Amor, Sublime Amor

I was hesitant to go after hearing some negative reviews and stories of disapppointing box office after release.

But he music treatmeant of Bernstein's score, the choreography, the cast, were reallyjust excellent. Tony and Maria have more chemistry and talent than the originals (movie version), and I was blown away by the "I Want to Be in America" street scene. Not woke, not lame. See it.

I absolutely loved the movie - I had a lot of high expectations. I grew up rewatching the borrowed DVD of the 1961 version from the library. I have the 2009 Broadway version memorized by heart. But this adaptation?? It did everything so, so much justice. The acting, the singing, the dancing. There was a tension that you should feel throughout. And so many Performances with a capital P - ESP Ariana, Mike and David. The shots were absolutely BEAUTIFUL. The orchestra - EXQUISITE. This version of WSS actually broke me.

I want to watch it again. I look forward to owning this version on DVD.

Spielberg does it again! Another outstanding production under his direction. The cast was great, the singing was great but one major thing that stood out to me was the choreography. It couldn't have been any better, and I can't imagine the amount of training and dance practice that each actor had to go through. Job well done by every member of the cast and crew!

It's not a remake. This has absolutely nothing to do with the 1961 film. They are completely separate adaptations of the stage musical. This is not rocket science. New versions of West Side Story are made every year around the world. The 1961 film has literally zero ownership over this story and characters.

It's as simple as this.. anyone crying about this film being "woke" - has not seen it. The extremely short passages of Spanish dialogue are deliberately written to not need subtitles. The performances make the context of the speech obvious - and everything is repeated in English anyway. Anybodys is presented exactly the same as the 1961 film - no reference to "non-binary" is ever made. Ergo the people moaning about the casting have (again) not even seen the film. Nothing about the main plot is changed, but the backstory is developed with great success. Chino especially is a huge improvement from earlier adaptions. Tony's more genuine past is a big asset to the film as well. Rita Moreno's new role is wonderful.

It's an incredible ensemble performance. The dancing is amazing, and the singing is breath-taking. And there's no miming here - many of the songs were even recorded live on set! The work behind the camera is equally impressive. Stunning cinematography and direction. Tony & Maria didn't have perfect chemistry, but the rest of the performance more than makes up for that.

Why are people acting invested in how much money this film makes, as if that has anything to do with it's quality. For a reality check I will remind you Steven Spielberg is literally the richest film director is the history of cinema. The guy is a multi-billionaire. Some people make a success of their lives while internet trolls waste away. Make better choices. And I realise I'm shouting into the void here - this page has clearly been completely lost to those trolls. Or should just say "troll" - on the first page alone I count 6 users that are all literally the same person. That's the extent of my patience, but no doubt this bizarre person has dozens more fake accounts if I could be bothered to check. Why someone would waste their life trolling a film website 24/7 is beyond me - but whatever, it's a free country.

Watching west Side Stiry in a cold theatre with a mask, I was having a difficult time warming up to the movie. I kept thinking "why bother" with a remake. Then I realized the movie was still set in the 60's. And Spielberg wanted to set the record straight. The new West Side Story is about race.

In this production the Puerto Ricans were really Latino and spoke Spanish (no subtitles). The white kids were mostly sort of clueless, without much reason for being there. The Puerto Ricans had all the good lines, the believability, the energy.

I actually liked the performances a lot. Rachel Zegler as Maria was stunningly pure, almost unrealistically romanticized like a virgin princess. Ariana DeBose was tormented and fiery, and David Alvarez was the stealth show stealer of the production with his sexy, macho Bernardo.

The singing was outstanding. Rita Moreno sang and she still has a decent voice. But in retrospect, I was mist impressed with Ansel Elbert as Tony, who has been getting mediocre reviews for his lack of "soul". Ansel Elbert was hot! Elbert was singing tenor, sweet, clear and very emotional singing from his heart. What a concept.

It's not a common occurrence for a young person to sing so innocently these days, about true love, and Elbert, with his pouty lips and lanky working class presentation was so much fun to watch! Nobody believes in true love anymore. So it was a bit anachronistic to see this production based on the idea of true love. At the end when Maria cries her heart out over Tony laying in the street she is not only crying about the loss of her love. She also seems to be crying to the gang members looking on snd crying about their loss of innocence. In that regard she was crying for the audience, for me, Who cries about true love these days? True Love? It's actually counterrevolutionary.