Marcas da Possessão

This movie drew my attention due to its somewhat original premise. Instead of focusing on her possession, this movie asks the question, what is life like AFTER your demon has been exorcised? It's a question not many movies have asked, so I sat down and took it in.

AP has some starts strong, with a mystery at hand. I love movies that keep me off-kilter and I wasn't quite sure what was happening. This puts the viewer in the shoes of Ava, who also has no memories of her possession and therefore, no idea of the damage she wrought. There is also a lot of dark comedy here, with the rehab for the once possessed and Ava dealing with the things she did (beat up people, slept with strangers etc)

Sadly, the movie loses focus and gets convoluted, with too many players on the board. They also have sub-plots like a girl who wants her demon back and a serial killer on the loose, that just didn't do anything but confuse the main plot. If they had left this stuff on the back burner, Ava's Possessions would've been a much stronger film.

Points for originality and the acting is pretty decent, but unfortunately they tried to do too much and it ended up taking away from the main story and weakening the entire flick.

Overall this was a fun movie, with good acting, and some neat effects. The story has some ok twists, but I was hoping they'd be a little better to really pull it all together.

I felt like they didn't do quite enough with the main story or the main sub-plot with her ex-possessed friend, but they did some fun stuff with both and I had a good time watching it. The particular flavor of dark humor seemed not to land well with some of the reviewers, but I liked it.

They have a few scenes with some neat filming effects as well, twisting the camera into unique angles.

This is one of the most original movies i have seen recently.

Creative and brilliant.

It's difficult to categorize it. Indie/art horror with offbeat comedy elements, also having the structure of a crime/mystery movie, without taking itself too seriously.

The ending could have been better, but it's not bad.

This could be a great series. There are many interesting ideas here which are not being explored or exploited, and that would be an impossible thing in 90 minutes.

In any case, if you are looking for a weird, original and pretty interesting movie, this is it.

Ava awakens to find a priest at her bedside; unbeknownst to her, she's been possessed by Naphula, a demon from hell, for the past month, but the priest has successfully exorcised the demon and she's herself again. When her family confirms this story, Ava's first question is whether anyone called in sick for her at her job. Unfortunately, the demon caused a great deal of injury, mayhem and property damage and, well, legally somebody has to pay for that and since it was all carried out by Ava's body, guess who's going to jail? Unless she agrees to join a self-help group, the SPA or Spirit Possession Anonymous, that is. Of course Ava does so, but it turns out that her possession was rather more than she, or almost anybody else, could have suspected....

This is a very funny horror spoof that is yet totally true to its internal logic; in a New York City (and, presumably, world) where demon possessions are real and well-known, what happens to the victim once the demon has been done away with? This film answers that question quite entertainingly. Louisa Krause as Ava and Wass Stevens as Tony, the SPA leader, are both very engaging and believable, and the behaviour of some of the other once-possessed people is pretty hilarious too, especially Whitney Able as Jillian, who longs to be possessed by her demon once again. Recommended!

A girl recovering from demonic possession is forced into therapy, but flashbacks make her doubt the origin of her troubles.

What if we did a coming to terms story, but instead of drug addiction it's ... demonic? I dunno, wouldn't that be kinda lame? No, think about it - we set up all the usual conflicts but make the heavy stuff literal without losing the METAPHOR.

This really rambles on. I do like the concept, and the performances are good. But the dialogue is sooo Brooklyn Jewish, the story doesn't take itself seriously enough to create drama or frights, the humour is "gentle", and enough already with the daughter-mother antagonism. Also too many characters, and the most interesting one - the empathetic girl friend - trails off.

Directed by the writer, and I guess he did the photography, editing, music and effects too. Just not enough contrasts for good story telling. Music is interesting, but it never lays off and leaves a taste of the elevator. There is one brilliant smash cut: punch lands on a ball break at a pool table.

Overall - pleasant viewing with some atmosphere, but no real spark. Reminded me of Life After Beth.