Pelos Meus Próprios Olhos

It is an excellent flick that is on my favorite list, like Sadma, Simon Brich, Hachiko, Lawrence of Arabia, Gangoobai, Iqbal, etc. Its is kind of flick I prefer to watch. It is a logical drama masterpiece of Rajat Sir, I am big fan of your film, long ago. There are very reality based scenes in film that I can only imagine, like when the younger brother moving out the transfer of luggage from roof top to the new house is amazing, the body languages of all characters in whole movie was marvelous, the Shadi scene when all sitting in pooja and the son of pujari came back and forth telling the current events in tents happened at that real time was outstanding, even pujari's son character has a real existence in our society. It took a long and intense kind of observation and create a plot on these kind of happenings is a great achievement. Finally, hats off. Also, in the end, its an excellent recommendations from IMDb to let me know what should I deserve to watch. Thanks for this wonderful art work.

It is a story of a man who begins to think philosophically and feels within himself the reality of life of seeing and believing in those things which normally an average man wouldn't think of treading into finding realism in several 'minute' issues like hearing the roar of a tiger, flying like a bird… Raje Bauji (Sanjay Mishra} is a man in his late fifties, living out a dreary but eventful life in a small house in old Delhi- where he lives with his extended family. An executive in a travel agency, head of his family lives a typical middle class, happy, content life with his younger brother's family.

A random incident is going to change his life in a dramatic way, though he does not realize at the moment.

Bauji's daughter has been seeing a boy of ill repute. When that fact is revealed to the family, after much deliberation they decide to do the obvious – lock up the girl and go beat the willful boy.

Taking a cop along with them to warn the 'laundiya baaz' (means – a womanizer as labelled by other people), Bauji realizes that the boy isn't that bad as as the terrible reputation formed by the people around him. Ajju is exactly opposite of what he had heard about him. This incident gets him to think that what is being heard and talked about any thing or a person, isn't exactly what is the truth behind it.

Bauji leaves his job and decides to stay at home, rather than 'mislead or cheat the clients' thats what he thought.

It is a funny old journey of this man, this old fool- who is both Lear and the fool.

(Probably) Simplicity can never be a passé. A whole generation still connects to the "Ta Na Na Ta Na Na" of Malgudi Days. R.K Narayan Ki duniya talked about the real India, some simple people, their life & its ordeal.

Rajat Kapoor's refreshingly eccentric yet gimmick-less (even hype-less) "Ankho Dekhi" is kind of a dejavu of Malgudi Days. The film revolves around Bauji who lives in his own ideological world & believes in inherent goodness of people. But he isn't gullible person & believes only in "Ankho Dekhi". And in a moment of realization he literary sets on to a journey whereby he decides that he will only believe what he can see for himself. From religion to education to even science - Bauji seeks for his own truth, an experienced one. He will come across as a visionary to someone while others might outright reject him as a nitwit. Kapoor webs an authentic image of a regular middle-class household in the surrounding areas of urban India, the still-prevailing joint family & the ego dynamics. His execution is gentle traversing at its own pace much like the ways of Bauji.

Kapoor's narrative talks about many issues in subtle way & he webs in some brilliant situations to express his points. Like the scene where the priest gives "Prasad" (Godly offering) to Bauji, he takes it, have it & then says that the sweet is good totally unaware of the anger of the priest who kept on insisting that it's not a mere sweet, it is godly offering. Then in another accomplished sequence bauji kept on saying that he won't believe in gods until one of them comes & have tea with him which angers the religious fanatic ones. Going away from religion, he even pokes on the education system whereby he establishes the importance of knowledge beyond books. The debate with the maths teacher on how could one assume that two parallel lines would meet at infinity deserves mention. Then the sequence of visiting a zoo to check whether a tiger roars or meows was superlative.

Kapoor got able support from cinematography, editing & music department bringing out the essence of the narrative deftly. And as the masterstroke climax happened I almost jumped from my seat to applaud & that's when the end credit began with the following note – "Thanking my teachers Mani Kaul & Kumar Shahani" (two of the finest film makers of Indian parallel cinema); what a way to give back to his masters! This is indeed one of the finest films from Rajat Kapoor.

Otherwise typecast & wasted in loud comical characters Sanjay Mishra didn't let slip this opportunity & gave his career best performance as bauji. Hopefully his acting potential will be frequently utilized from now on. The supporting cast were tremendous comprising of Rajat Kapoor himself, Manu Rishi, Pahwa, Miya Sarao (who made a striking debut as the daughter of Bauji), Namit das, even stalwart Saurabh Shukla in a cameo.

Without being preachy the premise makes you (makes us) introspect – all of us, lost in the jungle of consumerism are losing our own thought prowess; the power of self experience. As bauji would have said which goes in English somewhat this - Whatever I am saying is my truth, my experience. Don't go by it only as your's experience & truth can be different.(For some reason IMDb is not allowing me to out the Hindi sentence thus have to give the translated version). In this way the film hits the consumerist (And media dominated) culture whereby people are losing their self identity.

Give this movie a try, you will probably come with a thoughtful grin & might set for your very own 'flight of fancy" (as Masand said).

(Sadly this witty original film got overpowered by ghostly baby dolls & their gang of marketing terrorists..)

Thought provoking films have always been an important feature of our Regional Cinema since the beginning and Hindi film-makers have also delivered many worth watching gems in this particular genre in the past (especially before the 90s). But even then, very rarely we have seen a film which comes up with a fine blend of both entertaining as well as enlightening moments in its beautifully executed narration, reaching out to the audience individually in more than one unique manner.

Writer-Actor-Director Rajat Kapoor's ANKHON DEKHIis a perfect example of such rare, not to be missed precious cinema. And as suggested by its name, the film simply needs to be seen, felt and enjoyed at the earliest instead of just being read about, discussed or pre-judged by its various appreciative reviews written by different critics.

Actually films like ANKHON DEKHI should not be ideally reviewed in the usual manner since they are certainly going to have many distinctive meanings or interpretations for different viewers (as per their own viewpoints), which in fact can easily be stated as the film's real beauty too required to be kept intact. For instance where a few might enjoy it just as a light, feel-good comedy revolving around a lower middle class family, there for others it may turn out to be a highly transforming experience, giving them a new bright insight into their own struggling life, demanding many major changes.

So with many thanks to Rajat Kapoor (writer-actor-director), Manish Mundra (producer), Seema Mishra (Bauji's wife), the entire supporting cast, music, background score & art department along with the emotionally touching & exceptionally terrific Sanjay Mishra as Bauji, I would like to strongly recommend ANKHON DEKHI to one and all as a rare meaningful achievement not to be missed.

With a sincere wish that every reader of this honest write-up watches ANKHON DEKHI and many more movies like these like a true seeker, I would like to end here hoping that may you also find your own precious SATORI in those two meditative hours in the dark spent with Bauji. And may we all live a more contended, loving and thankful life in the future, forgetting this silly mad race for money, luxuries and power (to the extent they certainly deserve to be forgotten).

Bauji, a man in his fifties decides to only believe the facts which he sees by his own eyes or feels them and then starts a beautiful yet surprising journey to discover the real meaning of life or to discover himself. There are so many scenes where you literally feel the art of cinema. Without showing any unnecessary dance sequences and cheap dialogues, the film quickly dissolves you in its cinematic mood. It's a gem which will attain cult status after so many years. Rajat Kapoor, the man behind this masterpiece should be appreciated for his devotion towards cinema. Every scene has its details and a meaning which is too deep. Every dialogue is witty as well as thought provoking. Music sets the real mood and cinematography is mind-blowing. "Sab Kuch Yahi Hai, Aankhe Khol Kar Dekho"

Never seen such a perfect and accurate cinematography in any Indian film. The humorous instances during the movie give us an open chance to think what we are doing and what we should do. They play with our thoughts and beliefs. Sanjay Mishra has given a performance which can not be explained in words, along with Rajat Kapoor and the rest of the cast.

For me, this film scores in every field of cinema. Direction, art design, music, cinematography, screenplay and performances and i know i can watch it a million times. It will leave you stunned and surprised in the ending. I clapped for about two minutes as the ending credits rolled. A cinematic achievement and should not be missed. Beautiful and intelligent drama.

A brilliant watch.

10 out of 10, UNDOUBTEDLY.