Campo Minado

The first (almost) half is taut and thrilling, with unexpected twists and a superb pace, the rest of it - not so much. It's almost as if different writers contributed to the separate halves of the movie. The psychological tension it strives for is burdened by cliché domestic drama; the romantic angle is a drag and slacks the movie. The semi-mystical, surreal elements and wide, solitary shots of desert expanses were gripping.

P.S. The protagonist was very good-looking and makes for a very convincing US Marine soldier, so it makes the boring parts tolerable.

"You're a very lucky man. You step on a mine and it doesn't explode. You spend the night in the desert and the animals leave you alone. You're a very lucky man, Mike and Michael!"

Guess it wasn't that simple to do this. Making a film that focuses solely on an American marine named Mike (Armie Hammer) who stepped on a landmine and who doesn't dare to take any further steps. For 90 minutes, there's nothing else to see than this soldier who has to wait 52 hours for a patrol to help him. Help that comes too late for his partner Tommy (Tom Cullen). He won't be able to break the record on the 100 meter sprint, as both his legs are spread over a few square meters after walking on a landmine himself. And, in my opinion, the thought of a leg-less existence was too much for him as well. And now Mike is standing, kneeling and balancing there in the middle of the desert on an unexploded landmine, exposed to the elements of nature and from time to time deep in thought. The ultimate survival test.

So, don't expect real action-packed scenes in this movie. Only the delusions and flashbacks as Mike gets more and more tired, are presented in multitudes. And an odd, funny looking Berber shows up occasionally to bring water and have philosophical conversations with Mike. And afterwards he disappears again over the next dune. Whether this Berber is real or just a figment of his imagination, is hard to say. Certainly, he gives Mike something to hold onto so he won't go insane because of dehydration, the heat and lack of sleep.

Hammer's performance is solid and convincing. A man who tries to survive in dire circumstances and at the same time tries to come to terms with his past. A childhood filled with domestic violence from an aggressive, alcoholic father. To be honest, it's not hard to be the star of a movie when you're actually delivering some kind of solo performance and there's no other role that has a decisive impact on the movie. In this case, Hammer has the stage completely for himself and he can demonstrate the talent he has as an actor. And that is the most commendable of this film. Despite the intriguing concept, the content is too limited.

You can also interpret this movie in a metaphorical way. Everybody tend to end up in a so-called mine field once in his lifetime. A difficult period in which making a thoughtful decision is necessary. But because of the fear of taking risks, one freezes and is scared of taking that next, crucial step. Sometimes it may be advisable to take a next step, although there are consequences, instead of standing still. A tremendous dilemma Mike is facing and something the enigmatic Gerber tries to explain to him all the time. Due to the subject and the total lack of action, you may call this a boring movie. At one point, one hopes that this bloody landmine would explodes. Just to stir up the tension. And yet, this movie managed to hold my attention and curiosity. Never thought that a non-exploding landmine could be so intriguing. And again, praise for Armie Hammer and his commendable performance.

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Ending dragged out with flashbacks to characters you have zero connection with. The ending was about 20 minutes longer than it should have been and the narrative was predictable and boring.

Critics like always slamming good films just cuz they take a different approach than what they wanted.

The films revolves around this marine who is stuck in a land mine and while there is not much to do on that situation, the film follows along with the metaphor of "Man stuck on his own path" and he needs to learn to move on.

I found it interesting and this becomes a battle of endurance of the mind as it is of the body.

Great performance from Armie Hammer!!

Intensely Irritating. When the Tension in a Nail-Biting Thriller becomes Intolerably Corny, the Intention is Lost and the Frustrating Factor Fills in.

The Side Character of Tommy (Tom Cullen) begins the Annoying Dialog and Behavior even before the Movie has a Chance to Gain some Interest and Momentum. It won't be the Last Thing that gets on the Nerves (and not in a good way).

Everything Starts to become Bothersome. The Aloof, Inattentive Voice on the Radio from Headquarters, the Indigenous Goof that Starts the "Theme" or "Message" of the Movie. You've Gotta "Move On".

Most Annoying of All is the Dripping with Clichés Flashbacks, Especially the Father, but also the Wife. The Third Act is Full of Itself and it just goes On and On to the Breaking Point of Audience Acceptance.

Overall, the Film is too Heavy Handed, Corny, and Unending. It also is Bound to the Greatest of Movie Missteps. A Movie Must Move. This one is so Weighted with its own Heaviness that it Ain't Going Anywhere. Be Prepared to be Stuck in the Sand with Bad Writing and Over the Top Sentimentality.

Note...For what it's worth, the Movie Stars Armie Hammer.