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This is one of the most interesting movie i have seen in a very long time and trust me, i watch a lot of movies. I have always been a big fan of 'Sanjay Mishra' and he has proved it once again that he is one of the finest artists in Indian film industry.

Based on 'Life' as an experience, brilliantly portrayed, a fitting cast and amazing performances by the whole team. One can argue on the objective of the movie, perhaps there isn't any and this is the objective.

This is not a typical run of the mill Bollywood movie. Please watch it and decide for yourself. This may be a 'either you love or you hate it' type of movie. This has set a new standard in my book. A complete gem.

(Probably) Simplicity can never be a passé. A whole generation still connects to the "Ta Na Na Ta Na Na" of Malgudi Days. R.K Narayan Ki duniya talked about the real India, some simple people, their life & its ordeal.

Rajat Kapoor's refreshingly eccentric yet gimmick-less (even hype-less) "Ankho Dekhi" is kind of a dejavu of Malgudi Days. The film revolves around Bauji who lives in his own ideological world & believes in inherent goodness of people. But he isn't gullible person & believes only in "Ankho Dekhi". And in a moment of realization he literary sets on to a journey whereby he decides that he will only believe what he can see for himself. From religion to education to even science - Bauji seeks for his own truth, an experienced one. He will come across as a visionary to someone while others might outright reject him as a nitwit. Kapoor webs an authentic image of a regular middle-class household in the surrounding areas of urban India, the still-prevailing joint family & the ego dynamics. His execution is gentle traversing at its own pace much like the ways of Bauji.

Kapoor's narrative talks about many issues in subtle way & he webs in some brilliant situations to express his points. Like the scene where the priest gives "Prasad" (Godly offering) to Bauji, he takes it, have it & then says that the sweet is good totally unaware of the anger of the priest who kept on insisting that it's not a mere sweet, it is godly offering. Then in another accomplished sequence bauji kept on saying that he won't believe in gods until one of them comes & have tea with him which angers the religious fanatic ones. Going away from religion, he even pokes on the education system whereby he establishes the importance of knowledge beyond books. The debate with the maths teacher on how could one assume that two parallel lines would meet at infinity deserves mention. Then the sequence of visiting a zoo to check whether a tiger roars or meows was superlative.

Kapoor got able support from cinematography, editing & music department bringing out the essence of the narrative deftly. And as the masterstroke climax happened I almost jumped from my seat to applaud & that's when the end credit began with the following note – "Thanking my teachers Mani Kaul & Kumar Shahani" (two of the finest film makers of Indian parallel cinema); what a way to give back to his masters! This is indeed one of the finest films from Rajat Kapoor.

Otherwise typecast & wasted in loud comical characters Sanjay Mishra didn't let slip this opportunity & gave his career best performance as bauji. Hopefully his acting potential will be frequently utilized from now on. The supporting cast were tremendous comprising of Rajat Kapoor himself, Manu Rishi, Pahwa, Miya Sarao (who made a striking debut as the daughter of Bauji), Namit das, even stalwart Saurabh Shukla in a cameo.

Without being preachy the premise makes you (makes us) introspect – all of us, lost in the jungle of consumerism are losing our own thought prowess; the power of self experience. As bauji would have said which goes in English somewhat this - Whatever I am saying is my truth, my experience. Don't go by it only as your's experience & truth can be different.(For some reason IMDb is not allowing me to out the Hindi sentence thus have to give the translated version). In this way the film hits the consumerist (And media dominated) culture whereby people are losing their self identity.

Give this movie a try, you will probably come with a thoughtful grin & might set for your very own 'flight of fancy" (as Masand said).

(Sadly this witty original film got overpowered by ghostly baby dolls & their gang of marketing terrorists..)

'Ankhon Dekhi' is Sheer Brilliance! A powerful, symbolic, heart-breaking film, that is also blessed with incredible performances!

'Ankhon Dekhi' centers around Bauji, played by Sanjay Mishra, who, after a dramatic incident, decides that he will only believe what he sees with his eyes.

'Ankhon Dekhi' narrates Bauji's "see it to believe it" story, with strong emotion & poetic pacing. Writer/Director Rajat Kapoor delivers a human-story, that in many ways, narrates life. His Screenplay deals with faith, family bond, sadness & reality. Its blunt, but also beautiful. His Direction, on the other-hand, is simplistic. A Special Mention for the wonderful music.

Performance-Wise: Sanjay Mishra is mesmerizing as Bauji. The immensely talented actor delivers a knock-out performance, that in my opinion, deserves a National-Award! He's the life of the show. Seema Pahwa is outstanding. She compliments Mishra, marvelously. Rajat Kapoor, himself, pitches in a restrained performance. Maya Sarao is a talent to watch out for. She's superb. Brijendra Kala, Manu Rishi & Namit Das, are impressive, as well.

On the whole, 'Ankhon Dekhi' left me overwhelmed.

Rajat Kapoor has always fascinated me: with his acting, directing & even writing. His Raghu Romeo was a good project. His roles in Dil Chahta Hai & Monsoon Wedding upped the ante. Ankhon Dekhi could just be his magnum opus.

Sanjay Mishra's character is the protagonist; troubled with life's ways, troubled with the monotony, he starts introspecting as his daughter's love affair is known about. He realizes that nothing can be believed to be right until you see it with your eyes, ankhon dekhi. What follows is a myriad number of references about a man's life: his birth, his family, his kids, his work & his thought. What the plot tries to suggest is the idiosyncrasy we all possess and that it is all different for different people. It may force people to ape others, but that is not the right way.

With beautiful vocals & music by Kailash Kher, brilliant cinematography & marvelous direction, Ankhon Dekhi is perhaps Bollywood's best film this year, so far. The performances is the best thing about it; each & every cast member is so involved with their characters, that I was taken aback when a supporting actor playing the mother of a boy who is diagnosed with a disorder, enacts the relief when he ails out of it. Her expression & conduct all were absolutely mesmerizing. Plus, the brotherly relationship is talked about, with respect to joint families. It showcases the Indian which we had thought is lost; perfectly captured Delhi streets & chawls; fantastic photography.

The climax is equally haunting and is free for interpretation to viewers; ends with a bang & so sharply expresses a man's views. It mixes wonder with reality & does it right.

BOTTOM LINE: Highly recommended because this is no ordinary cinema. This is a masterwork.

It is a story of a man who begins to think philosophically and feels within himself the reality of life of seeing and believing in those things which normally an average man wouldn't think of treading into finding realism in several 'minute' issues like hearing the roar of a tiger, flying like a bird… Raje Bauji (Sanjay Mishra} is a man in his late fifties, living out a dreary but eventful life in a small house in old Delhi- where he lives with his extended family. An executive in a travel agency, head of his family lives a typical middle class, happy, content life with his younger brother's family.

A random incident is going to change his life in a dramatic way, though he does not realize at the moment.

Bauji's daughter has been seeing a boy of ill repute. When that fact is revealed to the family, after much deliberation they decide to do the obvious – lock up the girl and go beat the willful boy.

Taking a cop along with them to warn the 'laundiya baaz' (means – a womanizer as labelled by other people), Bauji realizes that the boy isn't that bad as as the terrible reputation formed by the people around him. Ajju is exactly opposite of what he had heard about him. This incident gets him to think that what is being heard and talked about any thing or a person, isn't exactly what is the truth behind it.

Bauji leaves his job and decides to stay at home, rather than 'mislead or cheat the clients' thats what he thought.

It is a funny old journey of this man, this old fool- who is both Lear and the fool.