A Escavação

An intriguing little piece of British history, The Dig tells a slow-burning story with understated and genuine drama throughout, turning what could have been a rather dry tale of archaeology into a genuinely gripping character drama. Its historical context takes a little while to become fully relevant, but ultimately, The Dig really proves itself as a captivating watch.

One of the things that I really liked about The Dig was its patience. Never dragging yet never rushing, the film takes its time to build up all of its main strengths, from its characters, their emotional back stories, and the overarching historical context of the outbreak of World War II.

Complete with elegant camerawork, a beautiful score and impressively atmospheric direction that makes it an eye-catching watch from the first few moments, The Dig has enough confidence and depth to keep you engrossed even if its story isn't advancing apace, something that's a lot harder to pull off than you may think.

One of the big reasons that the film's patient pacing and style work so well is because of its understated, genuine drama. With calm yet fully convincing performances across the board, particularly from Ralph Fiennes and Carey Mulligan, this isn't a showy period drama by any means, but eases you into a story about real people, making them the centre of attention far more than the historical significance of the event.

I'm not particularly well-versed in archaeology, and I didn't know about this discovery before watching this film. I think that might be the case for many other people, but the great thing about The Dig is that it's primarily a character-driven drama, and one that uses emotional intrigue to bring you closer to the story at hand and allow you to appreciate its importance.

One element where the film does seem to falter is in its use of the historical backdrop of the lead-up to World War II. Set in the summer months of 1939 before the outbreak of war, there are sporadic references to the coming conflict through the first two acts of the movie, but they don't seem to bear much relevance to this story about an archaeological find.

However, the film slowly begins to unveil how the historical context plays into its characters' personal lives and the fate of the dig itself, with dramatic focus shifting significantly in the final act, but just at the right point that the sudden arrival of the war into everyday life feels just like what it would have been like to experience it first-hand, taking over everything seemingly normal in an instant.

As a result, while the historical backdrop seems almost contrived at first, it really comes good as the film progresses, another demonstration of how the patience of The Dig really plays into its hands throughout.

There are so many really good things about this movie, such a great piece of story telling. The cast is excellent and all put in great performances, especially Lily James and Ralph Fiennes. It's not just about an archaeological dig though, it's about past lives, present lives and how things are remembered in the future. There are also several strands to the relationships between all invloved too, including working relationships, family relationships, class and secret relationships. I don't know how much of the story is fiction or fact but it is well told either way. All this set with a backdrop of the coming second world war. I am lucky enough to have seen the Sutton Hoo treasures at the British Museum and have always been keenly interested in archeology so this film based on the true story of this discovery was right up my street.

This is a very good movie..if you see the picture from the outside you'll say it's a story about an Archeologist and his historically important excavation..but if you dig deeper you'll find a lot of potential in what the movie is trying to tell you. The relationships between us and the people we love,the people we don't even know..heck between people in general and how it's important to a human being..but that comes with a misunderstandings and conflicts and this happening in a time of war and how that is affecting them..all this has been told in an amazing dramatic way of Brasil Brown who discovered and excavated one of the most important archaeological discoveries of all time of course with that being the main story. The acting by Carey Mulligan was magnificent and Ralph Fiennes was the one for this role and their performance was the outstanding thing in the whole movie. Another thing was good is the editing..they've done a tremendous job and it was really worth the effort to come up with something like this. Although sometimes there are some side stories that you'll find yourself not that interested in them too much,and the storytelling could seem very slow at some points..also there's ups and downs like any other movie. Overall great movie,worth watching and i suggest you to see it.

"The Dig" (2021 release from the UK; 112 min.) reminds us at the very beginning that this is "Based On a True Story". We then go to "Suffolk, England, 1939" as Basil Brown arrives at the house of Edith Pretty. Turns out Mrs. Pretty has hired Mr. Brown to do some archeological work on her estate. Her young son excitedly asks Mr. Brown "Are you going to dig upo the mountain?". Mr. Brown, taking room and pension at Mrs. Ptretty's house, starts to dig and soon is working his way towards some intriguing finds... At this point we are 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is directed by little known Australian director Simon Stone ("The Daughter)". Here he brings us a historical drama about what later became known as the Sutton Hoo treasure, one of the biggest archeological finds in British history. The setting of 1939 is pivotal in several ways: of course the threat of WWII is in the air, but even more important, the way of life in those days was just entirely different, and being in a remote English area (near Ipswich) only reinfornces that. So be prepated for a slow moving film, I didn't mind it one bit. Even more critical for the movie is Carey Mulligan's exquisite lead performance. Playing a person who is more than 20 years her senior in real life (Carey is 35, Mrs, Pretty was in her mid-50s in 1939), she does so with grace and style and presence. The role couldn't be more different from what Carey did in the recently released "Promising Young Woman", which was in my top 3 of the bests films of 2020. Ralph Fiennes is equally great as the excavator Mr. Brown. Last but not least there is a wonderful orchestral score by Stefan Gregory, who I must admit was previously unknown to me.

"The Dig" opened last weekend in select theaters for a short run before then moving on to Netflix. (Seems like every other new theatrical release these days follows that pattern....) Thankfully the film opened at my art-house theater here in Cincinnati. The early Satruday evening screening where I saw this at was attended so-so (exactly 5 people including myself). Never mind. If you are in the mood for a good ol' fashioned hisstorical drama featuring outstanding performances from Carey Mulligan and Ralph Fiennes, I'd readily suggest you check this out, be it in the theater (if you still can), on VOD< or eventually on DVD/Blu-ray, and draw your own conclusion.

I was excited to see a film that portrays 1930's England, and Ralph Fiennes and Carey Mulligan are proven actors that bring a unique presence to their films. Archeology might be a tough sell for the premise of a film and it was these actors that drew me in. The first half gets it so right, it's just about the time period and characters digging while becoming excited as they unearth the past, it's rather simple yet these actors have no trouble keeping you interested. In fact it was refreshing to see English people presented on screen becoming excited over finding evidence of their ancestors and past to this ancient land given the current hostile attitude towards the English and Celtic peoples by particular political groups and media companies who like to remind us we have little culture and heritage.

Then suddenly it's as if the writers thought viewers would become bored and in comes a new character, a rather modern-behaving "liberated" female with her controlling husband, inserted into the plot to remind us how women should really behave in the current age as if we needed reminding. The key characters become background noise, and you have this love triangle develop, the film takes on a different purpose, I'd rather see more character development between the man who discovered the relics and the museum trying to take credit from the little man.