England Is Mine - Descobrir Morrissey

to start off with, if you're going into this film hoping to see plenty of smiths songs and smiths related stuff, you're going to be disappointed. however this film is a realistic, enlightening and well made insight into a young, socially awkward yet likable Stephen Patrick Morrissey, trying to get his voice heard in the cramped music scene of the 1970/80s. Jack Lowden (Morrissey) who may not really look a lot like Morrissey, does a excellent job of portraying all of his unique characteristics and making him likable in the processes.

as a massive smiths fan I was of course disappointed at the absence of any smiths songs, however the music was still very good, using a lot of mid 70s tracks, which is sure to give a lot of older fans nostalgia. the only problem I found was that I originally knew this would obviously be a dramatization like most film biographies, but I then found out later that this is an unauthorized film, meaning that all of this could of possibly been false information, which is a bit of a waste of an hour and a half if it is.

altogether though it was a very well made film with lots of style and memorable performances. hopefully a follow-up will be made in the future which focuses more on the smiths and their road to becoming one of the most recognizable bands ever made.

Manchester, 1976. Steven Patrick Morrissey is unemployed and depressed. He eventually finds work but it doesn't interest him. His only interest appears to be writing down his observations on life and people in a journal. We see his life over the next six years and how this period would have a bearing on his later life for, in 1982, he was to form The Smiths, one of the most influential bands of the 80s.

A fascinating subject. But then I am a Smiths fan and therein lies what will probably make or break the movie for most people: knowing Morrissey's subsequent history, spotting all the watershed moments, sensing how things that happen in the movie might influence his music - only Smiths fans would know it. The ending, especially, would seem rather cryptic to anyone who isn't one.

So, really only for Smiths fans, and even if you are one it takes a bit of patience. Can be slow-moving at times.

However, it is quite interesting and edifying and reasonably engaging. Performances are top-notch.

What would have made it really interesting is showing the formation of The Smiths and their initial struggles. But that would be a whole new movie in itself, I suppose. I'll wait for the sequel...

A film/docudrama about the early days of The Smiths/Morrissey. When this is set, in the late 70's, if you took a photograph and had it developed you would have got a photo and a negative copy. This film is like the negative of the events. It's like the uninteresting part of something special...... and don't get me wrong . The Smiths were special, in every sense of the word. Shame, what could have been..........

Let's set some axioms before we can appraise this work. 1) The Smiths were the greatest rock'n'roll band of all time. 2) Morrissey is the world's greatest living poet. From that axiomatic base, there can be nothing but high hopes for a film about Morrissey's beginnings. Sadly, this film is a non-starter on all counts, because any Smiths fan knows going into it that Morrissey has always refused to license the rights to the songs after that well-known 'How Soon is Now' debacle. Therefore, we can expect to hear none of the music and none of the lyrics. So, what is the point of making the film? The answer is, 'There is no point at all'. And what is the point of watching the film? The answer is, 'There is no point at all'. Let's get one thing absolutely clear; 'Control' this is not; '24 Hour Party People' this is not; 'Nowhere Boy' this is not. Suffice to say, a watchable, entertaining film this is not.

Steven Patrick Morrissey (Jack Lowden) is a painfully introverted, self-important genius in working class Manchester. His parents are fighting and eventually his father leaves the family. His girlfriend Anji pushes him to start a band but he's too picky to even meet with perspective bandmates. After she breaks up with him, he is taken with outgoing art student Linder Sterling (Jessica Brown Findlay). The other person breaking down his walls is guitarist Billy Duffy. Steven works in a stuffy office with clingy co-worker Christine (Jodie Comer). With much cajoling, Steven performs with Billy and they are invited to London. After the gig falls through and Billy joins another band, Steven falls into a deep depression. Eventually, he follows Billy's recommendation to join guitarist Johnny Marr with whom he would go on to form The Smiths.

Morrissey is a depressed, painfully introverted, self-delusional, emo teen and not the fun kind. This may be real or it may be fiction. I'm not too concerned about that. I would give more importance to Anji especially if the movie proposes her to be his catalyst in one of the most pivotal scenes. "Call me when you grow a pair" is not good enough for their breakup. She needs to have a hint of her medical issue. Her breakup speech needs to be bigger. Christine may be real or not. Again I don't care. Other than some comedic turns, she's a nothing character who threatens to be something and thankfully turns out to be nothing. I have an idea. Let Comer play Anji, expend her role, and eliminate Christine. I suspect that this movie would be better received without the biopic aspect. In the end, it is biopic and critics will ding it for misinterpretations.