's going for here, or if he's simply lost his touch as a filmmaker.

Actors look either confused or bored - sometimes both - for the entire film. I have no idea what I'm supposed to care about when it comes to Enzo Ferrari as a figure. Maybe Adam Driver captured his essence well, but if so, his essence is boring and I don't know why they made a film about him. There's no real pacing or engaging build in the narrative, actors mumble their lines, and the dialogue I could make out tended to sound weirdly uninspired. Penelope Cruz felt like she was done particularly dirty by the lackluster material she was given to work with. It just felt like one boring scene after one boring scene after another boring scene.

The final act is watchable and saves the film from being an outright failure. Ferrari has a stupidly high budget, but I think much of it went into capturing some of those fairly stunning race sequences. Everything else was so dull, lifeless, directionless, and shockingly amateur, though. It's a surprising mess of a film.

A slow, meandering & yawn-inducing sports biopic about the Italian automotive mogul whose family name has been synonymous with speed, power & luxury, Ferrari intends to showcase the personal struggles & professional crisis of a man trying to keep his auto empire afloat only to end up halfway on both fronts. Lacking in horsepower, flat in structure, devoid of a well-oiled engine & also short of a full tank, Michael Mann's latest swerves & steers with no confidence, has no momentum or sense of direction, fails to create any adrenaline-fuelled moments even when the race is on, and is further marred by cold, distant & over-the-top performances, thus finishing as a bland & forgettable outing altogether.