Todo Mundo Ao Vivo com John Mulaney
Título original: Everybody's Live with John Mulaney
John Mulaney entrevista celebridades neste talk show descontraído. Ao vivo todas as semanas.John Mulaney entrevista celebridades neste talk show descontraído. Ao vivo todas as semanas.John Mulaney entrevista celebridades neste talk show descontraído. Ao vivo todas as semanas.
- Indicado para 1 Primetime Emmy
- 2 indicações no total
Explorar episódios
Avaliações em destaque
With a hard to bridge gap left by the best of late night, John has done an exceptional job of making each episode enjoyable without fail. Richard Kind proves himself to be even more loveable than one thought possible as John's MC, bringing along with him memorable moments each and every episode. John and Richard are national treasures, world treasures even, that we must protect at all costs.
Its a pity late night television can't sustain the daily format these days, as shown by others still lingering, as Everybody's Live brings a fresh yet familiar quality with it is viewing that cannot be missed. A wide variety of guests and subjects each week, without needing to focus solely on politics for content.
Its a pity late night television can't sustain the daily format these days, as shown by others still lingering, as Everybody's Live brings a fresh yet familiar quality with it is viewing that cannot be missed. A wide variety of guests and subjects each week, without needing to focus solely on politics for content.
Another massive Mulaney fan here. He is a top-tier, brilliant stand-up comedian, perfectly suited for SNL-both as a writer and performer. He's also a decent voice actor and an excellent talk show guest. I have a few theories (more like psychological observations) on why he excels in these areas but struggles as a talk show host or with his own sketch comedy show. However, what matters most is his mental well-being, which I believe is closely tied to the feedback he receives. There's nothing wrong with experimenting, trying new things, and striving to be great at all of them-but I never want to see him return to his old lifestyle out of desperation or a sense of failure, especially when he's already one of the best at what he does best.
A lot of the reviews that are harshly negative against this show unfairly compare it to other talk shows and complain about what it does "wrong". I am sorry, but those people just don't get it - this is not meant to be just like all the other talk shows and do everything "right". Guests aren't going to talk about their projects. Callers are going to get hung up on. The jokes are going to fall flat, sometimes intentionally and ironically. The topics are random and don't expect to really get anything useful out of them. This is performance art of the absurd. I remember watching David Letterman when his show first came on - I was a young teen at the time, and I thought it was the coolest thing I had ever seen, but most people thought it was idiotic. It developed a cult following because there was an intelligence behind the seemingly random and bizarre humor. John Mulaney's show is quite different in execution, but it reminds me of that feeling - it's chatting a fresh course, something that's really never been done before. The first time I watched it, I wasn't sure if I liked it, but I honestly couldn't stop tuning in, and it keeps growing on me. Now I can't believe there's only 2 episodes left, and I'm praying Netflix renews it!
I am a big fan of John Mulaney and couldn't wait to watch the first episode last night.
Once the show started, my excitement never went up. I hope they got honest reviews from their test audience because this show wasn't funny nor was it entertaining.
Even with quality guests, Michael Keaton, Joan Baez, Fred Armisen the show never picked up the pace.
The monologue bombed, the phone segment was terrible, and even Michael Keaton, Fred Armisen and cameo guest Tracy Morgan couldn't generate even a single laugh. I was bored after the phone call segment and lost interest after that. I don't know who was responsible for writing or producing his but they need to be replaced. It is a boring concept and needs to be different than the other talk shows as John Mulaney's brand of humor doesn't seem to fit with the format, clearly doesn't relate to the guests, or even resonate with the viewers.
If I was a producer I wouldn't have added my name to the credits because I would be embarrassed if I had anything to do with the show. If they don't revamp this show it won't make it past one season, even on Netflix. They did green light Meghan Markle's show so there is a chance it may be renewed, but if it bombs like this again it will be cancelled for sure.
I'll still give it another chance but if they have another episode as bad as the first one, I won't watch it again.
Once the show started, my excitement never went up. I hope they got honest reviews from their test audience because this show wasn't funny nor was it entertaining.
Even with quality guests, Michael Keaton, Joan Baez, Fred Armisen the show never picked up the pace.
The monologue bombed, the phone segment was terrible, and even Michael Keaton, Fred Armisen and cameo guest Tracy Morgan couldn't generate even a single laugh. I was bored after the phone call segment and lost interest after that. I don't know who was responsible for writing or producing his but they need to be replaced. It is a boring concept and needs to be different than the other talk shows as John Mulaney's brand of humor doesn't seem to fit with the format, clearly doesn't relate to the guests, or even resonate with the viewers.
If I was a producer I wouldn't have added my name to the credits because I would be embarrassed if I had anything to do with the show. If they don't revamp this show it won't make it past one season, even on Netflix. They did green light Meghan Markle's show so there is a chance it may be renewed, but if it bombs like this again it will be cancelled for sure.
I'll still give it another chance but if they have another episode as bad as the first one, I won't watch it again.
As John said, "Jazz talk show." Very loose and freewheeling. I'm loving it. Loved the earlier six show run last year.
If it was nightly, wouldn't be as alluring, but one night a week. Sure. Tune in and hang for the ride.
People like me who find the endless array of celeb interviews very formulaic and ho hum-ish, may very well like this talk show with a twist. Kinda quirky but not as juvenile as Reggie Watts' brand of quirk or Fallon's wagging puppy dog drivel. Keep on mixing it up, Mulling Man.
I'm sure you'll find you line and length, as they say in cricket and your demographic will find yew.
If it was nightly, wouldn't be as alluring, but one night a week. Sure. Tune in and hang for the ride.
People like me who find the endless array of celeb interviews very formulaic and ho hum-ish, may very well like this talk show with a twist. Kinda quirky but not as juvenile as Reggie Watts' brand of quirk or Fallon's wagging puppy dog drivel. Keep on mixing it up, Mulling Man.
I'm sure you'll find you line and length, as they say in cricket and your demographic will find yew.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Everybody's Live with John Mulaney
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
What is the Spanish language plot outline for Todo Mundo Ao Vivo com John Mulaney (2025)?
Responda