Dial a Prayer

a film about faith. not great but decent. same option of drawing of fundamental transformation, search of life sense, family tension, a love story and the success who change existences and give the second chance. its best part - the dialogue. because it is the inspired option to escape from the sin of sentimental story. and gives to it coherence and some credibility. a film about the fight against past errors. and the reconciliation with yourself. sure, far to be perfect. and not always convincing. but a beautiful story. touching in few scenes, realistic in the others. useful as advise for dark state who is not unknown for many of us. more important, a nice try. to define the faith in not usual manner. to propose a character who reminds many other similar cases from every day media.and that does it a real useful show.

In the last year or so, quite a few films have debuted which have been targeted to a more conservative Christian audience, such as "Son of God" as well as "God is Not Dead". I assumed that "Dial a Prayer" is pretty much another one of these films, though despite its plot, it isn't exactly something that will appeal to many of the same folks who would have seen these other movies.

The film is about a surly young lady, Cora (Brittany Snow). She's got attitude, that's for sure...and you know that she's been sentenced to do community service for some sort of crime, though for much of the film you have no idea what she's done. As for her community service, she works for a Dial-a-Prayer service--an odd choice for community service considering her attitude about life as well as what crimes she committed. Oddly, however, despite being an angry, lost soul, through the course of the film, she comes to develop a sense of purpose and begins to shed some of her anger and hopelessness.

"Dial a Prayer" has a lot going for it. Snow's performance is exceptional, as she played troubled and angry quite well--so well that it was difficult liking her character for much of the film. This is a major plus. Additionally, it sure didn't hurt that the nice minister who ran the center was played by William H. Macy--a guy who just make everything look so easy and natural. I also like the notion that ACTING good, after a while, makes you good-- something fundamental to many philosophies and branches of psychology. The film also really was nice because it was very unique and there isn't anything else like it that I've seen in a very long time.

But, the film also has a huge problem which will easily impact its marketability. For the traditional Christian audience, while most of the story will make them quite happy, the cursing and sex in the film just don't fit in with their values and it's hard to imagine them not being offended. As for others, there are also a lot of folks who have no interest in a film about spirituality--and they'd never see such a movie in the first place. As a result, while it's a very good film, I just don't know if it has much of an audience, though it is worth seeing.

I liked this little film. A good and decent little film. The story, the script, the directing , the acting and the cinematography. A well packaged little project. I liked the idea that just when you thought that William Macey's character was evil, you end up realizing that he is not. Also, I liked the idea that believing and disbelieving in anything could change in any minute when your perception changes .

Around Thanksgiving season in suburban Detroit, a troubled 26 years-old woman (Brittany Snow) evades jail by working for a prayer hotline, but she can only connect with those who need help when she stops following the script. William H. Macy plays the pastor of the ministry, Glenne Headly her mentally ill mother and Tom Lipinski a man drawn to Cora.

"Dial a Prayer" (2015) is a drama and spiritual exploration that also satirizes Christian religion as a business in the first half. While it's not what is known as a "faith-based" film, it's also not necessarily anti-God, anti-Scripture, anti-faith or anti-spirituality. For anyone who argues that it's completely anti-spiritual, someone clearly receives a healing through prayer and the laying on of hands, which are biblical concepts.

Yes, so-and-so commits fornication, but the Bible shows God using mighty Samson even though he visited a prostitute (Judges 16). The flick is only against go-through-the-motions Christian religion (notice I said religion).

I'd put this in the same category of "The Preacher's Daughter" (2012) even though that one lacks the satire angle. It's just no where near as good because there's a little too much ambiguity, especially in the weak ending.

The movie runs 1 hour, 37 minutes, and was shot entirely in the Detroit area of Michigan, including Royal Oak, Ferndale and Troy, all of which are 6-12 miles north of the city.

GRADE: B-/C+

Anyone who reads my reviews knows that I always beg for more character development and back stories. I loved this movie, but I needed to know a bit more about the supporting characters.

William Macy plays a wonderfully animated boss of a Dial-A-Prayer business. But we never hear how he got into the field or why. Also, no one ever identifies what church the girl's family, the call center, and the town identify with. Is it Catholic? Interestingly, there is practically no mention of Jesus, except when the funny boss says that he parted the Red Sea.

Therefore, I think a non-Christian could feel comfortable watching this without feeling bombarded by J.C.

The film is not really about religion. It is about second chances and turning one's life around. There is good usage of the Fall and Winter Midwest landscape. One could see it as either bleak, or starkly beautiful, depending on attitude. There are some clever references to that. The final scene shows a couple quietly beholding the glory of a blank snowy setting.

Do prayers make a difference? Our protagonist keeps asking this question. Of course they do, but the film focuses only on the aspect of making people feel better. It doesn't mention any metaphysical effect on the world at large, or the idea of praying for world peace and messianic redemption. People are only praying for themselves and their family to deal with domestic and health issues.

Casting is so essential to a character-driven film. This one aced the test. I don't know who Brittany Snow is, but her no-makeup sadness came through the screen with genuine sincerity. Macy phoned it in, no pun intended, but in his case, he phones it in beautifully. Glen Headly, the mom, fit the profile to perfection. No one here is great looking or flashy. They are ordinary people in a working class Midwestern town trying to make it through life the best way they can.

What I loved the most was the way they structured dialogue scenes. The characters would say just the right amount of words to each other, without overdoing it or milking the scenes for manipulative effect.

I could have done without the few dream sequences and the schmaltzy music toward the end, but the photography was first rate.