Caminhos Perdidos

"Lost in the Sun" is a small independent film that itself gets a little lost on the way, but you can enjoy the ride because of the terrific acting from Josh Duhamel (Leo from "All My Children", Major Lennox from "Transformers"), Josh Wiggins ("Max"), Lynn Collins ("Wolverine"), and Emma Fuhrmann ("Blended"). It's a non-traditional road show and it delivers a fascinating look at the back roads of Texas and the meager life of a small time crook with a good heart but little else.

We are all looking for a place that feels like home and people to share it with. For most it isn't a cottage with a white fence and two dogs, and we make the best along the way. Sometimes the search is in vain and sometimes we can get back home, but we can get lost in the sun along the way.

Lost in the Sun is about family, and the discovery that families differ from person to person. Not every family turns out to have strong bonds, and from time to time, we can downright despise them at times. Lost in the sun centers on a young boy who has lost those bonds and a trip that brings his life into focus.

It's a fairly dramatic story. A young boy loses his mother, and has to travel across the country to live with his grandparents, whom he's never met before. Along comes drifter and lowlife John (Josh Duhmal), who offers to take this young man to his destination. Against his better judgment he hops into the car with this stranger, and begins a journey of self-discovery.

I didn't think it was a copied story. There was a lot of interesting and heartfelt moments. The plot line delivers a lot of teary moments, and as you travel through the country with them, their bond becomes stronger, as does yours with the characters. It was an interesting story too, as each reveal brings you closer and closer to their destination, and it's inevitable end. The thing I did notice is how similar the story was to the movie "Road to Perdition." If you've seen that film, you'll know it's not EXACTLY the same story, but remarkably close in many points. The lost boy, the father figure, the journey they take together across the country. Many of the same elements and emotional moments were in both films.

Overall, it's a decent movie. Better than I thought it would be and I found myself pretty drawn in to the story. It's sad, but in a good way.

5/10

This is a well-acted film for sure. It's nice to see Josh Duhamel in a gritty, dramatic role (brown teeth for the part even). The actor who portrays the kid was excellent as well.

This is a road movie drama with suspense and intrigue. Slow-moving at at times, it's got a moody, eerie feel that just pulls you right in. Should you like Josh's character, should you not? Those answers are not all forthcoming immediately. It's interesting to watch the bond develop between his character and the boy, and at times, your perspective on that may change (true bond? Stockholm Syndrome?). In the extra features, Josh says this was a movie he was trying to make for a long time. It's a independent film definitely worth watching.

Stumbled across this gem. Superbly crafted, fabulous cinematography, brilliant casting and great performances from everyone. Outstanding locations. The expansive angles capture the southern mid-west perfectly.

Characters are rich and absorbing, even those who only feature for a few moments.

The only thing that lets it down is the script, which is a little predictable, but does have the occasional surprise. But the excellent acting carries it off, and for me it's still 8 out of 10.

If you enjoy watching a truly well made film, you'll love this one.

Except for the gun propping up the story, good - very good - in a European film melancholy joie de vivre, Francois Truffaut, or "Paris, Texas," kind of way. I'm reviewing it because it's quite good. If I'm still remembering it the next day, it was noteworthy. That's in no small measure a credit to excellent photography by Robert Barocci. I'll just say, the story could easily have been written without a gun - 'cuz that's my soapbox. Guns in films are so prevalent, there should be an Oscar for the guns.

The character played by Josh Duhamel isn't very deep, and is kind of an unredeemable punk, but that's the way the character was supposed to be played. Josh Wiggens is excellent in his role as the orphaned boy. The pair are a credible duo. I never thought for a second that the characters were Hollywood contrivances. A lot of critics thought the characters and story were too thin to carry a full-length feature. I disagree. It's a wretched tendency that U.S. filmmakers have of tending toward clobbering audiences with action or sentiment. The characters unfold in a quiet way through their gestures and appearances, as in a Cormac McCarthy novel.

A great haunting score by Daniel Hart is appropriate for the film and plays an unmistakably powerful role in accenting the drama, but I have to admit I'm a bit weary of the rock strings Godspeed You Black Emperor/Explosions in the Sky copycat genre, not because I don't like it, but because it offends my sensibilities that it's been beaten from overuse into flattened roadkill at the edge of a highway. Nevertheless, it's essential to under-girding this drama.

The score's performers got dropped into the post-production credits, I hate to say, because they carried the film through the longer ponderous landscape moments - carried the film more than, say, the hair artists. I looked them up, 'cuz that's how I rolls: Shawna Hamilton (cello), Borak Loftipour (percussion), Veronica Gan (violin), Maria Demus (violin), Annika Donnen (violin). These all seem to be musicians trying to get their footing in the business - all in Texas, I think - maybe Denton.

http://www.imdb.com/title/tt3593046/