AVALIAÇÃO DA IMDb
7,1/10
15 mil
SUA AVALIAÇÃO
Em setembro de 2006 no Afeganistão, três jovens soldados britânicos são enviados para dispersar um bloqueio Talibã, ao passarem pelo leito de um rio, um dos patrulheiros pisa em uma mina, de... Ler tudoEm setembro de 2006 no Afeganistão, três jovens soldados britânicos são enviados para dispersar um bloqueio Talibã, ao passarem pelo leito de um rio, um dos patrulheiros pisa em uma mina, deixada pela ocupação russa 25 anos atrás.Em setembro de 2006 no Afeganistão, três jovens soldados britânicos são enviados para dispersar um bloqueio Talibã, ao passarem pelo leito de um rio, um dos patrulheiros pisa em uma mina, deixada pela ocupação russa 25 anos atrás.
- Indicado para 1 prêmio BAFTA
- 4 vitórias e 7 indicações no total
Hazem Alagha
- Bomb Head
- (as Hazem Al-agha)
Avaliações em destaque
There's only a handful of so called "war films" I consider to be films about the actual reality of war. HBO's mini-series 'Generation Kill' is probably the most realistic when it comes to the depiction of modern warfare - but 'Kajaki' (also known as 'Kilo Two Bravo') gives it a run for its money: this criminally under-seen masterpiece should be considered a modern classic. The production values are fantastic; the cinematography, the script and the direction are absolutely flawless - but you won't notice them. What you will notice is the outstanding ensemble of actors, portraying characters in a way you forget you're watching a movie. They will make you cringe, laugh, cry and hold your breath in shocked disbelief and utter horror.
This film had me literally on the edge of my seat the entire time, but what really grabs you by the gut is not just the suspense and the horror; it's the relationships between these soldiers and how they look out for each other. How close men become when their lives depend on each other has probably rarely been depicted on screen with the intensity and no-bullshît, keep-it-real attitude as is the case here. And knowing that what you're seeing actually happened only adds to the experience (for this film IS an experience). Definitely not the kind of war film that you come across very often. Superb. 9 stars out of 10.
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/
This film had me literally on the edge of my seat the entire time, but what really grabs you by the gut is not just the suspense and the horror; it's the relationships between these soldiers and how they look out for each other. How close men become when their lives depend on each other has probably rarely been depicted on screen with the intensity and no-bullshît, keep-it-real attitude as is the case here. And knowing that what you're seeing actually happened only adds to the experience (for this film IS an experience). Definitely not the kind of war film that you come across very often. Superb. 9 stars out of 10.
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/
I can highly recommend this film to anyone who can handle the intensity of a gruesome war film. The film starts slow and is filled with typical tough guy war banter and then the intensity jumps dramatically as the film re-creates a real story for Afganistan where soldiers are trapped in a minefield. Gripping, intense, sad, fierce and powerful. It is not a political film, but will get you to think deeply about the wars of the middle East and how we fight them.
A very well made film that often feels like a documentary. Flawless filming and acting to make you feel there.
This film is NOT for everyone. This film is quite gruesome and captures the reality of land mines.
NOTE: The heavy British accents required us to turn on captions.
I wanted to score the film an 8.5, but upgraded to a 9 based on powerful filming, intensity, real-ness and solid acting.
A very well made film that often feels like a documentary. Flawless filming and acting to make you feel there.
This film is NOT for everyone. This film is quite gruesome and captures the reality of land mines.
NOTE: The heavy British accents required us to turn on captions.
I wanted to score the film an 8.5, but upgraded to a 9 based on powerful filming, intensity, real-ness and solid acting.
Like most people with military experience I find conventional war films a bit irritating – Implausible plot lines and ridiculous dialogue along with inaccurate uniforms and weapons tend to detract from the overall impression. The recently released movie Kajaki – the true story is, in the exception to this trend, and an important contribution to the national mood of reflection on the Afghan conflict.
Every aspect of the film is grittily authentic, right down to the banter between the blokes, the detail on the T shirts and the tattoos.
The incident will be familiar to many – in 2006 a patrol from 3 Para stationed at the Kajaki dam wander inadvertently into a legacy minefield from the soviet era with the inevitable unpleasant consequences. What sets this film apart from the crowd is the complete lack of sanitised pastiche violence and a storyline that sticks as closely as possible to the known facts, having had access and co-operation from the surviving members of the patrol, if not from the MOD itself. The movie scrupulously avoids being drawn into discussions about the controversies of the Afghan campaign and the level of resources supplied to the deployed forces, preferring instead to focus completely on the individual soldiers and the events of the day.
As a surgeon with extensive experience of landmine injuries, I was hugely impressed with the level of detail in the depiction and treatment of the injuries and the completely unsentimental depiction of the actions that day. Writing in the Sun, Jeremy Clarkson explained that even though he had taken an interest in the Afghan conflict and had been out to see soldiers on deployment, he had absolutely no idea what the reality of battle and injury entailed until he saw the film. I am certain that many civilians and even some serving servicemen will feel the same after seeing the Kajaki movie.
Having been released at the same time as the annual ceremonies of remembrance and, co-incidentally, at the same time as the centenary of the First world war and the draw-down from Afghanistan, it is important to remind the UK population that war is not all about artistic installations at the Tower of London, beautiful though those may be. With the Army having the lowest headcount in over a century, the population it serves is more disconnected than ever from the military – Kajaki conveniently reminds everyone about the realities of conflict.
Dan Jarvis MP, himself a former Parachute Regiment officer brought up this very point at Defence Questions in the House of Commons and secured an assurance from the Defence Secretary that he would see the film in person. It should be required viewing for a far wider audience.
Every aspect of the film is grittily authentic, right down to the banter between the blokes, the detail on the T shirts and the tattoos.
The incident will be familiar to many – in 2006 a patrol from 3 Para stationed at the Kajaki dam wander inadvertently into a legacy minefield from the soviet era with the inevitable unpleasant consequences. What sets this film apart from the crowd is the complete lack of sanitised pastiche violence and a storyline that sticks as closely as possible to the known facts, having had access and co-operation from the surviving members of the patrol, if not from the MOD itself. The movie scrupulously avoids being drawn into discussions about the controversies of the Afghan campaign and the level of resources supplied to the deployed forces, preferring instead to focus completely on the individual soldiers and the events of the day.
As a surgeon with extensive experience of landmine injuries, I was hugely impressed with the level of detail in the depiction and treatment of the injuries and the completely unsentimental depiction of the actions that day. Writing in the Sun, Jeremy Clarkson explained that even though he had taken an interest in the Afghan conflict and had been out to see soldiers on deployment, he had absolutely no idea what the reality of battle and injury entailed until he saw the film. I am certain that many civilians and even some serving servicemen will feel the same after seeing the Kajaki movie.
Having been released at the same time as the annual ceremonies of remembrance and, co-incidentally, at the same time as the centenary of the First world war and the draw-down from Afghanistan, it is important to remind the UK population that war is not all about artistic installations at the Tower of London, beautiful though those may be. With the Army having the lowest headcount in over a century, the population it serves is more disconnected than ever from the military – Kajaki conveniently reminds everyone about the realities of conflict.
Dan Jarvis MP, himself a former Parachute Regiment officer brought up this very point at Defence Questions in the House of Commons and secured an assurance from the Defence Secretary that he would see the film in person. It should be required viewing for a far wider audience.
'Kajaki' is probably one of the most intense war movies you will ever watch. Having said this, note this is not a full-on war movie. Instead, this is dramatic events as a result of war.
The film is incredibly well made and realistic. Thus some of the scenes are almost unbearable to watch. 'Kajaki' is one of those rare films that are almost too well made to sit through thinking this is entertainment. It plays like a documentary - almost like a found footage tape, only its not found footage style. It is heart wrenching, cringe worthy, and also a sad reality. The acting was superb. The lack of CGI made it all that more realistic. The film also has no score. Most of the film is in absolute silence, which is highly effective and also very creative.
The dialogue features many codes and lingo I didn't understand. The dialogue was really strange, yet realistic, but very difficult to follow. Despite that, the film itself was easy enough to follow. The make-up is incredible! 'Kajaki' is a film you can't really describe to anyone - you have to experience it for yourself - maybe best viewed alone at least once. This certainly is a film I will remember for a very long time.
https://paulsmoviereviews.wordpress.com/2019/10/10/kajaki-kilo-two-bravo-2014/
The film is incredibly well made and realistic. Thus some of the scenes are almost unbearable to watch. 'Kajaki' is one of those rare films that are almost too well made to sit through thinking this is entertainment. It plays like a documentary - almost like a found footage tape, only its not found footage style. It is heart wrenching, cringe worthy, and also a sad reality. The acting was superb. The lack of CGI made it all that more realistic. The film also has no score. Most of the film is in absolute silence, which is highly effective and also very creative.
The dialogue features many codes and lingo I didn't understand. The dialogue was really strange, yet realistic, but very difficult to follow. Despite that, the film itself was easy enough to follow. The make-up is incredible! 'Kajaki' is a film you can't really describe to anyone - you have to experience it for yourself - maybe best viewed alone at least once. This certainly is a film I will remember for a very long time.
https://paulsmoviereviews.wordpress.com/2019/10/10/kajaki-kilo-two-bravo-2014/
I was 21 at 1973, only 4 month after my army service, mandatory of course, as is army service in Israel, i just finished 3 years of hard service, 4/5 of it under constant fire, i was at the Suez canal and the Egyptians were shooting at us non stop, we did not respond, ammo was in short supply, and we just tried to keep our posts. Then, on September, all the Arab countries surrounding Israel issued an attack, it was Yom Kippur, our holiest day of the year, most of the soldiers were at home, we were attacked from all sides, transportation arrived to soldier houses and took all to the war, me too. I met my tank crew at the south desert, we got the tank on the truck and headed to the fight zone, few kilometers from there we drove off the truck and headed south, to try and stop the Arab tanks, we fought the whole day, watching our tanks get hit by rpg rockets, and by the second day we were ordered to drive behind the Egyptians and try to block the second wave of Arabic tanks that was crossing the canal, on the way to the canal, we were hit by an rpg, the gunman died immediately, me and the 2 crew members managed to get out, i shot the guy with the rpg, but his friends on a jeep escaped and informed others about us, so, 100 kilometers from any Israeli army, in the desert, an area full of our own mines, intended to block a possible Arabic attack, there were us, me, the driver, and a seriously wounded loader. want to know what happened to us? watch the film, it is really our crew's story! we stayed there 7 days, no water, with thousands of mines around us, the heat was 50 plus Celsius, we were shot, buried by tanks, but we survived.
Você sabia?
- CuriosidadesAt the film's first test screening, director Paul Katis was initially depressed as the audience traipsed out without saying a word. He thought that they didn't like the film, when in fact they were traumatized by what they had just seen.
- Erros de gravaçãoWhen the initial patrol approach the minefield, an SA80 rifle is seen with both the SUSAT sight fitted and the Iron Sights Fore Sight also fitted. This is incorrect, if the rifle has a SUSAT sight, the Iron Sight Fore Sight is always removed.
- CitaçõesTodas as entradas contêm spoilers
- Cenas durante ou pós-créditosAfter the song is heard in the credits, the soundtrack changes to a recording of radio communications of an action in Afghanistan.
- ConexõesFeatured in The EE British Academy Film Awards (2015)
- Trilhas sonorasAll Of My Life
Written and Performed by Phoebe Katis
Arranged by Anthony Leung and Phoebe Katis
Recorded at The Crypt Studios
Produced by Anthony Leung and Ricky Barber
Principais escolhas
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- How long is Kilo Two Bravo?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Kilo Two Bravo
- Locações de filme
- Jordânia(Kajaki Dam)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 7.891
- Faturamento bruto mundial
- US$ 34.017
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Proporção
- 2.35 : 1
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