Predador: Assassino de Assassinos

Predator: Killer of Killers is a bold and refreshing entry in the Predator franchise, delivered through a stylish animated anthology format. Set across three distinct eras-a Viking battlefield, feudal Japan, and the skies of WWII-the film cleverly blends historical conflict with sci-fi terror. Each story stands strong on its own, with intense action, emotionally driven characters, and visually stunning animation that gives each setting its own identity. The fights aren't just about survival; they're personal, with each protagonist having something to prove or redeem, making their clash with the Yautja feel more meaningful.

What sets this film apart is how it balances spectacle with substance. While the Predator remains a deadly force, the real focus is on the humans and their internal struggles. The film also deserves credit for using native languages and unique visual techniques that elevate the storytelling. Though the final act tries to connect the stories in a big way and stumbles slightly in pacing, it still offers a satisfying payoff. Overall, this is a well-crafted addition to the franchise that doesn't try to copy the past but expands the universe in a creative and engaging way. A solid 7.5/10 from me.

If Prey's journey into the past ignited your imagination for more Predator encounters across diverse historical landscapes, then brace yourself. Predator: Killer of Killers takes that very fan desire and crafts something truly epic: a breathtakingly animated anthology where individual tales of survival and savagery cleverly weave together into a larger, interconnected narrative.

This isn't just a collection of standalone "what ifs." The film presents a series of visually stunning and distinct animated shorts, each plunging us into a different era to witness new warriors confronting the relentless Yautja. The animation itself is a masterclass - incredibly stylish, dynamic, and unafraid to depict the brutal reality of a Predator hunt. While each segment offers a unique and thrilling glimpse into a specific confrontation across time, they are designed to gradually converge, with threads and characters building towards a more encompassing storyline. This ambitious structure, showcasing varied settings and conflicts while still telling a cohesive, broader story, is where the animated medium truly shines, offering a scope that would be a colossal undertaking in live-action.

Be warned: this is an intense, mature-audience experience that revels in the ferocity of its premise. It's wildly creative, visually spectacular, and a visceral thrill from start to finish. For fans who've longed to see the Predator's lethal prowess tested across history, Predator: Killer of Killers delivers not just isolated skirmishes, but a cleverly constructed saga of interconnected hunts.

I recently watched Predator: Killer of Killers (2025) on Hulu. The storyline follows Predator warriors on Earth across different countries and historical eras, battling human warriors to the death.

The film is co-directed by Dan Trachtenberg (Prey) and Joshua Wassung, and features the voices of Michael Biehn (Aliens), Doug Cockle (Band of Brothers), and Rick Gonzalez (Old School).

I really loved this. Every segment felt solid, and the ending was tremendous. Funny enough, I spent most of the movie underselling the writing-there were even a few moments that made me roll my eyes-but the conclusion pulled everything together in a way that was much smarter than I expected.

The animation is excellent, with striking visuals: the flying scenes, blood effects, fire, and fight choreography all looked fantastic. The initial Viking sequence was easily my favorite. I also appreciated how each segment included its own human conflict or war that naturally led into the showdown with a Predator.

The different Predator designs-variations in size, shape, and weaponry-were cool and added depth to the world.

In short, Predator: Killer of Killers is a unique and worthwhile addition to the Predator universe. I'd score it a strong 7.5 to 8 out of 10 and highly recommend it.

Stepping into an animated Predator experience, one anticipates a certain level of visceral thrill. This film delivers: the animation itself is exceptionally stylish, painting each frame with a polished sheen, and the action sequences unfold with brutal, well-choreographed fluidity. Visually, it's often stunning, from the glint of alien blades to the stark landscapes. The pacing, effective in its quick jumps from era to era, initially promises a sprawling, epic hunt.

However, and I realize this might sound a bit contrarian given its visual appeal, my core expectation for substantive storytelling found itself at odds with the film's execution. While I often appreciate simplicity, Killer of Killers veers into being too paint-by-numbers for its own good. The initial two chapters, though visually distinct - one draped in the furs and steel of 841 A. D. Scandinavia amid clashing Viking war parties, the other sharp with the silks and swords of 1609 feudal Japan as samurai duel - quickly reveal strikingly similar narrative beats. Each sees a protagonist on a quest for revenge, dispatching numerous foes, only for a Predator to suddenly appear with little narrative justification, leading to a mirrored, predictable resolution. The repetition dulls any potential for surprise.

Worse, the characters inhabiting these vivid backdrops are frustratingly undernourished archetypes, given little room for genuine psychological complexity or authentic emotional depth. Their struggles feel shallow, failing to justify any true investment. The third chapter, set against the grim backdrop of World War 2, suffers even more dramatically; its protagonist, Torres, seems to exist merely to fly, and then flies to save comrades from a Predator in a flying vessel. Action and gore are plentiful - from the spray of blood against ancient stone to the metallic whine of alien tech - but the narrative content is sparse. The predictable finale attempts to tie these disparate threads together, hitting familiar "work together instead of fighting amongst ourselves" notes that feel more like an obligatory Avengers trope than an earned thematic conclusion.

Ultimately, I'm not upset by Predator: Killer of Killers; it certainly offers moments of visual spectacle and satisfies the primal urge for creature-feature action. But for me, it simply doesn't deliver enough narratively or thematically to earn more than a recommendation as a casual diversion. I suspect, however, that it may be the straightforward, action-heavy romp that many viewers are looking for.

Idk, it's fun to watch but ultimately it makes predators look weak!! Suggests the predators don't know wtf they're doing. It should be RARE for a predator to lose. Same reason John wick 3 bothered me, this super strong character gets kinda beat up then kicks the others ass but let's them live so they can keep fighting only to lose? Predator doesn't respect weakness so they should've ALL lost...

Disappointing, wanted deadliest warrior but with predator just to see who did best against them, but we got some bigger story that was kinda lame.

*takes deep breathe* guess I can fly this spaceship now >:(