Depois de tentar encobrir um acidente de carro que deixou um homem morto, um detetive de homicídios corrupto é assediado por um homem misterioso que afirma ter testemunhado o evento.Depois de tentar encobrir um acidente de carro que deixou um homem morto, um detetive de homicídios corrupto é assediado por um homem misterioso que afirma ter testemunhado o evento.Depois de tentar encobrir um acidente de carro que deixou um homem morto, um detetive de homicídios corrupto é assediado por um homem misterioso que afirma ter testemunhado o evento.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 21 vitórias e 17 indicações no total
Avaliações em destaque
Now, this film is a nerve racking roller-coaster ride, so the less you know going in the better. I shall attempt to introduce this film in one sentence: A comedy-action-thriller about the chaos that ensues after a detective is involved in a hit and run.
The film smoothly and skillfully balances the dark comedy, action and thriller elements, giving us ingenious set pieces (a particularly memorable one involving a toy soldier...) and also well-paced and effective suspense. The film does not waste a shot, let alone a scene to make audiences laugh, squirm and be intrigued through it's twists and turns. It's tightly-wound from beginning to end and will surely be one of the best times you'll have in the cinema (or in your home) this year.
Lee Seon-gyun (who you may recognize from Hong Sang-soo's films such as Nobody's Daughter Haewon) plays the lead role of detective Ko, a divorced father of a little girl who may not be the most ethical of cops. Lee carries the film, delivering a charismatic and humorous performance that makes us root for his character when he is faced with tough situations and pitted against Cho Jin-Woong's formidable protagonist. Kudos to Cho for interestingly pulling off a role that could have easily been bland.
This film was also filmed beautifully. It's gorgeous to look at, thanks to cinematographer Kim Tae-Sung, who gives us dynamic and impressive shots (one that immediately comes to mind is an overhead shot during a chase).
It's refreshing to see a South Korean film that's playful and never stops being fun, after the recent slew of superb but disturbing, dark thrillers such as I Saw The Devil, New World and The Man From Nowhere. Don't be fooled, this film has its dark moments. Most importantly, it holds one of the quintessential elements of movies: taking audiences on a ride that endlessly intrigues and keep them wanting more, having no clue where the next moment will take them.
This premise is just the set-up for a film that comes off as a string of sometimes awesome set-pieces. The long sequence in the room with the coffin is a masterwork of tension, and if the rest of the movie can't quite equal that high, then it does a very good job nonetheless. A HARD DAY has everything you'd want from a thriller: dark laughs, shock scenes, violence, and some plot twists you definitely won't see coming. I particularly enjoyed the endless climax, which keeps you on the edge of your seat and leaves you breathless afterwards. Check it out!
You may be able to spot a couple of things, but in general this is really a refreshing experience with many action sequences combining "horror" and comedy (that's everyday horror, as in what can go wrong and so forth). A great mixture that allows for set pieces that are original and a genuine funny viewing experience for the audience. I can highly recommend this
The plot thickened by the minute, but hey, this is one of those films where you can't say too much in order not to spoil it. This is one you simply have to see. The film becomes more thrilling and suspenseful as it progresses and some of the action and fighting scenes are truly brilliant. What an absolute treat! Bloody hell, this was awesome!!
Você sabia?
- CuriosidadesIf you're curious about the coordinates shown on the phone message, here they are: 36°06'52.41"N 126°46'40.26"E
- Citações
Park Chang-min: There are 2 types of humans. One who lowers his tail before the alpha. And the one who tries hard after a beat. Which one are you?
Go Geon-soo: Are you a cop?
Park Chang-min: Didn't I give you a jolt? That sinking feeling.
Go Geon-soo: What do you want?
Park Chang-min: That was the most important and smart thing you've ever said. What I want? It's simple.
- Cenas durante ou pós-créditosThe tone of the cellphone is Jazz Suite #2 (Waltz) of Dmitri Shostakovich, known for being the man theme of Stanley Kubrick's De Olhos Bem Fechados (1999)
Principais escolhas
- How long is A Hard Day?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 19.004
- Faturamento bruto mundial
- US$ 26.488.847
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1