Gallipoli

As a devoted history reader, I also try to follow such shows, films, and series because I just wanna feel that "connection".

This production is far from the best historical adaptation but as a great-grandson of a Turkish martyr that fell on Gallipoli, I must admit I felt more than just a simple "connection". It honestly brought tears to my eyes at a certain point.

True, the character development is a little off. True, many moments from the show might seem cliché. Also, I don't know about all the actors but the Turkish speakers had to work on their pronunciations a little bit more.

But to see an Australian production that shows the Turks the respect that we have shown to them is just a sign of a beautiful thing in my opinion. Sure, some moments felt off, definitely. All things considered, I find this show beautiful, touching, brutally honest about some aspects of the war.

For the people who think about watching the show, I can only say that if you're looking for "Saving Private Ryan: WWI Version", you won't find it in this show. This is different. Really different. It definitely is worth a shot.

Overall, this was a very good series. For the most part, I thought this was a very realistic portrayal of the actual battle. There are little flaws and goofs here and there, (for instance soldiers smoking filtered cigarettes that didn't come into existence until the late 40s early 50s.), but I have a habit of spotting little details that are out of place more so than the average person. The actors portrayals of the historical characters was for the most part spot on. I did have issues with the accuracy of the soldiers in combat. There wasn't the shock and paralyzing fear that is common to soldiers engaged in combat for the first time. Additionally the post battle stress was not really portrayed well at all. Still, the series has a lot of merit and does represent the history of Galipoli well. I do recommend it!

I, honestly, have never heard of this show. I even spent 6 months in Australia, and this never came up in passing. The only reason this show was given a watch by me is because of boredom, which always tends to lead me to war shows. Anyways, this show is so darn good! I definitely would say this belongs in the same breath as Band of Brothers. IMO, nothing will ever top Band of Brothers for me, but Gallipoli was certainly very well made like it. What raises this show up on top of it just being good is the fact that Gallipoli is not well known. Anything to do with the battles here, all the Churchill stuff being hugely unknown where he failed badly at this time (everyone knows him when he took over as PM in WW2, but don't realize the failure beforehand), and the story of the ANZACS. ANZAC day is obviously very big in Australia and NZ, even having a day for it, but as Americans we know NOTHING about it. I learned while I was studying there, and I love history!

So in a nutshell this show should certainly be given a watch when you have the time to pay attention. The second episode especially was such a great window into what war is like. It's hard to imagine these days where it's a different world, but the World Wars were largely made up of just regular people. The wars before now were a lot less personal due to technology, and fighting tactics....but reality sank in hard when they learned their hated foes were just men fighting with wives, childeren and families (A "we aren't so different you and I" type thing).

When this aired I saw a few minutes and turned it off. I thought it looked lame and cliched. I decided to see a full episode this year and thought it was outstanding, and the other epis followed in quick succession. Yes, the characters are a bit shallow and it leans heavily on its good production value, which is strong for an Australian produced TV series. But the characters are never cliched excepted in isolated moments. I can see the temptation for Australian productions to slam the Brits as dummies in the WWI context, but ironically Sir Ian Hamilton to probably the most sympathetic and well-rounded character in the series. There is great attention to historical accuracy, and the broad scope of events is very informative to the layman, and full of neat surprises of historical details for those who appreciate it. Maybe it is patriotism calling that I give it 10/10, but Anzac history is of personal interest to me and I find it a shame the show bombed. It's not often we see quality Aussie stuff unfortunately.

One powerful memory I have of growing up was a photograph on the mantelpiece in my Grandmother's house of her brother who was killed on the second day at Gallipoli. He was a signaller; it would have been hard to get insurance for a man whose job was to stand up in full view and wave a couple of brightly coloured flags. Inevitably his luck ran out - he was 21 years old.

Even without that family connection, I have always found the Gallipoli campaign fascinating, not just for the battle, but for what it means to Australians, and how our collective memory about it has changed over the decades. Each generation reinterprets it to fit the times we live in.

And that is the big problem for any filmmaker: which Gallipoli do you make? The one with the Anzacs as exceptional warriors who showed the British, Turks, and the world a thing or two - more or less the memory that existed between the two world wars and into the 1950's - or do you go for the Anzacs as tragic victims, sacrificial lambs to the incompetence of senior officers and politicians; the image that has been finely-honed over the last couple of decades.

The filmmakers have gone for something between the two. Getting the tone right was the critical thing. There is no glorification of war here. The series is built around pale-looking Thomas 'Tolly' Johnson played by Kodi Smit-McPhee, although hardly the epitome of the Bronzed Anzac, he nonetheless demonstrates inner strength as the campaign progresses.

And as for the first day of battle, which occupies the whole of the first episode, I think the filmmakers caught a feeling for the event as described in the many histories, however there are two things worth pointing out.

The first could be put down to artistic licence. Although real shots of the terrain are married with recreations shot in Australia, the hills beyond Anzac Cove were actually more densely covered in underbrush in the beginning of the campaign than shown in this depiction. Of course it would have been just as hard to film in dense brush as it was to fight a battle in it.

My other point is more critical. What about the Kiwis? New Zealanders have often felt that Australians have hi-jacked the whole of the Anzac story - not so if you read C.E.W. Bean - but they may have a point here. Although the filmmakers have gone for an impression of the landing, with an amalgam of actions fought by various units, it seems to take place mainly on the left of Anzac. New Zealanders do appear in later episodes, but the scriptwriters could easily have included them on the day of the landing because in reality they arrived with fresh troops in the afternoon to reinforce the exhausted Australians on the left - it was a decisive moment.

That aside, this is a brave attempt to tell a complex story. Although some budget limitations do show - the big Turkish counter-attack needed a bigger canvas - the aftermath with the armistice and the burial of the bodies really hits home.

It's more polished than the "Anzacs" mini-series, but does not eclipse Weir's "Gallipoli" that 'buddy movie' par excellence set against one momentous event in a big campaign. Instead, this "Gallipoli" covers that big campaign including the Diggers on the beach, the Turks in the hills facing them, the High Command at sea sipping scotch and sodas, the journalists trying to expose the whole mess, and even a few flashbacks showing happier times before the war. It was a lot to cram in, but it all works once you get a feel for it, and there are touches of brilliance; John Bach's General Hamilton in particular.

There are more episodes to come, but the tone has been set. On one level, the filmmakers have made an affecting drama, while on the other, they have given those who know little of the story a better understanding about what happened in that terrible place one hundred years ago.