Adicionar um enredo no seu idiomaErica, an American translator, secretly rewrites a Barcelona-set novel. Complications arise when bookseller Nico invites Anna, the credited author, for a signing in the city.Erica, an American translator, secretly rewrites a Barcelona-set novel. Complications arise when bookseller Nico invites Anna, the credited author, for a signing in the city.Erica, an American translator, secretly rewrites a Barcelona-set novel. Complications arise when bookseller Nico invites Anna, the credited author, for a signing in the city.
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About 4 or 5 years ago there was an enjoyable movie "Book of Love" with the same premise as this one. The difference is... that first movie was original and fun. This remake/ripoff of that movie was just plain painful. We like the two leading actresses and they have made many enjoyable movies with Hallmark, but not this one. We were, in fact, able to watch the first fifteen minutes or so, and scan to the last fifteen minutes of the movie and by scanning over the middle, we missed absolutely nothing. What a shame. Also, there was very little of Barcelona in the movie and most of it just looked like it was done on a studio sound lot. Too bad. This could and should have been fun and not painful.
To Barcelona, With Love is easily one of the best Hallmark movies of the year - and I say that as someone who watches a lot of them. The true standout here is the dynamic pairing of Ashley Williams and Alison Sweeney, two top-tier actresses who share the screen beautifully. Their chemistry is warm and effortless.
I've seen some comments calling out their age or their quirks - and honestly, that's missing the point entirely. These are accomplished women playing layered, funny, and yes, occasionally awkward characters in a way that feels authentic and earned. It's rare (and deeply appreciated) to see a Hallmark movie that allows its characters to be both vulnerable and vibrant without leaning on tired tropes.
The writing is another high point. It's smart, timely, and genuinely funny - balancing the scenic escapism of Barcelona with relatable emotional beats about friendship, purpose, and unexpected love. I found myself laughing out loud in moments and fully invested in the characters' journeys.
If you're tired of formulaic love stories and want something with a little more heart and humor, To Barcelona, With Love delivers. Looking forward to the second part!
I've seen some comments calling out their age or their quirks - and honestly, that's missing the point entirely. These are accomplished women playing layered, funny, and yes, occasionally awkward characters in a way that feels authentic and earned. It's rare (and deeply appreciated) to see a Hallmark movie that allows its characters to be both vulnerable and vibrant without leaning on tired tropes.
The writing is another high point. It's smart, timely, and genuinely funny - balancing the scenic escapism of Barcelona with relatable emotional beats about friendship, purpose, and unexpected love. I found myself laughing out loud in moments and fully invested in the characters' journeys.
If you're tired of formulaic love stories and want something with a little more heart and humor, To Barcelona, With Love delivers. Looking forward to the second part!
It's too bad if this movie is a rip off of an earlier movie, but it's not that uncommon in this genre. Often I see new movies on this network and similar networks that make me stop to be sure I haven't watched it before. I don't think I ever saw the one this supposedly copies, so I thought the story was clever regardless.
It is also very common for Hallmark to use their older actors in roles that could be filled by younger stars. And they have some great younger stars.
It is also true that if you watch much of Ashley Williams, her smile definitely looks pasted on.
So what? I enjoyed the interplay between these two veteran actresses. It was complicated. At some points maybe too complicated to feel smooth and natural. But real life is not smooth and natural. In this story, we saw too women struggling, at least in part, with their identity.
On this site, I see so many complaints about the stories not being fresh. I even complain myself about the "same old stuff" rehashed with little creativity. A rip-off or not, this story is not the same old stuff. And the two veteran ladies make this movie about more than the story itself.
Many reviews discuss "chemistry" between the leads. In this movie the chemistry is between Sweeney and Williams and it is very good. There is a romance between a man and a woman also, but it is secondary.
It is also very common for Hallmark to use their older actors in roles that could be filled by younger stars. And they have some great younger stars.
It is also true that if you watch much of Ashley Williams, her smile definitely looks pasted on.
So what? I enjoyed the interplay between these two veteran actresses. It was complicated. At some points maybe too complicated to feel smooth and natural. But real life is not smooth and natural. In this story, we saw too women struggling, at least in part, with their identity.
On this site, I see so many complaints about the stories not being fresh. I even complain myself about the "same old stuff" rehashed with little creativity. A rip-off or not, this story is not the same old stuff. And the two veteran ladies make this movie about more than the story itself.
Many reviews discuss "chemistry" between the leads. In this movie the chemistry is between Sweeney and Williams and it is very good. There is a romance between a man and a woman also, but it is secondary.
I have very mixed feelings about this movie.
Let's start with the good: I adore Alison Sweeney. Ride or die fan since her soap opera days. Her character, Erica, was grounded, relatable, and honestly the only reason I stuck it out to the end. She brought her usual warmth and charm, and I genuinely enjoyed her performance. That said, I did side-eye her for going along with Anna's wild ideas. I expected better decision-making from a woman who clearly has a functioning frontal lobe.
Now onto Anna. Whew. Where do I even begin? Watching her was like biting into what you think is a chocolate chip cookie and realizing it's raisins. Her energy was dialed up to eleven the entire time, and not in a fun, quirky way. Her behavior toward Erica was toe-curling levels of cringe. I'm all for bold female characters, but not when they bulldoze with an endless parade of eye-roll-inducing antics.
As for Ashley Williams-look, I know she has her fans, but I'm not one of them. She's fine, I guess, but every role feels like a copy-paste from the last one. Same facial expressions, same overly peppy delivery, like she's auditioning for a permanent slot on a yogurt commercial.
The chemistry between Erica and Nico had potential. Had. But every time it started to get interesting, the whole Anna hurricane would swoop in and wreck it. It felt unbalanced and forced-like trying to enjoy a quiet dinner while someone keeps clapping loudly in your face.
Now let's talk about the ageism because-oh honey-I have thoughts. I've seen other reviews saying these women were "too old" to be gallivanting around Europe and having adventures. I beg your pardon? Since when did joy and spontaneity come with an expiration date? I'm 45, and let me tell you-I'm not some decrepit cryptkeeper lurching toward early bird specials and orthopedic shoes. Women don't just shrivel into irrelevance past 40, and the suggestion that they should is straight-up offensive. Midlife is not a personality flaw.
So, final verdict: this movie wasn't for me. The storyline felt flat, the romantic chemistry fizzled more than it sizzled, and the whole dynamic was off balance. I won't be rewatching it, but I will be rewatching Alison Sweeney in literally anything else-preferably without being overshadowed by an exhausting sidekick and a script that forgot how to be fun and meaningful.
Let's start with the good: I adore Alison Sweeney. Ride or die fan since her soap opera days. Her character, Erica, was grounded, relatable, and honestly the only reason I stuck it out to the end. She brought her usual warmth and charm, and I genuinely enjoyed her performance. That said, I did side-eye her for going along with Anna's wild ideas. I expected better decision-making from a woman who clearly has a functioning frontal lobe.
Now onto Anna. Whew. Where do I even begin? Watching her was like biting into what you think is a chocolate chip cookie and realizing it's raisins. Her energy was dialed up to eleven the entire time, and not in a fun, quirky way. Her behavior toward Erica was toe-curling levels of cringe. I'm all for bold female characters, but not when they bulldoze with an endless parade of eye-roll-inducing antics.
As for Ashley Williams-look, I know she has her fans, but I'm not one of them. She's fine, I guess, but every role feels like a copy-paste from the last one. Same facial expressions, same overly peppy delivery, like she's auditioning for a permanent slot on a yogurt commercial.
The chemistry between Erica and Nico had potential. Had. But every time it started to get interesting, the whole Anna hurricane would swoop in and wreck it. It felt unbalanced and forced-like trying to enjoy a quiet dinner while someone keeps clapping loudly in your face.
Now let's talk about the ageism because-oh honey-I have thoughts. I've seen other reviews saying these women were "too old" to be gallivanting around Europe and having adventures. I beg your pardon? Since when did joy and spontaneity come with an expiration date? I'm 45, and let me tell you-I'm not some decrepit cryptkeeper lurching toward early bird specials and orthopedic shoes. Women don't just shrivel into irrelevance past 40, and the suggestion that they should is straight-up offensive. Midlife is not a personality flaw.
So, final verdict: this movie wasn't for me. The storyline felt flat, the romantic chemistry fizzled more than it sizzled, and the whole dynamic was off balance. I won't be rewatching it, but I will be rewatching Alison Sweeney in literally anything else-preferably without being overshadowed by an exhausting sidekick and a script that forgot how to be fun and meaningful.
Most of the other reviews found flaws with the characterization and age of the leads. While I see where they're coming from, I can't agree with them on much.
I think they come across as real people, with real issues. The plot is not especially unique, but Hallmark rarely has totally original ideas. This was better than average by a good measure. Yes, the characters were quirky to say the least, but Ashley Williams is playing a character who lives in the moment, and she does it well.
One of you said they are playing as if younger, but I don't see that. They are mature women, still struggling with discovering themselves. For some that happens as teenagers, but some of us take much longer.
I think this is a story of discovery and hope, and having seasoned actresses makes it more meaningful.
I think they come across as real people, with real issues. The plot is not especially unique, but Hallmark rarely has totally original ideas. This was better than average by a good measure. Yes, the characters were quirky to say the least, but Ashley Williams is playing a character who lives in the moment, and she does it well.
One of you said they are playing as if younger, but I don't see that. They are mature women, still struggling with discovering themselves. For some that happens as teenagers, but some of us take much longer.
I think this is a story of discovery and hope, and having seasoned actresses makes it more meaningful.
Você sabia?
- CuriosidadesAlison Sweeney [Erica] & Alejandro Tous [Nico] were born less than a week apart: Alejandro on September 13, and Alison on September 19, 1976.
- ConexõesFollowed by To Barcelona, Forever (2025)
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