Soft Lad

I completely enjoyed this film as it just goes to show how you can devastate lives sometime without realising your actions. It also shows that two wrongs don't make a right and how feeling true love for someone can make you feel that other things are more insignificant. These things happen in real life and it was good that the subject has been approached

Soft Lad is the latest piece of work from Director Leon Lopez.You may remember Leon from his days on shows such as Brookside and Hollyoaks and after directing a couple of shorts, he makes his feature film directorial debut with Soft Lad, a film that not only did he direct but also wrote, edited, produced and was the sole camera operator on. Quite a feat in itself and one where you could forgive the occasional mistake that may occur throughout the feature. With the exception of a couple of moments in the sound department, there were no such mistakes and in my view Leon deserves the highest level of praise for the excellent editing of the film. So what is the film about? It's basically a love story but not your normal run of the mill love story. Jules and Jane are a happily married couple with one daughter living in a nice house in a nice area and in decent jobs. All appears good but Jules is hiding a terrible secret from his wife. He is having an affair with Jane's brother David. No longer able to handle lying to his family and in particular his sister, David decides to end the affair and instead turns to new love Sam. David's feelings for Sam soon turn to love and life appears to be pretty good for him. Jules however must wrestle with his conscience and his feelings for David. Putting his marriage at risk he must decide whether or not to come clean about the affair or accept that it is over and move on. A simple check up at the hospital changes everything. Who is affected? Well you will have to watch the movie to find but believe me it results in one of the best scenes in the movie and one that though quite intense, also has one of the funniest lines. For a first time feature film director and with a modest budget of approx £17,000, Leon Lopez has done an exceptional job and after seeing what he can do with such a small budget, one wonders what he could do with a budget of millions. No one performance can be singled out as all the cast members give outstanding performances. Daniel Brocklebank (Coronation Street, Doctors, Emmerdale) as Jules makes you really believe he is struggling to accept his homosexuality yet also manages to pull off a dangerous side of Jules's personality. There is one scene where Daniel is delivering his lines to Stacey (Laura Ainsworth) and with such a look on his face that I actually believed his character was going to attack her. Suzanne Collins (Brookside) as Jane is superb as the totally oblivious wife who believes she is the cause of Jules's increasing moods and stands out in the life changing scene. Jonny Labey (Eastenders) as David is a pure revelation in this film and definitely an actor destined for more. You really feel for his character even though what he has done is wrong. Having watched him in Eastenders, I believe that it is in this film that he shines and acts his socks off.

This film deals with an interesting dynamic, but it is poorly produced. The dialogue is barely audible at times and the music sound track used is probably the most annoying ever. The acting is very variable, overacted at times a bit like a daytime soap opera. The camera work is shaky and at times one wonders if a hand held iPhone was used for some of the scenes. Heads get cut off, and the shaky images are nausea inducing. There are some scenes that add very little to the main story and could easily have been omitted. The ending seems a bit too tidy, and appears as if it were important to the Director/writer to have a happy ending, no matter if it made sense or not!

As a story it somehow it could have been considered a little dated, like it could have been made in the Eighties, closeted husband sleeps with wive's younger brother yada yada. In truth though it's actually a decent film, the story does grab you, it unfolds well, and the acting is excellent. I thought Suzanne Collins was excellent as wronged wife Jane. Daniel Brocklebank, Jonny Labey etc all very good. It's depressing in tone, but in fairness contains some positive messages. Watchable, 8/10

This has got to be one of the worst films I've seen. It is so badly made, I was actually shouting "this is so bad!!" at my laptop. The camera work is so bad it's annoying; I don't know what type of tone or feel they were going for but the result is a mess of awkward angles, moving pointlessly back and forth and getting in the faces of the actors with absolutely no sense of framing.

The sound design is non-existent and the few attempts at scoring are generic 'sad'/piano music, that not only add absolutely no sentiment at all, they also sound really bad. And that also applies to dialogue as well, which makes the whole thing look and sound very amateur.

The script is so bad I can't stop thinking how it got approved or how people thought this kind of writing is good! To sum it up, it goes like this: -I just feel stressed and tired from it all -Why? -I don't know

The repetition of lines like "where is this coming from?" and "why are you being like this?" only makes things worst and adds to an already messed up and poor script that sounds so basic and forced and fake that makes the whole thing really annoying to watch.

In terms of plot, after one or so hours of the character's emotional ups and downs, it boils down to the consequences of unprotected sex and the use of condoms, which in this day and age is just old news.

The actors do try their best and they are some genuine moments that unfortunately don't last for more than a few seconds. Massively let down by a script that simply does not work, they end up trying to convince you how sad they are, or how confused with lines like...well, see above.

I can go on and on as I still can't believe how badly made this is and how amateur it looks and sounds; OK, maybe they didn't have the biggest budget ever and I get that but still, that's not an excuse for the complete and utter lack of a convincing narrative, emotional investment and quality of film making.