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IMDbPro

Mommy

  • 2014
  • 16
  • 2 h 19 min
AVALIAÇÃO DA IMDb
8,0/10
64 mil
SUA AVALIAÇÃO
POPULARIDADE
3.678
1.102
Mommy (2014)
A widowed single mother, raising her violent son alone, finds new hope when a mysterious neighbor inserts herself into their household.
Reproduzir trailer2:31
8 vídeos
99+ fotos
Drama

Uma mãe solteira viúva criando seu filho violento sozinha encontra uma nova esperança quando uma vizinha misteriosa se insere em sua casa.Uma mãe solteira viúva criando seu filho violento sozinha encontra uma nova esperança quando uma vizinha misteriosa se insere em sua casa.Uma mãe solteira viúva criando seu filho violento sozinha encontra uma nova esperança quando uma vizinha misteriosa se insere em sua casa.

  • Direção
    • Xavier Dolan
  • Roteirista
    • Xavier Dolan
  • Artistas
    • Anne Dorval
    • Antoine Olivier Pilon
    • Suzanne Clément
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    64 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.678
    1.102
    • Direção
      • Xavier Dolan
    • Roteirista
      • Xavier Dolan
    • Artistas
      • Anne Dorval
      • Antoine Olivier Pilon
      • Suzanne Clément
    • 105Avaliações de usuários
    • 263Avaliações da crítica
    • 74Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 58 vitórias e 65 indicações no total

    Vídeos8

    Official Trailer
    Trailer 2:31
    Official Trailer
    International Trailer
    Trailer 3:13
    International Trailer
    International Trailer
    Trailer 3:13
    International Trailer
    Streaming Passport to Canada
    Clip 6:08
    Streaming Passport to Canada
    Cake Time
    Clip 1:38
    Cake Time
    We Good
    Clip 0:52
    We Good
    Mommy: Who's Your Daddy (US)
    Clip 1:26
    Mommy: Who's Your Daddy (US)

    Fotos152

    Ver pôster
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    + 146
    Ver pôster

    Elenco principal34

    Editar
    Anne Dorval
    Anne Dorval
    • Diane 'Die' Després
    Antoine Olivier Pilon
    Antoine Olivier Pilon
    • Steve O'Connor Després
    Suzanne Clément
    Suzanne Clément
    • Kyla
    Patrick Huard
    Patrick Huard
    • Paul
    Alexandre Goyette
    Alexandre Goyette
    • Patrick
    Michèle Lituac
    • Directrice du centre correctionnel
    Viviane Pacal
    Viviane Pacal
    • Marthe
    Natalie Hamel-Roy
    Natalie Hamel-Roy
    • Natacha
    Isabelle Nélisse
    Isabelle Nélisse
    • Fille de Kyla
    Ted Pluviose
    Ted Pluviose
    • Chauffeur de taxi
    Pierre-Yves Cardinal
    Pierre-Yves Cardinal
    • Gardien de sécurité #1
    Reda Guerinik
    Reda Guerinik
    • Gardes de securite
    Justin Laramée
    Justin Laramée
    • Gardes de securite
    Sabrina Bisson
    • DJ Karaoke
    Huguette Gervais
    • Calssiere librairie
    Vincent Fafard
    Vincent Fafard
    • Joueur de billard
    Jean-Philippe Baril-Guérard
    Jean-Philippe Baril-Guérard
    • Joueur de billard
    Dominic Desnoyers
    • Joueur de billard
    • Direção
      • Xavier Dolan
    • Roteirista
      • Xavier Dolan
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários105

    8,064.2K
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    Avaliações em destaque

    10gaara1231

    Absolutely Stunning and Powerful Masterpiece

    Wow! I was left with tears and emotional instability after watching this film. I mean this in the best way possible of course. I've never been so emotionally AND PHYSICALLY moved by a film. Mommy is so powerful and touching in so many ways because it captures a lot of problems, turmoils, and emotions that we all experience. In fact, it didn't feel like I was watching a film. I felt like I was living with these characters and experiencing everything they were going through. Laughing with the characters during their happiest moments, crying with the characters through their darkest times, and feeling frightened of what would happen next were all sentiments I felt throughout the film. This brings me to one of the most amazing aspects of the film-the acting.

    The acting was absolutely superb! Everyone was terrific. The three main characters depicted by Anne Dorval, Suzanne, Clément, and Antoine Olivier Pilon were so engaging and compelling. They WERE their characters. I didn't feel like I was watching actors acting-it was so real! Bravo to all the whole cast!

    The cinematography was breathtakingly beautiful. Xavier Dolan films are always a treat because they are all so visually stunning. Dolan captures many of the activities we do such as dancing with our family and friends, falling onto our beds, riding our bikes/longboards, and karaoking so majestically. Dolan is truly talented.

    I was very excited to see Mommy for the longest time and I was not disappointed. I was transported to a different, magical, yet realistic world. I want to thank everyone involved in the production of Mommy. It was extremely powerful and so painfully relatable. I think about this film everyday and still get emotional. The soundtrack was lovely-I listen to it everyday and the songs evoke so much more meaning now. EVERYBODY, GO WATCH MOMMY!
    6g_imdb-43

    "Killing" mommy was better than living with her!

    I've now seen four Xavier Dolan films; "I Killed my Mother" was my first (his too ;), and I thought it was a much better film. Although there are great similarities in the characters' dynamics, the characters in "I Killed my Mother" were simply more believable, and that made their plight - and the story - more interesting.

    "Steve" in this movie has such a weird mania: he seems to know when he's being super-anti-social but simply doesn't care. (Is it possible he's named after "Steve-O"?)

    I was surprised, in "I Killed...," how unlikable Dolan made his own character, but that story - about two people who had absolutely nothing in common but were forced to love each other anyway - seemed like a much truer story, and that movie also had genuine emotional moments - particularly the line "I would die tomorrow" (if you've seen it, you know). Where that movie was emotional, this movie is merely cringeworthy.

    I've seen 4 Dolan features so far (not in the order he made them), and this is the first one for me that didn't (a) feature Dolan himself in a staring roll, and (b) have a gay sub-plot in the story. Both of these were disappointing to me, although he does replace himself with a young actor who would be simply stunning, if he wasn't constantly mugging for the camera - which is still fine for the movie, since we see it as part of his mental disorder.

    Having seen previous Dolan movies, I've come to believe he "widens" the screen for fantasy scenes - this is clearly shown the second time in "Mommy" that he widens the screen, but I mention this to suggest that the mid-movie "Wonderwall" montage, which others have suggested was showing progress, is actually a fantasy.

    Speaking of screen shape - this movie may be square, but on a wide screen, it appears vertical. Obviously, Dolan was trying make us feel visually "trapped" in the story, the same as his characters. Like wiring theater seats for an electric shock, this technique does work, but whether it makes this a better "movie" is debatable. It's not a deal-killer, but I think it honestly makes the movie less-fun to watch, and what do we watch movies for, if not to have fun?

    Final comments on the beginning and ending (not really spoilers): The "alternative Canadian law" thing in the opening titles seems completely unnecessary, as "Steve" was more than dangerous enough for involuntary psychiatric commitment with or without an alternate universe. And the ending! Well... it seemed inevitable through the whole movie that it would end this way, because it really didn't have anywhere else to go. Even the final shot: seems it's been the final shot in many other movies with a similar subject. MANY other movies.

    So, not a bad art film, to be sure, but in my opinion, it's hardly Dolan's best movie, and certainly not his most accessible... I would NOT recommend it to anyone who's not already a fan.
    8Fiurilli

    A unique cinematic experience

    The movie 'Mommy' written and directed by Xavier Dolan takes place in an alternate version of Canada where any parent has the option to rid themselves of their troublesome children by sending them to an institution. One of the movies main characters Diane Després finds herself in exactly that situation when her son Steve who has ADHD gets out of a youth detention center. Immediately Diane is presented with the option to send Steve away, but his undying love for his mother paired with her own stubbornness and pride stops her from making such a drastic decision. Right from the start this unique family seems to be heading into a disaster but things change when a mysterious neighbour inserts herself into the lives of Diana and Steve.

    The concept of a mother struggling with a troublesome child is not all that unique, and even though this movie has quite a few interesting story elements up its sleeve, at its core it still is a film about a dysfunctional family that has been told many times before. That is not to say that this movie is as mundane as possible since the manner the story is presented in is anything but generic. Characters are extremely well defined and never seem to say or make any decisions which one could consider inconsistent with their usual behavior. The exposition necessary to set up these characters is masterfully woven into the dialogue. The movie never really goes out of its way to tell the viewer something about the characters and instead lets it happen naturally throughout its runtime.

    What makes the characters even better are the amazing actors portraying them. The actress Anna Dorval does an excellent job at showing the human side of Diane. Often times when her character is either laughing or crying it comes off as genuine so genuine in fact that it is not hard to forget that you're watching a movie and not a documentary. Even when her character is not speaking it is quite clear that internally she is struggling with the decision to send her son away in order to live a normal life. This struggle also resonates within the viewer via Antione-Olivier Pilon's portrayal of Steve. There is always a noticeable sense of built up frustration and when his violent nature paired with his ADHD sends him on a tantrum his anger seems real and almost scary at times. Afterwards there is always a small sense of regret when he sees the fear he induced into his mother. The mysterious neighbour Kyla is not as on the forefront as Steve or Diane as she is more of an introvert. That is not to say that this character is very forgetful as Suzanne Clément, the actress behind Kyla, masterfully shows that there is more to her character than first meets the eye. Every performance on its own was very good, but what's even better is the way the director shows the relationship they have with one another. As a family, albeit a dysfunctional one, Steve and Diane really come off as one that probably exists somewhere in this world and the interplay between them and Kyla is also very believable.

    Almost the entire movie is filmed with an aspect ratio of 1:1. Characters are literally locked up in a little box in the same way as they are locked up in a lifestyle they cannot get out of. Instead of it being a gimmick this feature almost comes off as its own character. Because of this small frame in a lot of scenes there really is only one character that appears on the screen at any given time. This really puts the emotions being portrayed at the forefront and further enhances the already great acting performances. As a viewer the small frame made me feel as if I myself was cramped into a little box. When things are looking up for Steve and Diane the frame widens and when the characters finally get their breath of fresh air the viewer experiences the same as they are finally able to escape from that little box they were trapped in. This aspect ratio does have its side effects though as it comes at the cost of the quality of some of the set-up shots. Some were still fairly well done however, but others probably would have turned out a lot better if it had been done in a regular aspect ratio. This is just a minor thing though as it really does not matter in the grand scheme of things.

    What the movie also does not do well is the pace in which the story is told. The movie slows down tremendously just halfway through its runtime and again just before it reaches its ending point. These moments don't last long however as they are over just before the viewer would lose interest but the movie in its entirety would probably have benefited a lot if a good twenty minutes was scraped of its 139 minute runtime. All in all 'Mommy' is an extremely solid movie with great acting performances at its forefront. Xavier Dolan's incredible use of the aspect ratio provides a unique cinematic experience that is absolutely worth the watch.

    My rating: 8/10
    10Vladdus

    'Not a dull moment with Steve'

    Five months ago, I had no idea who Xavier Dolan was. Now, after watching 'Mommy', I have no hesitation in saying that he's one of most talented artists to have come into prominence in the past few years.

    What director and writer Xavier Dolan, who is 25, achieves with 'Mommy' is quite spectacular. Not only does he manage to impress with top-notch directorial skills and an impressive and complex understanding of human relationships, but he has successfully accomplished the ultimate goal of a filmmaker: transmitting emotions -- pure, unaltered feelings.

    I was never a supporter of the idea of re-watching films; I thought that by re-watching a movie, you would lose precious time that could have been used to watch a potentially even better film. However, 'Mommy' has completely destroyed this concept for me. Leaving the cinema room, I had a sense of restlessness that went away only after watching it for the second time. And guess what? The feelings the film transmitted remained as fresh and relevant as they were the first time.

    There are a myriad of aspects that are worth discussing when referring to this film: the fabulous actors, the impressive use of music, the clever use of colors, the numerous jaw-dropping cinematography-related details and the variety of raw feelings 'Mommy' explores. But, by analyzing each of these aspects in detail, you may risk to experience a film whose surprises will not be as poignant as they would be by discovering them yourself.

    I can safely say that 'Mommy' left an indelible mark on me. Its honesty, the beauty it exudes and its life-affirming tone make for an enthralling chef d'oeuvre that will undoubtedly have a certain effect on whoever decides to watch it.

    To sum up, 'Mommy' manages to do what an important piece of art does: communicate authentic feelings. And, for this, I am grateful. Bravo, Dolan!
    10nicholascarlson

    Anne Dorval is AMAZING

    Anne Dorval is far and away the best actress I have had the pleasure to watch in the past couple years. She was solid in J'ai tuer ma mere. She is explosive in Mommy! I haven't written a review yet but her performance encouraged me to do so. Antoine-Olivier Pilon was great, and Suzanne Clement was also top notch.

    I've never been so deeply affected by a movie. I went back and forth between laughter and tears throughout the entire movie. There were several scenes that I related to....

    Something that really resonated with me was the scenes where the 3 main characters were laughing, dancing, enjoying life. I personally have a hard time remembering the moments in my life where I was truly happy. I believe that is because in those moments I was so deeply immersed in conversation and laughter that my brain was incapable of creating a memory. While watching Mommy I wasn't able to remember those moments in my life but I was able to make the connection because the performances and script were so realistic. Thank you Xavier Dolan! Waiting for more...

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Most of the film is presented in a 1:1 aspect ratio, where the "viewing area" of the screen is a perfect square.
    • Citações

      Directrice du centre correctionnel: Loving people doesn't save them

    • Conexões
      Featured in WatchMojo: Top 10 Movies by Canadian Directors (2016)
    • Trilhas sonoras
      Childhood
      Written and performed Craig Armstrong

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    Perguntas frequentes19

    • How long is Mommy?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 11 de dezembro de 2014 (Brasil)
    • País de origem
      • Canadá
    • Centrais de atendimento oficiais
      • Official site
      • Official site (Japan)
    • Idiomas
      • Francês
      • Inglês
    • Também conhecido como
      • Mamã
    • Locações de filme
      • Montréal, Quebec, Canadá
    • Empresas de produção
      • Les Films Seville
      • Metafilms
      • Sons of Manual
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 3.494.070
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 473.882
      • 21 de set. de 2014
    • Faturamento bruto mundial
      • US$ 13.156.856
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 19 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 0.56:1

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