Em tempos de conflito, um grupo de heróis improváveis se une em uma missão para roubar os planos da Estrela da Morte, a arma de destruição definitiva do Império.Em tempos de conflito, um grupo de heróis improváveis se une em uma missão para roubar os planos da Estrela da Morte, a arma de destruição definitiva do Império.Em tempos de conflito, um grupo de heróis improváveis se une em uma missão para roubar os planos da Estrela da Morte, a arma de destruição definitiva do Império.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 24 vitórias e 85 indicações no total
Stephen Stanton
- Admiral Raddus
- (narração)
Avaliações em destaque
What has made Star Wars into the internationally recognized genre that it is today? Two things in particular - original material and a touch of humor/wit. Rogue One is a plethora of both. In addition, even in an area where previous Star Wars may have lacked (perhaps even overlooked, understandably), the acting is superb, top of the line. Forest Whitaker may be the most recognizable name in the entire cast, and he kills it every moment as his brilliant, rebellious character, Saw Gerrera. But he is merely the tip of the iceberg in what becomes an epic, near-perfectly written plot that connects episodes III and IV. It is haunting, it is funny, devastating, cheesy, and it is wonderful. It IS Star Wars.
Rogue One feels like a serious and grounded movie, with a plot that weighs a ton, that feels important on every scale from the very beginning and as the movie progresses it shows that it's on another level, much higher.
The plot is very well written. It's simple, but direct, without fillers or unnecessary diversions. The levels of politics are reduced to the minimum so that it remains a factor to consider, but from the farthest box possible. It has impressive action sequences supported by flawless visual effects, such as the battle of Scarif, the battles of the ships and the devastating power of the Death Star. As if that were not enough, the film has cameos that have a very important presence.
On the technical side, the soundtrack is very good as usual, but the sound editing also stands out tremendously. Photography is beautiful! Even from the first introductory scene of that ringed planet. The editing is also very efficient and its highest point is in the last third of the film, where there is a very fast pace as we get into the battles.
The few negative points are found in specific decisions regarding the performances and the non-existent development of some secondary characters.
This is a work that makes even those who most resist the fury of this old saga (like me) turn their eyes to this great action and science fiction show.
The plot is very well written. It's simple, but direct, without fillers or unnecessary diversions. The levels of politics are reduced to the minimum so that it remains a factor to consider, but from the farthest box possible. It has impressive action sequences supported by flawless visual effects, such as the battle of Scarif, the battles of the ships and the devastating power of the Death Star. As if that were not enough, the film has cameos that have a very important presence.
On the technical side, the soundtrack is very good as usual, but the sound editing also stands out tremendously. Photography is beautiful! Even from the first introductory scene of that ringed planet. The editing is also very efficient and its highest point is in the last third of the film, where there is a very fast pace as we get into the battles.
The few negative points are found in specific decisions regarding the performances and the non-existent development of some secondary characters.
This is a work that makes even those who most resist the fury of this old saga (like me) turn their eyes to this great action and science fiction show.
Rogue One is, by far, the best Star Wars film to be released since the original trilogy. A fantastic cast of original characters, still hitting on the popular characteristics from previous fan favourites, seek to complete a daring mission which ultimately sets up A New Hope and the whole Star Wars saga.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
Rogue One is the movie we didn't asked for - but what we got was beyond any expectation. Excellent pacing of the movie. As the movie progresses it gets better and better. Culminates in one of the best finales seen in any of the Star Wars movies.
CGI on the past main character seemed odd. But worked well on pilots and scoundrels. Many Easter eggs trough the whole movie are appreciated. Humor from Alan Tudyk's K-2SO was spot on.
Empire Strikes Back is still king of the hill as the best SW movie till date. But Rogue One comes damn close near it.
CGI on the past main character seemed odd. But worked well on pilots and scoundrels. Many Easter eggs trough the whole movie are appreciated. Humor from Alan Tudyk's K-2SO was spot on.
Empire Strikes Back is still king of the hill as the best SW movie till date. But Rogue One comes damn close near it.
Without exaggeration, this is easily the best offering in the franchise since 'Return of the Jedi'. Yes, it is a spin-off of a simple set-up line from the original film, but it manages to really craft it's own story around the demands of where the plot has to go by the end. While it's definitely not a character driven movie, I was surprised with the amount of time given to our key protagonists and the effort to at least make them intriguing.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
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Você sabia?
- CuriosidadesGareth Edwards and his creative team discovered some old film canisters while rummaging around the Lucasfilm warehouses. When he asked what they were, an employee said they were old Star Wars: Episódio IV - Uma Nova Esperança (1977) footage. The discovery led to the inclusion of unused Episode IV material featuring Red Leader and Gold Leader in this movie.
- Erros de gravaçãoDuring the space battle over Scarif, in one shot of Gold Leader's Y-Wing cockpit, the edge of the Death Star's equatorial trench can be seen through the back window of the cockpit behind him. This is reused footage from the rebel attack on the Death Star from Star Wars: Episódio IV - Uma Nova Esperança (1977). Actually, while it is re-used footage, the background has been digitally altered to be the shield gate.
- Citações
[repeated line]
Chirrut Îmwe: I'm one with the Force, and the Force is with me.
- Cenas durante ou pós-créditosHidden in the credits is the title "Keeper of the Holocron." A Holocron is a cube-like artifact used by the Jedi to store information that were first mentioned in the Dark Horse comic book series 'Dark Empire. On the official Star Wars site Leland Chee was in charge of continuity and received the honorary title of 'Keeper of the Holocron'.
- ConexõesEdited into If Star Wars Wasn't Serious (2014)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Rogue One: Una historia de Star Wars
- Locações de filme
- Reynisfjara, Islândia(Planet Lah'mu - opening scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 200.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 533.539.991
- Fim de semana de estreia nos EUA e Canadá
- US$ 155.081.681
- 18 de dez. de 2016
- Faturamento bruto mundial
- US$ 1.058.684.742
- Tempo de duração2 horas 13 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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