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Elvis

  • 2022
  • 14
  • 2 h 39 min
AVALIAÇÃO DA IMDb
7,3/10
253 mil
SUA AVALIAÇÃO
POPULARIDADE
1.825
20
Elvis (2022)
A look at the life of the legendary rock and roll star, Elvis Presley.
Reproduzir trailer1:01
32 vídeos
99+ fotos
BiografiaDocudramaDramaDrama de épocaDrama do mundo do espetáculoÉpicoMúsica

Um olhar sobre a vida da lendária estrela do rock and roll, Elvis Presley.Um olhar sobre a vida da lendária estrela do rock and roll, Elvis Presley.Um olhar sobre a vida da lendária estrela do rock and roll, Elvis Presley.

  • Direção
    • Baz Luhrmann
  • Roteiristas
    • Baz Luhrmann
    • Sam Bromell
    • Craig Pearce
  • Artistas
    • Tom Hanks
    • Austin Butler
    • Olivia DeJonge
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    253 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.825
    20
    • Direção
      • Baz Luhrmann
    • Roteiristas
      • Baz Luhrmann
      • Sam Bromell
      • Craig Pearce
    • Artistas
      • Tom Hanks
      • Austin Butler
      • Olivia DeJonge
    • 2KAvaliações de usuários
    • 345Avaliações da crítica
    • 64Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 8 Oscars
      • 92 vitórias e 236 indicações no total

    Vídeos32

    Now Playing
    Trailer 1:01
    Now Playing
    Final Trailer
    Trailer 2:02
    Final Trailer
    Final Trailer
    Trailer 2:02
    Final Trailer
    Official Trailer 2
    Trailer 3:12
    Official Trailer 2
    Official Trailer
    Trailer 3:16
    Official Trailer
    Elvis
    Trailer 2:02
    Elvis
    Elvis
    Trailer 3:18
    Elvis

    Fotos354

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    Elenco principal99+

    Editar
    Tom Hanks
    Tom Hanks
    • Colonel Tom Parker
    Austin Butler
    Austin Butler
    • Elvis
    Olivia DeJonge
    Olivia DeJonge
    • Priscilla
    Helen Thomson
    Helen Thomson
    • Gladys
    Richard Roxburgh
    Richard Roxburgh
    • Vernon
    Kelvin Harrison Jr.
    Kelvin Harrison Jr.
    • B.B. King
    David Wenham
    David Wenham
    • Hank Snow
    Kodi Smit-McPhee
    Kodi Smit-McPhee
    • Jimmie Rodgers Snow
    Luke Bracey
    Luke Bracey
    • Jerry Schilling
    Dacre Montgomery
    Dacre Montgomery
    • Steve Binder
    Leon Ford
    Leon Ford
    • Tom Diskin
    Gary Clark Jr.
    Gary Clark Jr.
    • Arthur 'Big Boy' Crudup
    Yola
    Yola
    • Sister Rosetta Tharpe
    Natasha Bassett
    Natasha Bassett
    • Dixie Locke
    Xavier Samuel
    Xavier Samuel
    • Scotty Moore
    Adam Dunn
    Adam Dunn
    • Bill Black
    Alton Mason
    Alton Mason
    • Little Richard
    Shonka Dukureh
    Shonka Dukureh
    • Big Mama Thornton…
    • Direção
      • Baz Luhrmann
    • Roteiristas
      • Baz Luhrmann
      • Sam Bromell
      • Craig Pearce
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários2K

    7,3252.7K
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    Avaliações em destaque

    6noladel

    Too Much Colonel, Not Enough Elvis

    Looks like Tom Hanks phoned in his role. His acting, if you can call it that was disgustingly terrible. Austin Butler was the perfect actor to play Elvis. I enjoyed the parts of the movie that he was in without Hanks hovering around trying to steal the scene. The writers needed to delve more into Elvis Presley's early life. Priscilla's character was just a footnote. It was if she was hardly in his life. I would actually watch this movie again if I could delete Tom Hanks from the film. Tom Hanks sucked the life out of the movie as much as Colonel Parker sucked the life out of Elvis Presley and his career.
    7ethanbresnett

    A slight let down

    Compared to other musical biopics that have hit the screen in recent years (Rocket Man, Bohemian Rhapsody), 'Elvis' is tad underwhelming. It is a solid film but Luhrmann's direction failed to fully draw me in and impress.

    There is a lot to like about this film however. Austin Butler gives a truly terrific performance and thoroughly shines in the role. He is so charismatic and really embodies everything that Elvis was. Hanks on the other hand is reduced to a bit of a caricature which really didn't work for me. A shame as I am normally a huge fan of Hanks but felt like this casting was a little off.

    Perhaps the biggest draw back for me was the style of film making. The opening 30-40 minutes were very chaotic. The non-linear story telling made the opening act feel unnecessarily messy. Once things were unravelled and we started progressing through Elvis' life chronologically, things somehow felt drawn out yet fleeting at the same time. I think Luhrmann missed the mark on this one a bit.

    I also would have liked to have seen more from a musical perspective. At times the film had the wrong focus and I think it failed to capture just how and why Elvis became the icon he was.

    Despite this the film does a good job of exploring over 20 years of Elvis' life, which is no mean feat. There are some fantastic sequences and brilliant costume work throughout.

    Elvis is a solid film and there is a lot to enjoy, but I was expecting more and feel like with such an interesting story to tell this film could have and should have been better.
    6sensorshot

    Colonel Tom is a Better Title.

    There is a lot to unpack about what I did not like about this movie but I also feel I need to 'fess up about my love of Elvis and growing up a fan as a child. I was 11 when he died and it came as a big shock. In rural Norfolk where we lived mostly 20 years in the past so it seemed that he had only just arrived. I spent a long time after following the legend. The Kurt Russel movie, the odd "That's the Way it is / Was" documentaries - stylistically plundered for this movie and of course all the movies. Owning 40 Greatest Hits was pretty much issued to you growing up. Then Punk Rock and New Wave came and Elvis just became the distant past, even if he did shock his audience in a way Johnny Rotten could only dream. Occasionally American Trilogy would come on the radio and I'd crank it up and do an Elvis impersonator sing-along, "Wisha was, inna lanna cotton" I played it on my excited drive to see this movie I had been waiting for, saying to my partner, "If this song is not referenced in the movie, I'll be stunned, it is definitive Elvis".

    Once the film started, it was the first track we see enacted by the incredibly brilliant Austin Butler who nails it. Sadly, there is not much else good to say about this movie beyond his performance. It makes sense of course that Baz Luhrmann would open with that. Luhrmann is never one to use a nutcracker when there is a sledgehammer he can bang an idea a few times with until you get it. That's my point. This is not really an Elvis movie. It is a Tom Parker movie that wishes it was an Elvis movie. I am not sure you can be that dark and cynical about Elvis life and hope to get away with it considering what baggage the typical audience are likely to bring to the show. For Elvis to be portrayed as this easily manipulated kid, when anyone who watched the documentaries mentioned above knew The King was always in charge. If you tip the weight of the narrative to Colonel Tom you have to reduce the personality of Elvis. Don't get me wrong when I first heard rumours about this movie I was very keen for a Colonel Tom movie played by Tom Hanks but for that movie to work it needs a less important Elvis, that's a tough trick to pull off.

    This movie is only coherent to an Elvis fan. To others not plugged into the folklore, myth and legend, it is long and boring with Luhrmann over egging his point and being cynical and depressive. He either fast forwards too much that is relevant or dwells on insignificance to bolster and pad out the Colonel Tom con artist. There is the art of the conman, the huckster, referenced through this movie. In reality, the biggest card trick is shuffled by the director who promises us a celebration of Elvis but delivers a woeful, tedious tale of a mediocre manager who got lucky clinging to a rocket after it had already launched. Butler is brilliant, no doubt, Hanks is hammy at best. Luhrmann tries to use Elvis to paint Tom Parker which is like I said, using a sledgehammer to crack a nut.

    Fun in places but subtle it ain't. Thang yer verry mush.
    7zkonedog

    Entertaining, But Can't Get Out Of Its Own Way Enough To Be Great

    There are certainly times in which Baz Luhrmann's "Elvis" is an engaging and entertaining biopic of rock-and-roll's biggest star. The performance numbers are often incredible and Austin Butler inhabits all aspects/ages of the lead role adeptly. Unfortunately, Luhrmann's let's say "unique" style of filmmaking can't quite get out of its way long enough (especially in the early goings) for this to be a top-notch flick.

    For a very basic overview, "Elvis" tells the story of the titular character (played by Butler) from childhood all the way through his Vegas residency at the end of his career. The narrative frame comes from the voice of Colonel Parker (Tom Hanks), Presley's manager and quasi-abuser (largely in the financial department). Elvis's relationship to "black music", teen heartthrob fame, military service, and late-60s comeback are all given time here, including his marriage to Priscilla (Olivia DeJonge).

    Perhaps the most notable thing to mention about "Elvis" is that the first 30-45 minutes are kind of a mess. Luhrmann is in peak wackadoodle form (granted, what else could be expected from the director of 1996's "Romeo + Juliet"), what with jarring time-cuts, crazy montages (one that turns the proceedings into a comic book!), and quite a bit of time spent on the bizarre Hanks Parker portrayal. There is also a far-too-on-the-nose scene in which a young Presley supposedly learns his later musical style via an R&B jam session and a revival ministry happening concurrently. I'd blame no one for thinking this was a total mess before the 1 hour mark.

    Fortunately, in this case, there is still 2 hours left of "Elvis", and that's when it settles into being a pretty entertaining film. Basically, once all the crazy material is out of the way and audiences can just settle into Butler's portrayal, there is a lot to like. I was really impressed with Butler's ability to portray the young rebellious Elvis, as well as the fat, worn-down-by-life version. The staged musical numbers are every bit as good as those found in recent musical biopics like Rocketman or Bohemian Rhapsody. I'll certainly be revisiting some Presley tunes after seeing this.

    Overall, I can't put "Elvis" in my top tier (Walk the Line, Love & Mercy, & Judy) of biopics because its director seems almost physically unable to "tell it straight" when this film and acting performances would have certainly been good enough for that grounded approach. But it was easily good enough to hold my interest and take me on an interesting journey through the iconic musician's entire career.
    8bbuick-38197

    What a performance

    If you liked the great Gatsby you will love this. Austin butler puts his heart and soul into this movie. He simply becomes Elvis for the duration of it. Baz Luhrmann does an excellent job staying true to The kings story (unlike a certain Freddie mercury biopic of a few years prior) and the movie never drags. The ending sequence is simply moving and will bring tears to your eyes. The only downside I would say is the portrayal of Tom Parker, Tom hanks is an amazing actor but there is something about his performance that just feels off, it might just be the accent that he completely butchers however it still isn't enough to distract from the spectacle that is this movie. I cannot wait to watch it again.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      For his audition tape, Austin Butler originally recorded himself singing "Love Me Tender." When he watched it, he felt like it was an Elvis impersonation, and refused to submit it. A few days later, he had a nightmare that his deceased mother was dying again. Overwhelmed with grief and with the Elvis audition still on his mind, he decided to pour his emotion into music. Thinking of the lyrics to "Unchained Melody," he remembered, "I always take it for granted that that's to a romantic partner, [but] what if I sing that to my mom?" He sat down at the piano in his bathrobe and filmed it. "And that way of channeling those emotions just felt true," the actor said. The video immediately caught director Baz Luhrmann's attention, as he was both confused and intrigued. Luhrmann stated, "Was it an audition? Or was he having a breakdown?" The director expressed that the audition felt like a spycam. Luhrmann asked to meet with Butler and eventually gave him the part.
    • Erros de gravação
      Elvis sings Trouble in 1956. Leiber and Stoller wrote the song in 1958.
    • Citações

      Gladys Presley: The way you sing is God-given, so there can't be nothin' wrong with it.

    • Cenas durante ou pós-créditos
      At the very end of the movie, the voice of Elvis Presley can be heard greeting the audience.
    • Conexões
      Edited from Frank Sinatra's Welcome Home Party for Elvis Presley (1960)
    • Trilhas sonoras
      Suspicious Minds
      Written by Francis Zambon (as Mark James)

      Performed by Elvis Presley

      Courtesy of RCA Records

      By arrangement with Sony Music Entertainment

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    Perguntas frequentes

    • How long is Elvis?Fornecido pela Alexa
    • Is Elvis Presley's music used in the movie?
    • Did they film any scenes in Memphis?
    • Who actually performs the vocals of the songs in this film?

    Detalhes

    Editar
    • Data de lançamento
      • 14 de julho de 2022 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Austrália
    • Central de atendimento oficial
      • Official Warner Bros.
    • Idioma
      • Inglês
    • Também conhecido como
      • Kat King
    • Locações de filme
      • Stage 5, Village Roadshow Studios, Oxenford, Queensland, Austrália
    • Empresas de produção
      • Warner Bros.
      • Bazmark Films
      • Roadshow Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 85.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 151.040.048
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 31.211.579
      • 26 de jun. de 2022
    • Faturamento bruto mundial
      • US$ 288.670.284
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 39 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • IMAX 6-Track
      • Dolby Surround 7.1
      • Dolby Atmos
    • Proporção
      • 2.39 : 1

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